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Music Education Monday: Jazz theory with Barry Harris

Music Education Monday: Jazz theory with Barry Harris

Today for Music Education Monday, here are some lessons in piano and jazz theory from the veteran pianist Barry Harris, via a series of short videos produced by the Jazz Academy program of Jazz at Lincoln Center in NYC. The first of these four clips was part of a previous post here with some other piano-related ...

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Article: Album Review

Michael Lauren All Stars: Once Upon A Time In Portugal

Read "Once Upon A Time In Portugal" reviewed by Mark Sullivan


Drummer/educator Michael Lauren moved from New York City in 2003 to become the Professor of Drum Set studies at the Escola Superior de Música, Artes e Espectáculo (ESMAE) in Porto, Portugal. He formed his All Star band with some of Portugal's best jazz musicians to continue performing the hard bop he loves. Almost everyone contributes a ...

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Article: Hi-Res Jazz

Blue Note On Blu-Ray

Read "Blue Note On Blu-Ray" reviewed by Mark Werlin


Jazz music is best appreciated with “big ears" and an open mind. Just as exposure to new music casts older, familiar works in a different light, newer formats can expand a listener's perspective on the strengths and limitations of the original recordings. SACDs, Blu-Ray discs and hi-res downloads accurately represent the affective details of ...

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Article: Album Review

Trumpetology: This Is Trumpetology

Read "This Is Trumpetology" reviewed by Jack Bowers


Southern California-based Trumpetology is an octet comprised of five sure-handed trumpeters and rhythm. For comparison's sake, think SuperSax for trumpets. Even though leader / arranger Walter Simonsen doesn't transcribe solos by well-known horn players to unsettle his mates, several of his charts demand the same kind of snug digital dexterity employed by SuperSax, and the group ...

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Article: Extended Analysis

Eyewitness Trilogy

Read "Eyewitness Trilogy" reviewed by John Kelman


Emerging on the New York scene in the mid-1970s, guitarist Steve Khan didn't long at all to develop a strong reputation as both chameleon-like session guitarist—comfortably crossing over from the jazz world into pop and rock and gracing albums by artists ranging from Esther Phillips, Freddie Hubbard and David Sanborn to Phoebe Snow, Billy Joel and ...

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Article: Album Review

Roberto Magris: Need to Bring Out Love

Read "Need to Bring Out Love" reviewed by Jack Bowers


Perhaps the best word with which to describe Italian-born pianist Roberto Magris is busy. Since launching his career in the late '70s, the fifty-six-year-old keyboardist has performed with a veritable who's who of jazz luminaries in forty-one countries, and Need to Bring Out Love is his twenty-seventh album as leader of his own groups (in this ...

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Article: Album Review

Ameen Saleem: The Groove Lab

Read "The Groove Lab" reviewed by Alex Franquelli


Composer Irving Berlin once famously said that “everybody ought to have a Lower East Side in their life." True and, although technically speaking Brooklyn is not part of the octagon that thrives between Houston Street and FRD Drive, the groove, that precious intimate rumble of inspiration, is the one element that connects one area with the ...

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Article: Album Review

The Empire Jazz Orchestra: Out of the Mist

Read "Out of the Mist" reviewed by Jack Bowers


Out of the Mist is the sixth album (and first in a studio) recorded by the Empire Jazz Orchestra, a professional repertory ensemble founded in 1992 and in residence since then at Schenectady County (NY) Community College. While there is no comprehensive theme underlining its latest enterprise, the EJO's stated purpose is to perform music from ...

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Article: Album Review

Valery Ponomarev Jazz Big Band: Our Father Who Art Blakey

Read "Our Father Who Art Blakey" reviewed by Jack Bowers


Who is Russian-born trumpeter Valery Ponomarev's favorite musician? A clue may be found in the title of Ponomarev's first CD as leader of his New York City-based big band: Our Father Who Art Blakey. The first jazz recording he heard while still in Russia, Ponomarev recalls, was Blakey's Jazz Messengers with trumpeter Lee Morgan playing pianist ...

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Article: My Blue Note Obsession

Kenny Burrell: Blue Lights – 1958

Read "Kenny Burrell: Blue Lights – 1958" reviewed by Marc Davis


The name on the cover is Kenny Burrell, but Blue Lights isn't really a Kenny Burrell album. He may be the leader, but the stars are everyone else. This is truly a democratic 1950s jam session. I came to Blue Lights fresh from Burrell's Midnight Blue, expecting another laid-back blues guitar vehicle. Not even ...


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