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Miles Davis
by AAJ Staff
Trumpeter Miles Davis (1926-1991) is perhaps the most influential figure in the history of jazz. He regularly reinvented his sound, changing styles abruptly and pulling the rest of the jazz community along with him. Davis moved from East St. Louis to New York City in 1944, ostensibly to attend Juilliard. But he soon lost ...
Bebop, Swing, and Bella Musica: Jazz and the Italian American Experience
by Bill Dal Cerro
The following is an excerpt from the “Lennie Tristano: The Passionate Intellectual" chapter of Bebop, Swing, and Bella Musica: Jazz and the Italian American Experience by Bill Dal Cerro and David Anthony Witter (Bella Musica Publishing, 2015). World War II and the atomic bomb changed not only the political landscape, but art, architecture ...
Bill Evans: Sublime Sideman
by Nathan Holaway
We already know what a tremendous voice Bill Evans has had in jazz history, and most of the major jazz pianists that he has influenced. Most jazz aficionados know most of the tunes Evans has composed and most of the tunes that were in his ever-changing repertoire. But, a subject that hardly gets enough attention concerning ...
Art Pepper
by C. Michael Bailey
Alto Saxophonist Arthur Edward Pepper, Jr. (1925-1982) wanted to be known as the “greatest alto saxophonist in the world," a tall order considering contemporaries like Charlie Parker, Johnny Hodges, and Paul Desmond. In spite of this, Pepper outlived all of them while forging a unique and personal sound. Pepper, along with Desmond and Lee Konitz, were ...
New England Conservatory Faculty Profile: Jason Moran
“There should be a class simply on application,” Jason Moran emphasizes to his NEC Master Class, explaining that he means a focus on “how to deal with ideas that don’t seem to belong to your discipline.” Moran’s own career as one of the preeminent pianists, composers and bandleaders in jazz might form the core of an ...
Angela Davis Quartet + Strings: Lady Luck
by C. Michael Bailey
Saxophonist and one-time All About Jazz contributor Angela Davis' sophomore effort, Lady Luck shows a young artist evolving naturally and not afraid to take stylistic chances. On her debut recording, The Art of the Melody (Self Produced, 2013), Davis demonstrated an intelligent precociousness that paid off well in both her original compositions and those she covers. ...
Gefion
by John Kelman
It's been a long time coming. Jakob Bro made his first ECM appearance as a member of drummer Paul Motian's twin-sax/triple-guitar band on the late drummer's Garden of Eden (2006). Three more years passed before he returned, this time as a member of Tomasz Stanko's trans-European quintet on 2009's Dark Eyes--a group that evolved considerably from ...
Spin Marvel: Infolding
by Luca Muchetti
Nuove eruzioni dal vulcanico batterista britannico Martin France, alla guida degli Spin Marvel. Il musicista già ascoltato al fianco di Django Bates, Evan Parker, Kenny Wheeler, Lee Konitz, Dave Holland, Arild Andersen, e Ralph Towner firma quest'anno un nuovo capitolo della sua storia musicale lanciando per RareNoiseRecords Infolding, affascinante e acido sbocco musicale che al jazz ...
Matt Pavolka: The Horns Band
by Dave Wayne
I played Matt Pavolka's The Horns Band for a friend who immediately noticed that the very impressive list of acknowledgements contained more nods to literary and intellectual heavyweights such as Jose Saramago, Cormac McCarthy and Soren Kierkegaard than to musicians (the band members and Guillermo Klein). Perhaps Pavolka's intent was to show that he's interested in ...
John Stowell/Michael Zilber Quartet: Live Beauty
by Dan McClenaghan
Part of the appeal of the teaming of guitarist John Stowell with various “post Coltrane" saxophonists is the cool/hot dynamic. Stowell is the guy with a Zen restraint, the cool guy, his chords sometimes sounding as if they are ringing from frozen stalactite filaments in ice caves. Saxophonists? Some blow cool-- those of the Lester Young/Stan ...
