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The Jazz Historian: John Edward Hasse
by B.D. Lenz
Jazz is not simply a style of music; it is also a culture. The impact of this cultural force has had many ups and downs throughout the last century but, undeniably, has been felt worldwide across all nations and all languages. With such a storied past, it's important that an account of its beginnings and those ...
Matt Otto: Umbra
by Dan McClenaghan
This music--nine Matt Otto originals--has the feeling of shadowy sounds. Shapes without defined borders emerge. On the opener, “Little Things," the core trio--the leader plus bassist Jeff Harshbarger and drummer John Kizilarmut--are joined by Fender Rhodes player Matt Villinger and guitarist Alex Frank. The electronic resonance gives the sound an alluring and shadowy blur, as does ...
The Best of Tony Bennett
by Chris M. Slawecki
"Tony Bennett is the best singer in the business, the best exponent of a song," Frank Sinatra once said. “He's the singer who gets across what the composer has in mind, and probably a little more. There's a feeling in back of it." Tony Bennett began his career as a singing waiter in his ...
A Fireside Chat With Tony Bennett
by AAJ Staff
This interview was first published on All About Jazz in September 2001. Tony Bennett hails from a period in Americana where style loomed larger than sustenance and men were less than men without a martini or scotch in one hand and a cigar or cigarette burning from the other. Those were the days. And ...
One of the Boys in the Band: Discovering my Dad
by George Gozzard
George Gozzard was the baby of a pretty large family the jazz trumpeter Harry Roy Gozzard raised. Harry was one of those great working musicians we heard about in the 1930s and through the 1950s who played jazz and dance band gigs interchangeably. These were the days of months long (if not longer) engagements musicians would ...
The Best of Times, the Worst of Times
by William H. Snyder
Introduction“April is the cruelest month... “ so begins The Burial of the Dead section of T. S. Eliot's 100-year-old poem. “The Waste Land" laments the decline of culture in the world after World War I. In April of 2023, we lost Harry Belafonte and Ahmad Jamal. The loss of these two men is part of contemporary ...
Louis Armstrong, Count Basie, Duke Ellington & Lena Horn
by Joe Dimino
In honor of the 2022 book Dangerous Rhythms by New York Times best selling author T.J English, we constructed an hour of jazz celebrating the story of his intersection of the mob and the music. It starts in Chicago with the great King Oliver and ends in New York City with Jimmy Durante. In between, we ...
Dizzy Gillespie & Charlie Parker: Live Revisited
by Chris May
The first six tracks on this album, which were recorded at New York City's Town Hall on June 22, 1945, are amongst the most exciting in the jazz compendium. Not only because of their intrinsic artistic merit but also because they mark one of the first, if not the first, occasion the vanguard of the bop ...
The Harry Allen Orchestra: With Roses
by Pierre Giroux
Harry Allen is a tenor saxophonist's tenor saxophonist with an elegant tone and swinging style in the manner of Scott Hamilton, Lester Young or Ben Webster. He has a well-rounded discography of over 70 releases as a leader and many others as a sideman. Over the course of his prolific career, Allen has appeared with the ...
Marc Copland: Impressions
by John Kelman
Solo performances may approach presenting an artist at his or her most vulnerable, but it's in the context of the duo that they're the most exposed. Not only are their abilities, instincts and improvisational élan laid bare, but their communication skills, at the deepest level, are impossible to disguise. The good news is that, were pianist ...
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