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Dolomiti Ski Jazz - XXI Edizione
by Paolo Peviani
Dolomiti Ski Jazz 10-17.03.2018 Val di Fiemme Musiche che hanno coperto un'ampia gamma di linguaggi ed orizzonti espressivi, pubblico numeroso e plaudente ... Il bilancio musicale di questa XXI Edizione del Dolomiti Ski Jazz non può che essere molto positivo. Meno felice il bilancio meteorologico. Il maltempo ha infatti cercato di ...
Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
Kjetil Jerve / Tim Thornton / Anders Thorén: Circumstances
by Roger Farbey
Astonishingly, this international trio--Kjetil Jerve from Norway, Tim Thornton from the UK and Anders Thorén from Sweden--had played only one concert together before they recorded the studio tracks from which the contents of this album were gleaned. That recording session lasted two hours but here has been whittled down to just under an hour's worth of ...
Keith Jarrett: After the Fall
by Mike Jurkovic
If, after thirty five years and dozens of standard bearing recordings you're not spoiled rotten, or decisively worse, indifferent to the mythic elegance and boundless creativity of the Standards Trio, then welcome gratefully the latest two-disc chronicle, After The Fall. Recorded on November 14, 1998 at the New Jersey Performing Arts Center, this was Keith Jarrett's ...
Black Flower at Moriska Paviliongen
by Patrick Burnette
Black Flower Moriska Paviljongen Malmo, Sweden February 16, 2018 Black Flower opened their concert at Moriska Paviljongen with a trance-like song redolent of early Pink Floyd, but soon enough the bpm picked up and seismic bass notes started resonating. We've all heard of EDM, but is IPM (instrumental ...
Gleb Kolyadin: Gleb Kolyadin
by Geno Thackara
One sometimes doesn't know where to start in describing things under the progressive-rock umbrella, considering that the term comes with such a pile of baggage it's practically impossible to see around. The modern-day genre (to the extent that's even a recognizable thing) arguably has even more issues than the 1970s version: there are more bands out ...
Keith Jarrett, Gary Peacock, Jack DeJohnette: After the Fall
by Mario Calvitti
Sembra ormai definitivamente tramontata la speranza di rivedere in concerto il trio Standards di Keith Jarrett, Gary Peacock e Jack DeJohnette, che in trent'anni di attività ha riportato il moderno trio pianistico ai vertici dell'espressione jazzistica, ponendosi come punto di riferimento obbligato per tutti coloro che hanno adottato la stessa formula strumentale negli ultimi tre decenni. ...
Keith Jarrett / Gary Peacock / Jack DeJohnette: After The Fall
by Karl Ackermann
In the year between ECM releases Tokyo '96 (1997) and Whisper Not (1999), Keith Jarrett's iconic Standards Trio returned to live performances following a two-year break. Jarrett's bout with Chronic Fatigue Syndrome left him physically and emotionally drained, but with the condition in check, his expressive passion and physical enthusiasm return in full force with After ...
Federica Michisanti: tra ricerca e introspezione
by Daniele Vogrig
La contrabbassista romana Federica Michisanti si è rapidamente affermata come una delle nuove leve meritevoli di grande attenzione. Grazie ad un equilibrio tra immediatezza ed originalità, tra camerismo ed improvvisazione, i suoi progetti sono pieni di spunti fertili e stimolanti. In questa intervista ci parla del suo lavoro mosso tanto da un'ardimentosa ricerca quanto da un'intima ...
Kjetil Mulelid Trio: Not Nearly Enough To Buy A House
by Mark Sullivan
Norwegian pianist/composer Kjetil Mulelid leads his young trio in a program with a maturity that contradicts their age. Their music is lyrical and exploratory, with a high degree of group interaction, and even a bit of free playing. Opener “Entrance" finds them moving together through the rhythmic waves. “Fly, Fly" begins with Mulelid in a slightly ...
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