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14

Article: Album Review

Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco

Read "Blue Bossa in the Bronx: Live from the Blue Morocco" reviewed by Troy Dostert


On their 1955 live recording At the Cafe Bohemia (Blue Note), the Jazz Messengers' Art Blakey introduced his trumpet player, Kenny Dorham, as the “Uncrowned King," a title that was perhaps fitting at the time given Dorham's still-rising trajectory. But even in his prime, Dorham arguably never received his proper accolades, and he would typically be ...

15

Article: Journey into Jazz

Jazz Highlights for Record Store Day 2025

Read "Jazz Highlights for Record Store Day 2025" reviewed by Kyle Simpler


For most Americans, April brings to mind tax deadlines and spring cleaning. But for vinyl collectors, April means something far more exciting: Record Store Day. Each year, music lovers line up early for a chance to snag limited-edition releases--many of them archival treasures, rarities, or long-lost recordings brought back to life. While the overall selection spans ...

Article: Live Review

Bergamo Jazz 2025

Read "Bergamo Jazz 2025" reviewed by Libero Farnè


Bergamo Jazz 2025 Varie sedi Bergamo 20--23 marzo 2025 “Sounds of Joy" era il sottotitolo di Bergamo Jazz 2025 a indicare “la celebrazione di una comunità musicale nata in mezzo alla gente per la gente." Concetto che Joe Lovano, direttore artistico del festival per il secondo anno, non ha mancato di ...

34

Article: Album Review

Anthony Stanco: Stanco's Time

Read "Stanco's Time" reviewed by Jack Bowers


Anthony Stanco. Keep the name in mind, as you are likely to hear it mentioned soon enough as the most recent link in a chain of renowned bop trumpeters that started with Dizzy Gillespie and has numbered among its illustrious members Clifford Brown, Miles Davis, Lee Morgan, Freddie Hubbard, Donald Byrd, Carmell Jones and a host ...

4

Article: Album Review

John Lamkin: Hot

Read "Hot" reviewed by Tony Poole


Best known as a dedicated music educator, Dr. John Lamkin II has spent decades shaping the next generation of musicians as Director of Bands at the University of Maryland Eastern Shore. But in 1984, he stepped into the spotlight with Hot, a dynamic blend of fusion, R&B, and straight-ahead jazz-funk that showcased his prowess as a ...

8

Article: Liner Notes

One For All: Big George

Read "One For All: Big George" reviewed by C. Andrew Hovan


The world has changed dramatically since the end of the 20th century, the time period when the jazz collective One For All began to forge their stamp on the history of hard bop. Using the club Augie's on New York's upper west side as their stomping grounds, the group would make their debut recording at the ...

2

Article: Radio & Podcasts

Ben Goldberg, Anna Webber, and Sarah Hanahan

Read "Ben Goldberg, Anna Webber, and Sarah Hanahan" reviewed by Jerome Wilson


This show features 2024 music from Ben Goldberg, Anna Webber, and Sarah Hanahan as well as older music from Helen Merrill and Lee Morgan. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Charles Tolliver Music Inc. “Impact" ...

4

Article: Jazz Jaunt

Kissas... Brooklyn Style

Read "Kissas... Brooklyn Style" reviewed by Jason Sugars


For the purposes of this write-up, there's probably little need to go into a long history of the Japanese “Kissa"--you can read any of our articles covering them here. By now, we all know about the cafés and bars across the country dedicated to jazz. The listening bar has made the trip back to the birthplace ...

1

Article: Album Review

Jeremy Pelt: Tomorrow's Another Day

Read "Tomorrow's Another Day" reviewed by Alberto Bazzurro


L'avvio non è dei più incoraggianti, lambendo abbastanza pericolosamente la deriva dell'easy listening, ma poi, per fortuna, le cose migliorano e questo nuovo lavoro di Jeremy Pelt, virgulto ormai quarantottenne di certo “nuovo" jazz, riprende abbastanza convintamente la retta via. O meglio la strada maestra, perché è questo il nuovo verbo cui il trombettista californiano fa ...

19

Article: Interview

Russell Gunn: No Safety Net, No Overdubs, Just Pure and Original

Read "Russell Gunn: No Safety Net, No Overdubs, Just Pure and Original" reviewed by Dean Nardi


One of the reasons podcasts have become so popular is they provide listeners with the experience of hearing people live, raw and unedited with no safety net as opposed to reading an article in a magazine or on the Internet. Even a Question & Answer interview is edited to remove repetitive comments and all the “ums" ...


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