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Barry Guy: Striving For Absolute Spontaneity
by Maxim Micheliov
Barry Guy seems to be one of the most convincing figures in a long line of contemporary innovators whose discoveries possess everlasting value. Being a diverse improviser, a bassist of exceptional technique, an accomplished composer and a big band leader, this artist amazes by the scope of his interests and his variety of his accomplishments.
Gwilym Simcock, Mike Walker, Steve Swallow, Adam Nussbaum: The Impossible Gentlemen
by Chris May
The Impossible GentlemenThe Impossible GentlemenBasho Records2011 You may not have heard of The Impossible Gentlemen, for this is the group's first album, and you may not have heard of one of its two chief protagonists, as he has chosen to spend most of his career away from ...
Jazzahead 2011: April 28 - May 1, 2011
by John Kelman
Jazzahead Bremen, Germany April 28-May 1, 2010 Jazz may be a marginalized genre with shrinking CD sales and, at least in North America, a painfully low profile in popular media, but just a few days at Jazzahead in Bremen, Germany, leave a much different impression. A trade show for all ...
Konitz/Mehldau/Haden/Motian: Live at Birdland
by John Kelman
Grist for what seems like an endless flow of recordings, The Great American Songbook has, ultimately, become as much a crutch as it is an inspiration. There's no denying the staying power of music that's near-Jungian in its collective familiarity, but if an artist is simply running down the tunes, à la Real Book--head, solo, head--the ...
Cinzia Spata: Into The Moment
by Bruce Lindsay
Although Italian singer/lyricist Cinzia Spata has been singing professionally for over 20 years, her discography is pretty sparse. Into The moment is only her third album, and appears six years after 93 03 (Azzurramusic, 2005). The wait's been worth it: the album is a stylish mix of American Songbook classics and lesser-known tunes from some of ...
John Martin Quartet: Dawning
by Chris May
The debut album from London saxophonist John Martin comes with some heavyweight commendations. Flugelhornist Kenny Wheeler, whose music inspired one tune and whose influence courses through the disc, calls it “a lovely album," and saxophonist Iain Ballamy says it is “an honest, cohesive and sophisticated release." Dawning introduces an engaging young saxophonist, in whose music echoes ...
Bill Frisell: The ECM Years
by John Kelman
Nothing trumps right place, right time. Sure, most artists pay plenty of dues-- sometimes in the public eye, oftentimes not--but for some, there's that serendipitous event that leads to greater visibility. Bill Frisell, surely one of the most important and influential guitarists of his generation, undoubtedly deserves all the accolades and artistic freedom he's achieved in ...
John Surman: Flashpoint: NDR Jazz Workshop - April '69
by Nic Jones
In the necessarily modestly expansive booklet note which accompanies this CD and DVD set, Brian Morton sets out the development of jazz in Britain, from its point of origin in the early decades of the twentieth century. He also rightly identifies the musical generation that came of age in the 1960s as having no sense of ...
Mathias Eick: Skala
by John Kelman
Those who've caught Mathias Eick live, since the release of The Door (ECM, 2008), know that, as strong a first salvo as that debut was, it was no preparation for the power of the Norwegian trumpeter in performance. When his quartet performed at Mai Jazz 2008, with pianist Andreas Ulvo replacing The Door's Jon Balke, it ...
Jay Anderson: Driving the Bus
by Ian Patterson
The term “sideman" really doesn't do justice to bassist Jay Anderson, as his beautifully melodic, lyrical lines and in-the-pocket-grooves lift and shape any music that he is a part of. And while the term “journeyman" holds some truth--Anderson has played with a huge number of people--one glance at his extensive discography reveals that most of the ...
