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Lee Konitz / Chris Cheek / Stephane Furic Leibovici: Jugendstil II
by Raul d'Gama Rose
The wondrous nature of Jugendstil II is ensconced in the breathtaking improvisations of alto saxophone giant Lee Konitz, the way they intersect with the ideas of brilliant young tenor saxophonist Chris Cheek, and the effect they have on the birth of new compositions by virtuoso bassist Stéphane Furic Leibovici. The miraculous glue that holds it all ...
Elder Lee: Konitz at 82
The alto saxophonist Lee Konitz's inventiveness and boldness have seldom flagged. As his recent recordings demonstrate, he continues to embrace adventure and risk. If his repertoire is stocked with pieces that he revisits time and again—"All the Things You Are," “I'll Remember April," “Body and Soul," “Just Friends"—Konitz is the epitome of the jazz soloist who ...
Copenhagen Jazz Festival 2010
by Jakob Baekgaard
Copenhagen Jazz FestivalVarious VenuesCopenhagen, DenmarkJuly 2-11, 2010 With the current crisis of the major record labels and the folding of venues all over the world, it could be argued that jazz, as an art form, has entered the age of survival where it is simply a basic matter of keeping ...
Don Aliquo: The Man, The Music, The Journey
by Ludwig vanTrikt
Geography is a central theme in the life and artistry of Pittsburgh's native son, Don Aliquo. The saxophonist, educator and bandleader is part of a rich steel town jazz lineage which includes his father, Don Aliquo Sr., a performing artist and teacher in his own right. There is also a metaphorical geography, in which Aliquo covers ...
Mundell Lowe Quartet Live At The Saville Theater
by Robert Bush
Mundell Lowe Quartet Saville Theater, San Diego City College San Diego CA July 13, 2010 Tuesday night's affair was standing-room-only for the rare appearance by Mundell Lowe, an iconic figure in the annals of jazz history. Lowe cut his teeth as an improviser in the Roosevelt administration--that he ...
Introducing Anthony Braxton
by Robert Levin
[Editor's Note: This article first appeared in Jazz & Pop Magazine, 1970]To anyone still questioning the validity of the systems and methods at which Cecil Taylor and Ornette Coleman arrived, I would first of all recommend that he listen more attentively to the work of those men. But I'd also suggest that he make ...
Ottawa Jazz Festival 2010: Days 10-11, July 3-4, 2010
by John Kelman
Days 1-3 | Days 4-6 | Days 7-9 | Days 10-11 The Wide Alley / Neil Cowley TrioChristian Scott / Tomasz StańkoTD Ottawa International Jazz Festival Ottawa, Ontario, Canada July 3-4, 2010 As the 30th Anniversary of the TD Ottawa International Jazz Festival wraps up, there's ...
Girls in Airports: Girls in Airports
by Jakob Baekgaard
The influence of world music has been somewhat rare in Danish jazz, with the notable exception of Pierre Dørge's New Jungle Orchestra, which for several years has incorporated Asian music and African folklore into their particular bouncing brand of avant-garde wilderness. The arrival of Girls in Airports signals an altogether different approach to merging different sounds ...
Take Five With Daniel Ian Smith
by AAJ Staff
Meet Daniel Ian Smith: Daniel Ian Smith is a saxophonist/flutist and an Associate Professor at the esteemed Berklee College of Music in Boston, MA, where he has taught for the past fifteen years. Daniel has had the privilege to perform in Japan, England, Germany, Italy, Mexico, Canada, and throughout the United States in major jazz festivals ...
Mark Feldman: Taking an Eclectic Path
by Sean Patrick Fitzell
Violinist Mark Feldman started out in Chicago playing classical music and bar gigs before moving on to the Nashville scene. He emerged in New York's “downtown" circle with the likes of Arcado String Trio, trumpeter Dave Douglas, and composer-saxophonist John Zorn. His expressive, classically tinged technique was also sought for studio work with pop acts and ...
