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Results for "Kurt Rosenwinkel"
Four Forty One
by Friedrich Kunzmann
2020 marks the beginning of Will Vinson's third decade of working and living in New York. Over the years the British-American saxophonist has gained wide recognition as a sideman as well as a leader, with six albums to his name in the bank. Beyond recording highly acclaimed albums for late Gerry Teekens' Criss Cross label, Vinson ...
Take Five with Boaz Marva
by AAJ Staff
Meet Boaz Marva Boaz Marva is a distinctively accomplished jazz and rock guitarist, vocalist and composer. He plays in DOR SAGI band (who recently recorded an EP with keyboardist Jason Lindner as producer), worked with Amir Segall and Ben Silashi in their project Zzajeerf, gigged with Andreas Toftemark, Elam Friedlander, Naama Gheber, Joni Paladin, Sammy Weissberg, ...
Steve Lehman Trio, Craig Taborn: The People I Love
by Alberto Bazzurro
Il timbro asprigno, acidulo, e l'incedere di preferenza incalzante, spigoloso, dell'alto di Steve Lehman (i cui principali modelli, dichiarati, sono com'è noto Jackie McLean e Anthony Braxton) attraversa pressoché a senso unico questo nuovo lavoro del quarantunenne sassofonista newyorchese, determinandone climi e disegno complessivo, il tutto confezionato con la complicità del suo trio abituale (nonché ormai ...
Thailand International Jazz Conference (TIJC) 2020 Musters Most World-Class Jazz Artists In 12 Years
The 12th Thailand International Jazz Conference, or TIJC 2020, is just around the corner. This year’s event will be even better than before. Held under the theme of “Jazz for All”, it will feature the largest gathering of world-class jazz artists, from January 31 to February 2, 2020, at the College of Music, Mahidol University’s Salaya ...
Steve Lehman Trio + Craig Taborn: The People I Love
by John Sharpe
On The People I Love, alto saxophonist Steve Lehman, Janus-like looks back, while simultaneously looking forward. He recruits celebrated pianist Craig Taborn to bolster his longstanding trio of bassist Matt Brewer and drummer Damion Reid. It was once said that Taborn was fated to play better on other people's records than his own. Happily that is ...
John Kelman's Best Releases of 2019
by John Kelman
Well, Chronic Fatigue Syndrome continues to be a challenge, as it has been since mid-2014. 2019 represents, in fact, the worst year when it comes to the actual number of articles written. Still, I've been finding an increasingly satisfying niche in the arena of in-depth, detailed and extensive/exhaustive (exhausting, for you as much as I!!) articles. ...
Aaron Parks: Finding the Way to Little Big
by Jiaowei Hu
"Always beginning. Often perplexed. Drawn to beauty and to the absurd. I play piano, write songs, and take pictures of doors with my phone. A bit odd." So is the pianist's own account on his website, written in a few scribbled sentences. About a decade ago, Aaron Parks created much of a stir through his debut ...
Jazz Musician of the Day: Kurt Rosenwinkel
All About Jazz is celebrating Kurt Rosenwinkel's birthday today! Following a string of three acclaimed recordings for Verve Records that firmly established him as one of the most strikingly original new voices in jazz as both guitarist and composer (2000’s The Enemies of Energy, 2001’s The Next Step and 2003’s Heartcore), Kurt Rosenwinkel returns with an ...
Mike Holober and the Gotham Jazz Orchestra: Hiding Out
by Jack Bowers
Mike Holober has been Hiding Out rather openly for the past ten years or so, waiting for the proper time to gather together his world-class Gotham Jazz Orchestra and record for the first time since 2009's widely acclaimed album Quake (Sunnyside), in which his picturesque compositions and arrangements were compared favorably to those of Duke Ellington ...
Michael Leonhart: Suite Extracts Vol. 1
by Angelo Leonardi
Credo proprio di non esagerare ma è dall'uscita di There Comes a Time di Gil Evans che non ascoltavo un album orchestrale così eclettico nella sintesi di materiali diversi. Il nuovo disco di Michael Leonhart segue il debutto di The Painted Lady Suite (Sunnyside 2018), il maestoso affresco musicale che evocava l'impressionismo del primo Evans, con ...
