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27

Article: Building a Jazz Library

Strata-East: Seizing the Time

Read "Strata-East: Seizing the Time" reviewed by Chris May


Operating on minimum finance and maximum passion, Brooklyn's Strata-East label was a pivotal platform for the spiritual-jazz movement that emerged during the Civil Rights struggle of the 1970s. Its closest contemporary comparator was Chicago's Association for the Advancement of Creative Musicians. Both were non-profit organisations. The AACM was non-profit by design. With Strata-East, co-founder Charles Tolliver ...

8

Article: Album Review

Alexander Hawkins and Tomeka Reid: Shards and Constellations

Read "Shards and Constellations" reviewed by Troy Dostert


Although they have not recorded together previously, pianist Alexander Hawkins and cellist Tomeka Reid are both improvisers with omnivorous musical tastes and soaring ambition. Hawkins has fronted his own ensembles over the years—perhaps the most notable example being Step Wide, Step Deep (Babel, 2014)—but he's been active in freely-improvised contexts as well, working with everyone from ...

Results for pages tagged "Leroy Jenkins"...

Musician

Leroy Jenkins

Born:

Born in Chicago, composer and violinist Leroy Jenkins was one of the most important musicians to emerge from the AACM (Association for the Advancement of Creative Musicians), the legendary collective of which he was a member until his death in 2007. Like many of the Association's members, Jenkins studied under the legendary Walter Dyett at DuSable High School, where he learned the alto saxophone. He received a music degree (in violin) from Florida A&M University, where he studied composition and the classical masters of the violin. Subsequently, he taught music both in Mobile, Alabama (1961-5) and in the Chicago schools (1965-9)

10

Article: Interview

Adam Rudolph: Ragmala and Prototypical Music

Read "Adam Rudolph: Ragmala and Prototypical Music" reviewed by Franz A. Matzner


Adam Rudolph has been seeking to push the boundaries of musical creativity for decades, developing a unique concept of composition, ensemble interaction, and conducting. As many writers have commented, his music resists critical commentary due to its prototypical nature. Said another way, Rudolph's music doesn't sound like anything else, and its antecedents are so varied that ...

3

Article: Live Review

ECMFest at SFJAZZ

Read "ECMFest at SFJAZZ" reviewed by Harry S. Pariser


ECM Fest SFJAZZ San Francisco, California October 24-27, 2019 ECM (Edition of Contemporary Music) is an independent record label founded by in Munich In 1969 Karl Egger, Manfred Eicher and Manfred Scheffner had the brilliant foresight to found ECM (Edition of Contemporary Music) in Munich, Germany. The label has ...

Article: Album Review

Wadada Leo Smith: Rosa Parks: Pure Love. An Oratorio of Seven Songs

Read "Rosa Parks: Pure Love. An Oratorio of Seven Songs" reviewed by Giuseppe Segala


Un lavoro ambizioso, profondo e impegnativo, questo Rosa Parks: Pure Love. An Oratorio of Seven Songs di Wadada Leo Smith, dove il musicista affronta nuovamente con passione un capitolo della vicenda nero-americana per la dignità e i Diritti Civili negli Stati Uniti. Ricordiamo lo splendido lavoro, riunito in un cofanetto di quattro CD pubblicato nel 2012 ...

14

Article: History of Jazz

The Creative Musicians Improvisers Forum: New Haven's AACM

Read "The Creative Musicians Improvisers Forum: New Haven's AACM" reviewed by Daniel Barbiero


The late 1960s through the 1970s and '80s were difficult years for jazz and jazz-derived improvised music, but they were also years that saw musicians—by necessity—respond to these difficulties with creative solutions. With first the rise and then the commercial dominance during those years of rock music and the corresponding eclipse of jazz, creative musicians in ...

4

Article: Album Review

Wadada Leo Smith: Rosa Parks: Pure Love. An Oratorio of Seven Songs

Read "Rosa Parks: Pure Love. An Oratorio of Seven Songs" reviewed by John Sharpe


Trumpeter Wadada Leo Smith's prolonged late career flowering shows no sign of abating with the creation of yet another epic work, following on the heels of his monumental Ten Freedom Summers (Cuneiform, 2012), Great Lakes Suite (TUM, 2014) and America's National Parks (Cuneiform, 2016). For his inspiration he takes the story of Rosa Parks, one of ...

1

Article: Profile

Henry Threadgill: la sintesi e gli specchi

Read "Henry Threadgill: la sintesi e gli specchi" reviewed by Giuseppe Segala


Il settembre 2017 è stato per Henry Threadgill un mese di intensa vendemmia discografica: nel giro di pochi giorni, dal 24 al 27, il compositore e polistrumentista è entrato nello studio Water Music, New Jersey, con due formazioni diverse ma per molti versi complementari, e una bella mole di materiale. Uno dei due organici, denominato Double ...

21

Article: Album Review

Wadada Leo Smith: Rosa Parks: Pure Love

Read "Rosa Parks: Pure Love" reviewed by Karl Ackermann


Like several exceptional modern era composers from Ornette Coleman to John Zorn to Tyshawn Sorey, the “jazz" appellation has only anecdotal application to the latter-day calling of Wadada Leo Smith as a composer. On his previous Cuneiform releases Ten Freedom Summers (2012) and America's National Parks (2016), Smith worked with an ear toward confronting injustice and ...


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