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Stefano Battaglia: Pelagos
by Karl Ackermann
Stefano Battaglia has a ten-plus year history on the ECM label where he has covered much ground in terms of formations, style and genre. The effort has not always paid off. His label debut Raccolto (2005) was a meandering affair that squandered the opportunities that come with two-discs of music. All of Battaglia's considerable talents were ...
European Jazz Conference 2017
by Ian Patterson
European Jazz Conference 2017 Cankarjev dom Ljubljana, Slovenia September 21-24, 2017 The snow-capped mountains flanking Ljubljana form a natural border between Slovenia and Italy and provided a picturesque backdrop to the 4th annual European Jazz Conference. For the record two hundred and twenty conference attendees [Europe Jazz Network members and ...
Simon Eskildsen Trio: Introducing the Simon Eskildsen Trio
by Jakob Baekgaard
The art of the piano trio is very difficult to master and yet very simple. It is all about chemistry. Three players trying to find a language together, traversing a path that has been explored so many times before. Keeping the heavy heritage of the piano trio in mind, including leaders like Bill ...
Tubis Trio: The Truth
by Geno Thackara
A title such as The Truth may seem like some kind of commentary or bold statement in what's strangely referred to as the post-truth era, though Maciej Tubis and his cohorts thankfully don't bring any such weighty baggage to their first studio date (following two live releases with slightly different lineups). “In the end, you need ...
Adam Fairhall: Friendly Ghosts
by Roger Farbey
Following undergraduate studies, virtuoso pianist Adam Fairhall took a Master's degree at Leeds College of Music, receiving a MMus in Jazz Studies (Performance) in 2005. Whilst at Leeds he studied with pianist Mark Donlon and took lessons with British jazz composer Matthew Bourne. The title of his album Friendly Ghosts, Fairhall's debut recording as a soloist, ...
Peo Alfonsi e il Questionario di Proust
by Paolo Peviani
Il tratto principale della mia musica A dire il vero mi piacerebbe fossero gli altri a rispondere, ma visto che devo farlo io direi forse il tentativo di avvicinare “mondi" musicali diversi, in particolare la spontaneità del jazz e della musica improvvisata al rigore della musica cosiddetta “colta." La qualità che desidero nei ...
Gary Peacock Trio: Tangents
by Karl Ackermann
Considering his nearly sixty-five years of recording, Gary Peacock has been relatively selective in his choice of leader projects. His association with luminaries Albert Ayler, Paul Bley, Bill Evans and Keith Jarrett have put him in the company of jazz history makers. When Jarrett's Standards Trio, with Peacock and drummer Jack DeJohnette, disbanded in 2014 after ...
Solo Piano – Fred Hersch and Ran Blake
by C. Michael Bailey
Fred Hersch Open Book Palmetto 2017 Pianist Fred Hersch's 2015 release Solo (Palmetto) and the present Open Book recall Keith Jarrett's deeply introspective The Melody at Night, With You (ECM, 2000) with respect to the two artists having survived significant health crises. While Open Book is not as introspective as the ...
Tom Millar Quartet: Unnatural Events
by Roger Farbey
Born in Sydney, pianist, composer and bandleader Tom Millar grew up in London where he still resides. After reading Music at King's College, Cambridge, he studied Jazz Piano and Composition for a Masters at the Royal Academy of Music and later with Django Bates in Bern, Switzerland. The brisk “Azur Days" opens Unnatural Events ...
The Art (de Vivre) of the Trio
by Geno Thackara
Amaury Faye Trio Clearway Pias Jazz Village 2017 Following several years of studying and reputation-building in his native France and beyond, Amaury Faye makes an accomplished and overdue step foward with Clearway. It was largely a standards affair on his leader debut Big Moe Trio (Greenworks, 2010). Here the French ...
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