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7

Article: Album Review

Sullivan Fortner: Solo Game

Read "Solo Game" reviewed by Mike Jurkovic


Mentored by Fred Hersch and Jason Moran, and produced by Hersch, Solo Game puts pianist Sullivan Fortner in a really good place. That is before the music even starts. Then it does start with a sly and subdued solo on Stevie Wonder's buoyant 1973 top tenner, “Don't You Worry 'bout a Thing," while dropping subtle hints ...

7

Article: Album Review

Reggie Quinerly: The Thousandth Scholar

Read "The Thousandth Scholar" reviewed by Chris May


The Thousandth Scholar is Los Angeles-based drummer and composer Reggie Quinerly's fifth album, each out on his Redefinition label. Quinerly themes his albums. His debut was Music Inspired By Freedmantown (2012), a tribute to the Houston neighborhood where he was born and raised. It was followed by Invictus (2015), a salute to hard bop, Words In ...

4

Article: Profile

Lilian Terry: Forever Sisters Of The Soul - Renaissance Jazzwomen

Read "Lilian Terry: Forever Sisters Of The Soul - Renaissance Jazzwomen" reviewed by Kerilie McDowall


I was warmly accepted by a giant such as Duke Ellington during his last seven years. He chose to be my friend, demanding my annual presence during his concert tours in Europe as his “good luck charm," and as his sounding board for all the phrases he would dictate to me, to be used later in ...

Album

Gnu High

Label: ECM Records
Released: 2023
Track listing: Heyoke; Smatter; Gnu Suite.

Album

Carl Philipp Emanuel Bach

Label: ECM Records
Released: 2023
Track listing: Carl Philipp Emanuel Bach CD 1: Sonata I in A minor – Moderato; Andante; Allegro assai; Sonata II in A- flat major - Un poco allegro; Adagio; Allegro; Sonata III in E minor – Allegro; Adagio; Vivace. CD 2: Sonata IV in B-flat major - Un poco allegro; Andante; Allegro; Sonata V in E-flat major – Allegro; Adagio; Allegro assai; Sonata VI in B minor – Moderato; Adagio non molto; Allegro.

Album

Solo-Concerts Bremen Lausanne

Label: ECM Records
Released: 2023
Track listing: LP 1: Bremen, July 12, 1973 Part I; Bremen, July 12, 1973 Part IIa. LP 2: Bremen, July 12, 1973 Part IIb; Lausanne, March 20, 1973 Part Ia. LP 3: Lausanne, March 20, 1973 Part Ib; Lausanne, March 20, 1973 Part IIa; Lausanne, March 20, 1973 Part IIb.

11

Article: Album Review

Sebastian Schunke: Existential Intensities

Read "Existential Intensities" reviewed by Mark Sullivan


German composer and pianist Sebastian Schunke has long taken inspiration from Latin music. But, when his album Elusive Beauty (Connector Records, 2018) won one of Latin America's most important music awards--the Premio Internacional presented during the Cubadisco Festival--he had a rare opportunity to engage directly with Cuban musicians. This album is a kaleidoscopic blend of two ...

18

Article: Year in Review

Karl Ackermann's Best Creative Music Of 2023

Read "Karl Ackermann's Best Creative Music Of 2023" reviewed by Karl Ackermann


2023 was an exceptional year for pushing envelopes. The music took leaps backward and forwards in time, espousing social consciousness while embracing fundamentals laid down by the likes of Louis Armstrong and Duke Ellington. What distinguishes this year from the pre-pandemic era is the palpable feeling that artists vented in the form of fresh enthusiasm that ...

11

Article: Multiple Reviews

Jakob Dreyer: Songs, Hymns And Ballads Vol. 1 and Vol. 2

Read "Jakob Dreyer: Songs, Hymns And Ballads Vol. 1 and Vol. 2" reviewed by Dave Linn


German-born bassist Jakob Dreyer grew up interested in many diverse music styles. He says, “As a little child I had a thing for national anthems, church hymns, and traditional songs with simple melodies that I could remember and sing." He began playing classical piano at a young age but also enjoyed playing the pop music he ...

9

Article: Profile

Rob Luft: Burning the Candle at Both Ends

Read "Rob Luft: Burning the Candle at Both Ends" reviewed by Peter Jones


What kind of musician gets asked to write a concerto for a 65-piece orchestra--the BBC Concert Orchestra, no less--when still in his twenties, and when he has never previously written for an orchestra? Well, somehow or other, UK guitarist Rob Luft is that kind of musician. Writing for an orchestra is something he has ...


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