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Musician

Lenny Breau

Born:

Lenny Breau is considered to be one of the elite in the world of jazz guitar. His peers recognize him as one in a short line of guitarists who not only changed jazz guitar but the way guitar was played in general. One of his heros, Chet Atkins even called Lenny his hero. Breau's admiration for all kinds of great music, found him incorporating ideas of flamenco, classical, and other styles in his playing. His legacy is heard in jazz players even today, especially his right hand harmonics technique. For more information please visit the official Lenny Breau web site at www.LennyBreau.com.

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Article: Radio & Podcasts

The String Section: Nels Cline, Marc Ribot and More

Read "The String Section: Nels Cline, Marc Ribot and More" reviewed by Jerome Wilson


This show focuses on string players,. It mostly features guitarists and bassists, but it also includes a set of string ensembles backing soloists. Musicians heard on the show include Margaret Slovak, Marc Ribot, Nels Cline, Charles Mingus, and Lenny Breau. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from he Complete ...

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Article: Radio & Podcasts

Matthew Stevens: on collaboration, production, gear and career

Read "Matthew Stevens: on collaboration, production, gear and career" reviewed by Leo Sidran


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Article: SoCal Jazz

John Patitucci: The Quintessence of Acoustic and Electric

Read "John Patitucci: The Quintessence of Acoustic and Electric" reviewed by Jim Worsley


John Patitucci had his life's work in mind at age twelve, At a time when most of us were worried about junior high school and pimples, Patitucci concluded that he was to be a professional musician. This was no typical young boy fantasy of playing center field for the Yankees, being an astronaut, or even being ...

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Article: Building a Jazz Library

Guitar Gods & Goddesses: An Alternative Top Ten Albums

Read "Guitar Gods & Goddesses: An Alternative Top Ten Albums" reviewed by Chris May


Although it has been present in jazz since the 1920s, when it was routinely used in rhythm sections, as a solo instrument the guitar struggled to make itself heard--literally--until the second half of the 1930s, when reliable pick-ups and portable amplifiers became available. Foremost among the pioneers of the electrified instrument was Charlie Christian, a member ...

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Article: Album Review

King Crimson: The Complete 1969 Recordings

Read "The Complete 1969 Recordings" reviewed by John Kelman


There will, inevitably, exist some cynics who will dispute the first comment about King Crimson's long-awaited The Complete 1969 Recordings box set, but it's difficult to imagine it being anything but the plain truth. This is, indeed, the definitive final word on the band's first lineup, collecting multiple versions of its earth-shattering 1969 Island Records debut, ...

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Article: Interview

Rez Abbasi: On balancing picture with music and shifting into Django mode

Read "Rez Abbasi: On balancing picture with music and shifting into Django mode" reviewed by Friedrich Kunzmann


To really distinguish oneself in today's vast universe of guitarists, even within the confines of jazz, more and more resembles a Sisyphus task. When so much has been said and done, a specific tone or distinctive vocabulary alone no longer suffice to set an artist apart from the crowd. It is only through the sum of ...

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Article: Take Five With...

Take Five with Josie Falbo

Read "Take Five with Josie Falbo" reviewed by AAJ Staff


Meet Josie Falbo: Josie is and has been one of jny: Chicago's busiest and most frequently heard studio singers for over 30 years. Heard on over 1,000 commercials in various languages through the decades, many you know like McDonald's, United, Nationwide, Midway Airlines, Great America, Green Giant, Oscar Meyer, Budweiser, Old Style, Sara Lee, ...

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Article: Interview

Matt Gold: A Guitarist in Songwriter's Disguise

Read "Matt Gold: A Guitarist in Songwriter's Disguise" reviewed by Friedrich Kunzmann


Combining improvisational concepts with Americana aesthetics is one thing, but enveloping this blend in a songwriter approach is another story entirely. The first concept is common practice these days, the second however represents the unique character which the up and coming jny: Chicago-based guitarist Matt Gold has to offer on his compelling debut effort, Imagined Sky ...

News: Recording

Lenny Breau: 7-String Swing

Lenny Breau: 7-String Swing

In August 1982, Canadian jazz guitarist Lenny Breau was in Nashville to record, of all things, a country album. Or rather, a guitar album with Western Swing sensibilities. For the studio session, Breau played a seven-string guitar and a six-string electric guitar. He was backed by the legendary Buddy Emmons on pedal-steel guitar, Jim Ferguson on ...


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