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Did Stan Kenton Swing? You Bet Your Walkin' Shoes He Did...

by Jack Bowers
I've been listening to a lot of Stan Kenton's music recently while coming to grips with the age-old question, did the Kenton orchestra really swing? The answer, to me, is a no-brainer: Yes, Kenton swung. Liberally and often. [Note: This of course depends on how swinging" is defined; opinions may vary]. In his own way--although he'd ...
Lee Konitz: What True Improvising Is

by Bob Kenselaar
Lee Konitz is legendary as one of the great individualists in jazz, an art form that has always placed an extraordinary high value on individualism and unique forms of expression. I've pretty much dedicated myself to trying to figure out what true improvising is," he says, as opposed to playing what you know and getting loose ...
Duduka Da Fonseca: The Guy From Ipanema

by R.J. DeLuke
The 1950s into the early 1960s was a special period in Brazil, the land of beautiful beaches, picturesque mountains and the home of a warm, inviting and sensuous music called samba that was developed during those years. It was also a time when bossa nova, another sumptuous musical style, was spawned. The music invades the senses ...
Jazz Musician of the Day: Lee Konitz

All About Jazz is celebrating Lee Konitz's birthday today! Konitz is sometimes regarded as the preeminent cool jazz saxophonist, because he performed and recorded with Claude Thornhill, Lennie Tristano (both often cited as important cool jazz proponents of the mid 1940s), and with Miles Davis on his epochal Birth of the Cool, which gave the form ...
Marc Johnson / Eliane Elias: Swept Away

by Dan McClenaghan
Swept Away is certainly a collaborative effort--co-led by Eliane Elias and bassist Marc Johnson--but it seems more like the pianist's set. The Sao Paolo-born pianist, Elias, penned five of the disc's eleven tunes, and co-wrote two more with her musical/life partner, Johnson. The duo, in league with drummer Joey Baron and, on five tunes, saxophonist Joe ...
Trish Clowes: From Shorter, Lovano and the Sphinx

by Bruce Lindsay
There doesn't seem to be an award for the best album title of the year anywhere in the wide world of jazz, but if there was then And In The Night-Time She Is There (Basho Records) would surely be a contender for 2012. The romantic and mysterious title belongs to the second album from saxophonist/composer Trish ...
RDV De L'Erdre 2012

by Martin Longley
RDV De L'Erdre 2012 Nantes, France August 31-September 2, 2012 The Rendez-vous de l'Erdre might be one of Europe's lesser-known festivals, but it has grown up over 26 years and now involves what seems to be the entire city's populace. Spread over multiple, simultaneously programmed stages, its essential ...
Lee Konitz / Bill Frisell / Gary Peacock / Joey Baron: Enfants Terribles: Live at the Blue Note

by Greg Simmons
At almost 85 years old Lee Konitz can play whatever he damn well pleases on his alto saxophone, and it's a good thing he does. He may currently be making some of the most interesting music of his long career. Enfants Terribles: Live at the Blue Note teams Konitz with three first-rate musicians--all jazz stars in ...
Lee Konitz / Bill Frisell / Gary Peacock / Joey Baron: Enfants Terribles: Live at the Blue Note

by Mark Corroto
Super groups are, by their very nature, either bright shining stars or catastrophic exploding supernovae. Dream team basketball lineups get beat by upstarts, and the new Stallone/Schwarzenegger/Van Damme movie is sure to be a nonstarter. The reasons for the flops are usually chemistry and vision, both essential requirements.Same can be said for jazz groups. ...
Lee Konitz / Bill Frisell / Gary Peacock / Joey Baron: Enfants Terribles: Live at the Blue Note

by John Kelman
The idea of going into a club and playing a set of standards without any plans, preconceptions or pre- arrangements ain't exactly new; it's what plenty of jazz musicians do, each and every night. But it's one thing to go in and run down some Real Book charts, head-solo-head style, and give everyone a chance to ...