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Interpreting the Lennon/ McCartney Songbook: Part 2, Rubber Soul and Revolver
by Larry Slater
The songwriting team of John Lennon and Paul McCartney became increasingly sophisticated by the mid 1960s. McCartney was the more knowledgeable musically, as he played piano and understood harmony (though he never did learn to read music). Much of John Lennon's writing had a harder edge, and he had a way with lyrics. The albums Rubber ...
Piano Four-té: Keyboard Masters Delight On A Quartet of ECM Luminessence Vinyl Reissues
by Joshua Weiner
Blue Note. Verve. Impulse! Prestige. Just saying the name of such storied jazz record labels immediately conjures up each one's distinct aesthetic, from the music to the cover art. Over the past half century, the German ECM label has earned its place in this pantheon by steadfastly following its own vision, perhaps best summed up by ...
Barbara Bruckmüller Jazz Orchestra, feat. Aruán Ortiz: A Chain of Moments
by Artur Moral
Julio Cortázar's Rayuela (1963), Mark Z. Danielewski's House of Leaves (2000) and Chris Ware's Building Stories (2012) are novels--both written and graphic--that stand out, not just for their literary merit, but also for the various ways readers can engage with them. A similar phenomenon occurs on the listening level with A Chain Of Moments: Suite in ...
Under Review: The Not-So-Simple Art Of Book Reviewing
by Duncan Heining
Jazz books occupy a tiny sector of the publishing industry, within which any book selling between 500-1000 copies counts as a success. Biographies of major figures might command mid-four figure sales but even then come nowhere near troubling the best-seller tables in the New York Times or Guardian. On All About Jazz, between 900 book reviews ...
Freddie Hubbard: On Fire--Live From The Blue Morocco
by Jack Kenny
Freddie Hubbard is a conundrum. His style has varied significantly over the years, as though he were unsure of himself at a deep level. There were the Blue Note years, then the funk years, where he gained money and lost credibility. The all-encompassing technique was displayed in so many contexts, with Art Blakey, Ornette Coleman, John ...
Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco
by Troy Dostert
On their 1955 live recording At the Cafe Bohemia (Blue Note), the Jazz Messengers' Art Blakey introduced his trumpet player, Kenny Dorham, as the “Uncrowned King," a title that was perhaps fitting at the time given Dorham's still-rising trajectory. But even in his prime, Dorham arguably never received his proper accolades, and he would typically be ...
Jazz Highlights for Record Store Day 2025
by Kyle Simpler
For most Americans, April brings to mind tax deadlines and spring cleaning. But for vinyl collectors, April means something far more exciting: Record Store Day. Each year, music lovers line up early for a chance to snag limited-edition releases--many of them archival treasures, rarities, or long-lost recordings brought back to life. While the overall selection spans ...
Bergamo Jazz 2025
by Libero Farnè
Bergamo Jazz 2025 Varie sedi Bergamo 20--23 marzo 2025 “Sounds of Joy" era il sottotitolo di Bergamo Jazz 2025 a indicare “la celebrazione di una comunità musicale nata in mezzo alla gente per la gente." Concetto che Joe Lovano, direttore artistico del festival per il secondo anno, non ha mancato di ...
Anthony Stanco: Stanco's Time
by Jack Bowers
Anthony Stanco. Keep the name in mind, as you are likely to hear it mentioned soon enough as the most recent link in a chain of renowned bop trumpeters that started with Dizzy Gillespie and has numbered among its illustrious members Clifford Brown, Miles Davis, Lee Morgan, Freddie Hubbard, Donald Byrd, Carmell Jones and a host ...
John Lamkin: Hot
by Tony Poole
Best known as a dedicated music educator, Dr. John Lamkin II has spent decades shaping the next generation of musicians as Director of Bands at the University of Maryland Eastern Shore. But in 1984, he stepped into the spotlight with Hot, a dynamic blend of fusion, R&B, and straight-ahead jazz-funk that showcased his prowess as a ...
