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Article: Multiple Reviews

Livelove Radio Bremen series continues: Working Week and Jazz Passengers

by Mark Sullivan
November 6, 2015

The Livelove series issuing archival live Radio Bremen recordings began with Larry Coryell & The Eleventh House from January 1975 (Promising Music, 2015) and the Horace Silver Quintet from June 1977 (Promising Music, 2015). That seems like a pretty wide range: from jazz fusion to hard bop. But the third and fourth releases in the series ...

Article: Year in Review

Bruce Lindsay's Best Releases of 2012

by Bruce Lindsay
January 2, 2013

The year of 2012 proved once again that jazz remains a wonderfully diverse and diverting art form. Here are ten of my favorite albums, in no particular order.Christine TobinSailing To Byzantium(Trail Belle)A joy from first note to last, this is a majestic and beautiful work. Ian ...

Album

St. Cyprians 2

By Larry Stabbins

Label: HighNote
Released: 2012

Album

Transcendental

By Larry Stabbins

Label: Noetic Records
Released: 2012
Track listing: Africa; Noetic; Immanence; Yellow Brick Road; Transcendental Euphoria; Anomalous Monism; White Queen Psychology; Soul Train.

Article: Album Review

Working Week: Working Nights

Read "Working Nights" reviewed by Bruce Lindsay

by Bruce Lindsay
December 2, 2012

Many contemporary music and cultural commentators disparage the UK's '80s pop scene as a time seemingly in thrall to new technologies, and whose throwaway commercial hits are long forgotten--and rightly so. Is that really how it was though? Others look far more fondly on the decade's music, remembering its brief dalliance between pop culture and jazz ...

Article: Album Review

"Stonephace" Stabbins: Transcendental

Read "Transcendental" reviewed by Bruce Lindsay

by Bruce Lindsay
September 29, 2012

On his thirteenth birthday Larry “Stonephace" Stabbins, already a promising saxophonist, bought John Coltrane's Africa/Brass (Impulse!, 1961). The impact was immediate and long-lasting, as Stabbins writes in the liner notes to Transcendental. By the early'70s he was an established player on the UK jazz scene. Forty years on, the sound of Africa/Brass still influences Stabbins and ...

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