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Results for "Kermit Driscoll"
Multi-Reedman Dan Willis Interviewed at All About Jazz...and More!
For the past several years, multi-reedman Dan Willis—as prone to play Armenian duduk as he is a saxophone or clarinet—has been exploring the music of renegade classical composer Erik Satie, first with his 2006 Omni-Tone release, Velvet Gentlemen, and now, with his 2010 Daywood Drive follow-up, The Satie Project. In both cases he finds the perfect ...
Jim Staley: Scattered Thoughts
by Kurt Gottschalk
Jim Staley's career has been either made by or hastened by (or more likely both) his work as a producer and promoter. He rarely performs outside of Roulette, the longstanding Downtown venue he oversees and appears there only a few times a year at best. His recorded output is largely limited to occasional releases on Einstein ...
"The Funky Way of Emil Viklicky" Reviewed in UK Vibe!
Here is an interesting keyboardist deserving of wider recognition. Born in 1948 in the then-Czechoslavakia, Emil Viklicky made his album debut in 1975 in the middle of the jazz-fusion/rock period internationally and the album sold over 30,00 copies within the country. During 1977/1978, Viklicky was awarded a one-year scholarship to study at the prestigious Boston Berklee ...
Moraine: Manifest DeNsity
by John Kelman
The place where chamber music meets the intensity and attitude of rock music has been explored, in recent years, by groups including Canada's Bell Orchestre and US-based Clogs. Add to that list Moraine, a Seattle-based quintet that, with its unorthodox line-up of violin, cello, electric guitar, bass, and drums, has plenty of attitude--and energy. This ain't ...
Bill Frisell: Solos and Films of Buster Keaton
by John Kelman
In a career which is in 2009 entering its fourth decade in the public eye, guitarist Bill Frisell has fashioned a trajectory like no other. As comfortable playing Hank Williams country tunes as he is a Ron Carter blues, the guitarist has created such a distinctive sound that, even when he's playing a plain old G ...
John Hollenbeck Large Ensemble: Eternal Interlude
by Mark F. Turner
Like fragments of crystal, John Hollenbeck's large ensemble casts angular lines, unusual shapes and refracts music (rather than light) differently than typical jazz big bands. The prolific drummer/composer's progressive slant has been at the core of The Claudia Quintet's For (Cuneiform, 2007) and Semi-Formal (Cuneiform, 2006); music marked by enigmatic ideas of swing, modern chamber music ...
Lisa Sokolov: A Quiet Thing
by Donald Elfman
No song is a simple thing in Lisa Sokolov's hands, for she delves into the magical possibilities of the voice and the beauty and mystery of words. Her third album, A Quiet Thing, extends the power of her earlier recordings, continuing her progression towards the majestic and ecstatic “silence" of the universe. She bills her new ...
Nathan Eklund: Trip To The Casbah
by Jerry D'Souza
Nathan Eklund is based in New York City, where he leads two bands: the Nathan Eklund Group and the Nathan Eklund Quintet. This gives him the leeway to cast his music in different streams and to interpret it in the manner that suits his compositions. Eklund has also been part of projects by Craig Yaremko, Eddie ...
Bill Frisell: The Best of Bill Frisell: Vol. 1 - Folk Songs
by John Kelman
Despite decidedly left-of-center beginnings--on his own ECM discs Rambler (1985) and Lookout for Hope (1988), and in collaboration with artists including Jan Garbarek and John Zorn--guitarist Bill Frisell has always been a melodist at heart. Even at his most outré--his oblique yet stunningly constructed solo on “Next Love," from clarinetist Don Byron's minor classic, Tuskegee Experiment ...
