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Charlie Parker: Now's The Time
by Karl Ackermann
In the pantheon of jazz saxophonists, Charlie Parker has been among the most transformational of artists, despite not living nearly long enough to fulfill his potential. Parker's lifetime, as a principal architect of bebop, and a self-destructive force, has been documented ad nauseam but his music continues to significantly influence new generations. Since Parker's death in ...
Satoko Fujii / Yuko Yamaoka: Diary 2005-2015: Yuko Yamaoka Plays the Music of Satoko Fujii
by Karl Ackermann
Diary 2005-2015: Yuko Yamaoka Plays the Music of Satoko Fujii is the eleventh of twelve releases to be issued as part of Satoko Fujii's year-long, sixtieth birthday celebration. The previous ten releases this year have shown us an exceptional artist as she works in a variety of musical modes, and in formations from solo to orchestra, ...
Orquesta Metafisica: Hipnotizados
by Karl Ackermann
Argentinian Sebastian Volco is an avant-garde composer, pianist, guitarist, and electronics player with wildly eclectic tastes that course through the dance culture of his country to alternative rock, jazz, and beyond. He has recorded as a solo artist, in a duo formation and up through a variety of ensembles. He has led or co-led on more ...
Charles Mingus: Jazz In Detroit / Strata Concert Gallery / 46 Selden
by Karl Ackermann
With previously unreleased material from Dexter Gordon, Thelonious Monk, John Coltrane, and now, Charles Mingus, it may feel in 2018 like we are living fifty years in the past. Jazz In Detroit / Strata Concert Gallery / 46 Selden captures a short-lived quintet that--given time--could have been Mingus' best. Drummer Roy Brooks and trumpeter Joe Gardner ...
Francisco Mela: Ancestros
by Karl Ackermann
One of the many fine musicians coming out of Cuba, Francisco Mela is an accomplished drummer/percussionist and composer. On Ancestros, his debut on the vinyl-only subscription label Newvelle, he has contributed seven original compositions to a collection that includes covers from Andrew Hill and Paul Motian. The album name--and its title track--are appropriated from Mela's prior ...
Cory Smythe: Circulate Susanna
by Karl Ackermann
Cory Smythe tells stories. About stories. Specifically, a father's tales in the rural heartland of America; ingredients that a listener might assume had shaped Smythe's imagination in ways that go far beyond music. But like the Stephen Foster discs spinning on the gramophone as a tornado approaches, Smythe's nostalgic and inspirational world is liner-note fantasy. Nevertheless, ...
Dexter Gordon Quartet: Espace Cardin 1977
by Karl Ackermann
Dexter Gordon left us almost three decades ago, but his presence in 2018 has virtually brought him back to center stage. The release of his biography Sophisticated Giant: The Life and Legacy of Dexter Gordon (University of California Press) by his wife Maxine Gordon, and the previously unreleased Dexter Gordon Quartet Tokyo 1975 (Elemental Music) have ...
Floyd Domino's All-Stars: Floyd Domino's All-Stars
by Karl Ackermann
At the time in which traveling bands of the Southern Plains were reaching their peak popularity--the 1920s--Texas and Oklahoma contingents were experimenting beyond their typical formulaic performances. At the same time Western music was on the verge of dying and likely would have were it not for the efforts of folklorists John Lomax (the father of ...
Amu: Weave
by Karl Ackermann
The year-long Satoko Fujii sixtieth-birthday project enters its final quarter in autumn 2018 with the stellar Weave. In a year of surprising and unusual releases, her newly assembled quartet--Amu--represents Fujii at her most unconventional yet accessible. The group includes Fujii's husband and frequent partner Natsuki Tamura on trumpet and percussion, drummer and percussionist Takashi Itani and ...
Big in Japan: A History of Jazz in the Land of the Rising Sun, Part 1
by Karl Ackermann
Part 1 | Part 2The music market in Japan--second only to the U.S. in terms of revenue--generates more than two-billion dollars in sales annually. Enthusiasts and collectors of jazz recordings had long ago discovered that Japan's robust music scene, and the now virtual accessibility to products have made the country a go-to resource for ...
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