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33

Article: Liner Notes

Terje Rypdal: Odyssey: In Studio and In Concert

Read "Terje Rypdal: Odyssey: In Studio and In Concert" reviewed by John Kelman

by John Kelman

To achieve confluence, an artist must first demonstrate multiplicity. With the benefit of hindsight, the meeting of disparate concepts might appear inevitable when reassessing a decades-long career, but few artists actually possess not only the building blocks but the intuition and acumen to achieve what is, in Sanskrit, called Sangam. That ECM has two recordings using ...

5

Article: Radio & Podcasts

Jerome Kern The Jazz Standard

Read "Jerome Kern The Jazz Standard" reviewed by David Brown

by David Brown

This week we celebrate the 138th birthday of Jerome Kern. Born in 1885, Kern was an important composer of musical theatre and popular music in the early 20th century. Many of Kern's songs have been adapted by jazz musicians to become standard tunes. Featured interpreters of Kern's songs will include David S. Ware, Connie Crothers, Clifford ...

7

Article: Live Review

Origin Story At Scott's Jazz Club

Read "Origin Story At Scott's Jazz Club" reviewed by Ian Patterson

by Ian Patterson

Origin Story Scott's Jazz Club Belfast, N. Ireland January 20, 2023 It is a fairly quick jaunt up the motorway from Dublin to Belfast these days and jazz musicians from The Dub are making the journey more frequently than was once the case. Part of the problem was always the ...

9

Article: Radio & Podcasts

The Artists Of ECM Records

Read "The Artists Of ECM Records" reviewed by Maurice Hogue

by Maurice Hogue

I've often tried to make the last show of a year a little different. Doing a special on ECM is an idea I've had for a while, and things finally came together to do it for 2022. I've always figured I had a great number of ECM releases in my collection, and when I started culling ...

42

Article: Building a Jazz Library

ECM Records Touchstones: Part 1

Read "ECM Records Touchstones: Part 1" reviewed by Dan McClenaghan

by Dan McClenaghan

Part 1 | Part 2 | Part 3 Every album ever released by ECM Records would be readily available in a better world. But that, understandably, is not the case. The German label, founded by Manfred Eicher—who still holds the helm—debuted in 1969 with pianist Mal Waldron's Free At Last. In the ensuing five-plus ...

2

Article: Liner Notes

Steve Khan: Patchwork

Read "Steve Khan: Patchwork" reviewed by Rafael Vega Curry

by Rafael Vega Curry

Few artists have been as successful as Steve Khan in achieving a genuine blend of jazz and Latin sensibilities, rhythms and sonorities. In fact, it can be suggested that no one else has done what he has accomplished for the jazz guitar, offering both the extensions of what Wes Montgomery, Kenny Burrell and Grant Green did ...

88

Article: Building a Jazz Library

Ten Essential Keith Jarrett Solo Recordings

Read "Ten Essential Keith Jarrett Solo Recordings" reviewed by Karl Ackermann

by Karl Ackermann

Keith Jarrett is a perfectionist. Perfection and innovation are, more often than not, mutually exclusive qualities and that is where Jarrett reveals his unique strain of genius. He remains the most respected and influential figure in the world of jazz, improvisation, and beyond. Despite two strokes that have permanently left him unable to play piano, his ...

15

Article: Liner Notes

Morten Schantz Trio: Passenger

Read "Morten Schantz Trio: Passenger" reviewed by Ian Patterson

by Ian Patterson

It might be tempting to view Morten Schantz's Passenger as a lockdown album, recorded as it was during those strange times of isolation, but the music can perhaps better be understood as the culmination of personal and musical growth stretching back over more than two decades. Schantz first led a piano trio whilst still ...

Album

Bordeaux Concert

By Keith Jarrett

Label: ECM Records
Released: 2022
Track listing: Part I; Part II; Part III; Part IV; Part V; Part VI; Part VII; Part VIII; Part IX; Part X; Part XI; Part XII; Part XIII.

11

Article: Album Review

Esbjörn Svensson: HOME.S.

Read "HOME.S." reviewed by Mike Jurkovic

by Mike Jurkovic

Akin to when people first sat in elegant staterooms listening to Chopin, Mendelssohn, Mahler, or Erik Satie seek the muse, HOME.S stands as the first solo performance by the late Swedish pianist Esbjörn Svensson and will quite possibly be considered the grandest moment of any other forthcoming posthumous releases. Recorded mere weeks before the ...


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