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Vijay Iyer Sextet: Far From Over
by Karl Ackermann
There are any number of valid ways to describe Vijay Iyer's music over the course of his twenty-three albums. Analytical, angular, intricate, dissonant, and oddly lyrical; his two previous ECM releases, Break Stuff (2015) and the duo outing, A Cosmic Rhythm With Each Stroke, with Wadada Leo Smith (2016), have been more widely accessible without forsaking ...
The Liberation Music Collective: Rebel Portraiture
by Karl Ackermann
The Liberation Music Collective is a young group built around a pair of Indiana University graduates, bassist/vocalist Hannah Fidler and trumpeter Matt Riggen. As the name may imply, LMC liberally leans on the Charlie Haden/Carla Bley legacy of the Liberation Music Orchestra, even including a web site photograph that mimics the cover of LMO's self-titled debut. ...
Tyshawn Sorey: Verisimilitude
by Karl Ackermann
So much has been said and written about Tyshawn Sorey's presence as a composer, performer and educator, that there is a threat of redundancy, even in adding new superlatives. Each release, however, demands attention to his exceptional and unmatched creativity. Putting aside Sorey's leader dates for the moment, those who have sought him out as a ...
Preserving the Cradle of Jazz: The New Orleans Jazz Museum
by Karl Ackermann
The New Orleans Jazz Club's beginnings, according to a 1950s edition of their bi-monthly newsletter, sprang from a sidewalk meeting of four jazz fans on Mardi Gras in 1948. The impromptu gathering intended to listen to the marching band called King Zulu's. One member of that group inspired the others to begin a club for jazz ...
Oded Tzur: Translator's Note
by Karl Ackermann
Translator's Note is an outstanding release from the Tel Aviv native, now New York-based tenor saxophonist Oded Tzur. As he did on his debut outing Like a Great River (Enja Records, 2016), Tzur merges jazz and elements of Indian music. Rather than playing the two styles off each other, he finds the common ground between the ...
Abdul Moimeme: Exosphere
by Karl Ackermann
Portuguese native Abdul Moimême moved to Dublin, Ireland, by way of New Mexico, at an early age. Something of a renaissance man, he studied guitar as a youth and later took up tenor saxophone with instruction from the cutting edge reed player Patrick Brennan. In between, he managed to study architecture in Boston, finalizing his degree ...
Jason Kao Hwang: Sing House
by Karl Ackermann
From the earliest part of his solo career, violinist and composer Jason Kao Hwang has employed an eclectic blend of Western and Eastern influences. His recording roots were no less wide-ranging, beginning with Anthony Braxton's Sextet (Istanbul) (Braxton House, 1995), even if the influences were harder to pin down. Hwang later recorded with William Parker and ...
Isamu McGregor: Resonance
by Karl Ackermann
It has been five years since the release of pianist Isamu McGregor's debut Live at the Baked Potato! (Amorphous Paraphernalia Records, 2012) and his Resonance turns out to be well worth the wait. While the first album was solidly entrenched in the fusion arena, the current outing is a genre defying and eclectic collection with an ...
Kevin Hays / Lionel Loueke: Hope
by Karl Ackermann
New York/Paris-based Newvelle Records, the vinyl-only subscription label, is well into its second season of six planned releases. The second of these albums is the Kevin Hays and Lionel Loueke duo outing, Hope. Pianist Hays plays with his namesake trio as well as the Bill Stewart Trio and has worked with Sonny Rollins, Benny Golson, Ron ...
Brian McCarthy Nonet: The Better Angels of Our Nature
by Karl Ackermann
Brian McCarthy's The Better Angels of Our Nature shares some common ground with Ted Nash whose Big Band collection Presidential Suite (Eight Variations on Freedom) (Motema Music, 2016) explored musical interpretations of great historical speeches including those of John F. Kennedy, Franklin D. Roosevelt, Ronald Reagan and Lyndon B. Johnson. McCarthy's focus is inspirited by American ...
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