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Shauli Einav: Opus One
by Dave Wayne
Given the sheer number, stylistic variety and extraordinary quality of jazz recordings coming out of Israel these days, it's safe to say that improvised music is alive and well in that embattled country. Even among the rarefied company of Israel's finest young jazz musicians, saxophonist Shauli Einav stands out as a uniquely accomplished and mature talent. ...
Jonathan Kreisberg: From Shadowless to One
by Marta Ramon
Jonathan Kreisberg has filled a gap in the international jazz scene. This New York-based guitarist started with both rock and classical music, but from the beginning he paid attention to his father's great jazz music collection. For Kreisberg, jazz is a pure music based on feelings. He says that he first experienced the creative part of ...
Jazzfest Berlin 2012: Berlin, Germany, November 1-4, 2012
by Henning Bolte
Jazzfest Berlin 2012Berlin, GermanyNovember 1-4, 2012In 1964, famous pioneering jazz aficionado and impresario Joachim E. Behrendt founded the legendary Berlin Jazztage. The event, nowadays named Jazzfest Berlin, with its tumultuous history and multitude of faces, has since worked with a variety of different artistic directors. This year was the beginning of a new ...
Did Stan Kenton Swing? You Bet Your Walkin' Shoes He Did...
by Jack Bowers
I've been listening to a lot of Stan Kenton's music recently while coming to grips with the age-old question, did the Kenton orchestra really swing? The answer, to me, is a no-brainer: Yes, Kenton swung. Liberally and often. [Note: This of course depends on how “swinging" is defined; opinions may vary]. In his own way--although he'd ...
Lee Konitz: What True Improvising Is
by Bob Kenselaar
Lee Konitz is legendary as one of the great individualists in jazz, an art form that has always placed an extraordinary high value on individualism and unique forms of expression. “I've pretty much dedicated myself to trying to figure out what true improvising is," he says, “as opposed to playing what you know and getting loose ...
Duduka Da Fonseca: The Guy From Ipanema
by R.J. DeLuke
The 1950s into the early 1960s was a special period in Brazil, the land of beautiful beaches, picturesque mountains and the home of a warm, inviting and sensuous music called samba that was developed during those years. It was also a time when bossa nova, another sumptuous musical style, was spawned. The music invades the senses ...
Jazz Musician of the Day: Lee Konitz
All About Jazz is celebrating Lee Konitz's birthday today! Konitz is sometimes regarded as the preeminent cool jazz saxophonist, because he performed and recorded with Claude Thornhill, Lennie Tristano (both often cited as important cool jazz proponents of the mid 1940s), and with Miles Davis on his epochal Birth of the Cool, which gave the form ...
Marc Johnson / Eliane Elias: Swept Away
by Dan McClenaghan
Swept Away is certainly a collaborative effort--co-led by Eliane Elias and bassist Marc Johnson--but it seems more like the pianist's set. The Sao Paolo-born pianist, Elias, penned five of the disc's eleven tunes, and co-wrote two more with her musical/life partner, Johnson. The duo, in league with drummer Joey Baron and, on five tunes, saxophonist Joe ...
Trish Clowes: From Shorter, Lovano and the Sphinx
by Bruce Lindsay
There doesn't seem to be an award for the best album title of the year anywhere in the wide world of jazz, but if there was then And In The Night-Time She Is There (Basho Records) would surely be a contender for 2012. The romantic and mysterious title belongs to the second album from saxophonist/composer Trish ...
RDV De L'Erdre 2012
by Martin Longley
RDV De L'Erdre 2012 Nantes, France August 31-September 2, 2012 The Rendez-vous de l'Erdre might be one of Europe's lesser-known festivals, but it has grown up over 26 years and now involves what seems to be the entire city's populace. Spread over multiple, simultaneously programmed stages, its essential ...
