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126

News: Recording

Lee Konitz & Martial Solal: "Star Eyes 1983" on Hatology 668

Lee Konitz & Martial Solal Star Eyes 1983 Hatology 668 A live concert recording at New-Jazz-Festival Hamburg on November 11th, 1983. In their duo, Solal's gift to Konitz is a liberation from... inherent restrictions. This in turn inspires Konitz to follow his own lyrical impulses to the extreme listen to how often ...

461

Article: Album Review

Pete McCann: Extra Mile

Read "Extra Mile" reviewed by Mark Corroto


Pete McCann may be a kind of a guitar superman, considering his work with bands led by Patti Austin, Lee Konitz, Kenny Wheeler, Dave Liebman, Kenny Garrett, Peter Erskine, Gary Thomas, Greg Osby, Brian Blade and Maria Schneider. Since moving to New York in 1989, McCann has lent his skills to these diverse leaders, ...

283

Article: Album Review

Dan Tepfer / Lee Konitz: Duos with Lee

Read "Duos with Lee" reviewed by Raul d'Gama Rose


This record is reminiscent of Miles Davis' Kind of Blue (Columbia, 1959)--not historic, like that legendary record, which set modal jazz in motion--but very likely similar to that session, that must surely have been charged with near-ceaselessly flowing ideas. Duos with Lee comes from the hearts, minds and fingers of pianist Dan Tepfer and alto saxophonist ...

325

Article: Album Review

The Lanny Morgan Sextet: "6"

Read ""6"" reviewed by Edward Blanco


Years ago a jazz critic of the Hong Kong press referred to Lanny Morgan as the “old master," and the moniker has stuck ever since. Now, at the ripe young age of 75, the “old master" Morgan holds court yet again with a sextet of equal masters on a scintillating session of bebop burners, simply titled ...

228

Article: Album Review

Nicolas Thys: Virgo

Read "Virgo" reviewed by Jerry D'Souza


Nicolas Thys settled down to play the acoustic bass after transitioning through the piano, flute and electric bass. After his academic days, he spent eight years in New York City, where he integrated into the jazz community and set up a long line of collaborations before moving back to Europe. The Belgian native has played with ...

1,412

Article: Live Review

Copenhagen Jazz Festival 2009

Read "Copenhagen Jazz Festival 2009" reviewed by Jakob Baekgaard


Copenhagen Jazz Festival Various Venues Copenhagen, Denmark July 3-12, 2009 In a survey conducted recently by the renowned Monocle Magazine (volume 03, issue 25), Copenhagen was selected as the second best city in the world due to its safety, atmosphere, welfare, infrastructure and--one could be tempted to add--its ...

380

Article: Take Five With...

Take Five With Noah Becker

Read "Take Five With Noah Becker" reviewed by AAJ Staff


Meet Noah Becker:Noah Becker is a tenor saxophonist. A resident of New York City since 2004. Becker has recorded with Terry Deane, Kurt Rosenwinkel, George Colligan and many other prominent musicians.Instrument(s): Tenor, alto and soprano sax.Teachers and/or influences? Pat LaBarbera, Bob Mover, Sonny Rollins, Lee Konitz, John Coltrane.I ...

1,077

Article: Live Review

Umbria Jazz: Days 1-3, July 10-12, 2009

Read "Umbria Jazz: Days 1-3, July 10-12, 2009" reviewed by Michael J. West


Days 1-3 | Days 4-6 | Days 7-10 “You know," said one American tourist to his friend as he walked past the tents on the first day of Umbria Jazz, “Ever since we got here last week this is all we've heard anyone talk about." Small wonder. The 10-day, citywide festival is more than ...

555

Article: Record Label Profile

Enja Records

Read "Enja Records" reviewed by Donald Elfman


Matthias Winckelmann's favorite recording of the hundreds he's made is the one just finished. Over the years, he's documented music from all over the world and of many different stripes and has always been eloquent and passionate. His label Enja has been in existence for 38 years and a look at the catalogue tells you that ...

432

Article: Album Review

Lee Konitz / Martial Solal: Star Eyes

Read "Star Eyes" reviewed by Matthew Miller


Lee Konitz and Martial Solal were in the 15th year of their recorded relationship in the fall of 1983 and their easy rapport is evident within the first notes of “Just Friends," the breezy opener of Star Eyes. After a cursory harmonic introduction by Konitz, Solal enters with a characteristically buoyant counterpoint that sends the altoist ...


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