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Marty Williams: Long Time Comin'
by C. Michael Bailey
Bay Area fixture Marty Williams does not have a pretty singing voice. It doesn't need to be because it is a commanding one--readily identifiable, friendly, accessible and honest. and worth much more than being pretty. Doubly talented, Williams has a piano style right out of the righteous songbook of Junior Mance, Les McCann, and Gene Harris, ...
Michael William Gilbert: I Can See From Here
by C. Michael Bailey
If the NPR radio show, Hearts of Space, were hipper and less ambient, it would fall over itself playing Michael William Gilbert's I Can See From Here. The recording is a 14-part suite, made up of Gilbert compositions synthetically prepared by the composer. Gilbert plays all instruments--that is, synthesizer, computer samples and loops, as well as ...
Shawn Costantino: Waltz for Anne
by Edward Blanco
Director of Jazz Studies at the prestigious Harvard-Westlake School in North Hollywood, Los Angeles, Shawn Costantino features a blend of contemporary and modern jazz in a nicely packaged collection of originals and covers on Waltz for Anne, the saxophonist/educator's first recoding as leader. Armed with a graduate degree from DePaul University, where he honed his skills ...
Shawn Costantino: Waltz for Anne
by C. Michael Bailey
Finally! A collection of Adult Contemporary jazz that has something to say and knows how to say it. Nothing signals oncoming Muzak more than jazz propelled by electric bass, guitar, and piano. Fortunately, multi-reedist Shawn Costantino slays those dragons of jazz prejudice early in his self-produced Waltz for Anne, with an incendiary cover of The Beatles' ...
Roxy Coss: Roxy Coss
by Edward Blanco
There is no question that women musicians have, and continue to play, a major role in jazz--from composers and band leaders such as Maria Schneider to renowned pianist Marian McPartland,--but few make their mark as saxophonists. Roxy Coss is a New York-based saxophonist who, with her self-titled debut, joins the likes of Anat Cohen, Mary Fettig, ...
Shawn Costantino: Waltz for Anne
by Wilbert Sostre
With the advantage of having access, these days, to what is currently going on in the 21st century jazz scene as well as the jazz tradition, it is not rare to find young musicians whose music conveys both the present and the past of jazz. That is certainly the case with Shawn Costantino, a saxophonist/flautist/clarinetist/composer with ...
Jacqui Sutton: Billie & Dolly
by C. Michael Bailey
Jacqui Sutton and The Frontier OrchestraBillie & DollyToy Blue Typewriter Productions2010 Heaven knows that contemporary jazz vocals could use a shot of sense-of-humor. The scene hosts a legion of earnest singers paying tribute to their idols, firebrands intent on extending the already stretched-taut realms of scat and ...
Henry Darragh: Tell Her for Me
by C. Michael Bailey
Do we really need one more trombonist/singer from Texas? Well, seeing that the only one that comes to mind presently is “Tea" Jack Teagarden, then, well, yes we do. Multi-instrumentalist Henry Darragh completely fits the musical bill. While Darragh looks more like a physics graduate student at UT-Austin, he is, actually, an accomplished composer/performer, who leads ...
Peter Scherr: Son of August
by C. Michael Bailey
Bassist Peter Sherr made a splash with his trio recording with Jazz Folk--Jazz in the Stone Age (Self Produced, 2010)--a strange collection of grunge covered jazz. Son of August pairs the bassist with his slide guitar playing brother, Tony Scherr, second guitarist Brad Shepik, and saxophonist Michael Blake, for a curious collection of progressive jazz and ...
Roxy Coss: Roxy Coss
by Wilbert Sostre
With the exception of a few instrumentalists like pianist Mary Lou Williams, most women in the so called golden era of jazz were singers. That situation has changed in the last few years, with more and more extraordinaire female musicians entering the jazz scene. Bassist Esperanza Spalding, pianist Hiromi, drummer Cindy Blackman and saxophonist/clarinetist Anat Cohen ...
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