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Lenny Breau

Lenny Breau is considered to be one of the elite in the world of jazz guitar. His peers recognize him as one in a short line of guitarists who not only changed jazz guitar but the way guitar was played in general. One of his heros, Chet Atkins even called Lenny his hero. Breau's admiration for all kinds of great music, found him incorporating ideas of flamenco, classical, and other styles in his playing. His legacy is heard in jazz players even today, especially his right hand harmonics technique. For more information please visit the official Lenny Breau web site at www.LennyBreau.com.

ARTICLE: RADIO

Hanksgiving: Jazz Tributes to Hank Williams

Read "Hanksgiving: Jazz Tributes to Hank Williams" reviewed by Ludovico Granvassu

Do you sympathize with the plight of the turkeys? Do family reunions bring you anxiety? Then forget about Thanksgiving! Mondo Jazz is here to help you switch to Hanksgiving, with two hours of Jazz tributes to the great Hank Williams, the only singer who is more American than pumpkin pie! This week we have ...

ARTICLE: PROFILES

The Complete Jan Akkerman: Focusing on a Life's Work

Read "The Complete Jan Akkerman: Focusing on a Life's Work" reviewed by John Kelman

He may be largely regarded as the most influential guitarist to emerge from the Netherlands, a country that, bordering on the North Sea, is roughly one-quarter the physical size of England and, with a current number of about seventeen million, has just one-third the population of the UK's largest country. Still, despite garnering major in-country recognition, ...

ARTICLE: ALBUM REVIEWS

Bill Frisell: Music IS

Read "Music IS" reviewed by John Kelman

The tradition of solo jazz guitar recordings is a long one, with guitarists like Johnny Smith, Al Viola, George Van Eps, Lenny Breau and Joe Pass demonstrating just how far a mere six (in some cases, seven) strings could be taken on their own as far back as the 1950s. Subsequent guitar soloists like John Abercrombie ...

NEWS: VIDEO / DVD

Videos: Three Guitar Masters

Videos: Three Guitar Masters

Since it's Friday, I thought I'd end the week by sharing with you three separate videos of true jazz guitar masters—Louis Stewart, Joe Pass and Lenny Breau. I think you'll agree that all three are at their finest here. In each case, I found videos you wouldn't be able to stop watching even if you had ...

ARTICLE: TOP TEN LIST

Top Ten Guitarists Who Left Us Too Soon

Read "Top Ten Guitarists Who Left Us Too Soon" reviewed by Alan Bryson

Ranking musicians is a hopelessly flawed endeavor. It's about as meaningful as having a list of the top ten best tasting foods. Taste is highly individualized, influenced by mood, familiarity, and the way in which multiple variables interact. One person's escargot is someone else's slice of Chicago style pizza. I just took a break and searched ...

Steve Herberman, Hristo Vitchev, Rick Stone and Harvey Valdes

Read "Steve Herberman,  Hristo Vitchev, Rick Stone and Harvey Valdes" reviewed by Dom Minasi

Welcome back to Guitarists Rendezvous, our third installment in a series that introduces readers to emerging or established guitarists who fly just under the radar of public recognition. Each will field the same four questions and we've included audio and video so you can sample their music. This installment includes a diverse group ...

ARTICLE: ALBUM REVIEWS

Nobuki Takamen: Solo Guitar

Read "Solo Guitar" reviewed by Mark Sullivan

Jazz guitarist Nobuki Takamen plays like someone with nothing to prove as he takes on that most difficult challenge: a truly solo jazz recording, with no overdubbing or electronics. His playing throughout is confident and mature, with no extraneous display. Which is not to say that his technique is lacking: the opener “Someday" effortlessly goes from ...

ARTICLE: TAKE FIVE WITH...

Take Five With Mason Razavi

Read "Take Five With Mason Razavi" reviewed by Mason Razavi

Meet Mason Razavi: Starting out as a self-taught rock guitarist, Mason began studying jazz and playing in working rock bands as a teenager. After hearing an Andres Segovia recording for the first time at age 22, Mason changed directions dramatically and focused on the classical guitar for several years before returning to jazz and the ...

ARTICLE: ALBUM REVIEWS

Ryan Blotnick: Solo, Volume I

Read "Solo, Volume I" reviewed by Mario Calvitti

Dopo due album a suo nome registrati con formazioni variabili (trio, quartetto, quintetto), il giovane chitarrista Ryan Blotnick (classe 1983) ha sentito il bisogno di ritrovare una dimensione più intimista, dedicandosi intensamente alla pratica del solo, allo stesso tempo ritornando nel nativo Maine dopo alcuni anni trascorsi a New York. Ne scaturisce un lavoro delicato e ...


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