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Joe Armon-Jones: Turn To Clear View
by Chris May
A cornerstone of London's underground jazz scene—as well as leading his own band he plays in Ezra Collective and groups led by the tenor saxophonists Binker Golding and Nubya Garcia—the keyboard player Joe Armon-Jones released his first own-name album, Starting Today (Brownswood), in spring 2018. A jewel of nu-fusion which owes almost as much to the ...
Dwight Trible at Ronnie Scott's Jazz Club
by Chris May
Dwight Trible Ronnie Scott's Jazz Club London August 17, 2019 Dwight Trible inhabits a song with more than just his voice, he does so with his whole body—he uses every available limb and digit and twists and turns and shoehorns himself into his material. At Ronnie's tonight he ...
2019 Newport Jazz Festival
by Richard Conde
This years 2019 Newport Jazz Festival was held at the scenic Fort Adams State Park in Newport Rhode Island. Newport Jazz Festival's artistic director Christian McBride put together an impressive line up with a wide range of talent over three days on four stages from August 2nd to the 4th. Legendary NEA Jazz Master Herbie Hancock, ...
Various Artists: Sunny Side Up
by Chris May
London DJ Gilles Peterson's worldwide touring produces some singular jazz and near-jazz experiences, the best of which he documents on his Brownswood Recordings label. Modern Cuban music figures prominently in the catalogue, and there have been several Japanese jazz albums, most memorably the Toshio Matsuura Group's Loveplaydance: 8 Scenes From The Floor (Brownswood, 2018). The label ...
Umbria Jazz 2019 - Prima parte
by Libero Farnè
Umbria Jazz 2019 Perugia, varie sedi 12-21.7.2019 “Numeri da record assoluto quelli di UJ19: oltre 40.000 paganti con un incasso che ha superato 1 milione e 600mila euro." Con queste parole di evidente soddisfazione si apre il comunicato diramato nella conferenza stampa conclusiva del festival umbro. Indubbiamente a Perugia il ...
North Sea Jazz Festival 2019
by Ljubinko Zivkovic
North Sea Jazz Festival Rotterdam, The Netherlands July 12-14, 2019 For a while now, jazz festivals have lost their exclusivity and being a musical source for just jazz fans or those who wanted to get involved in the scene. More commercial artists from other musical genres have actually become a ...
Take Five with Statik Link
by AAJ Staff
About Statik Link Hello, all! I'm Statik Link. I'm a jazz, funk, soul and hip-hop musician and producer originally from Toledo, OH and now live in New York City. I'm a teacher, multi-instrumentalist, and music connoisseur. Here is a little more about me from my bio.... Hailing from the Midwest, Statik Link, ...
Christian Scott aTunde Adjuah: Ancestral Recall
by Karl Ackermann
It's rare to see Christian Scott aTunde Adjuah's name without some derivation of “architect" affixed to it. It's appropriate. The New Orleans trumpeter and composer—like his peers Kamasi Washington and Ambrose Akinmusire—is part of a wave of jazz musicians determined to keep the genre's momentum moving forward. Adjuah's Ancestral Recall seeks to dismiss notions of identity-based ...
Thundercat: On Kendrick Lamar, Kamasi Washington, Erykah Badu and the great LA jazz renaissance
by Rob Garratt
When, a few years back, the mainstream media began breathlessly anointing the arrival of a West Coast-born jazz “renaissance," Thundercat's name was invariably invoked second in the evidence list— behind, of course, that of his childhood buddy Kamasi Washington. While Washington's career has gone stratospheric—with a summer co-headline tour alongside Herbie Hancock the latest summit mounted—Thundercat ...
Dwight Trible: Mothership
by Chris May
The Beatles' Revolver (Parlophone, 1966), recorded while the band were out of their skulls on high-voltage lysergic acid diethylamide, was the first masterpiece of British psychedelic rock. One of the album's highlights, the sitar-drenched closing track, “Tomorrow Never Knows," still sounds potent enough to trigger a flashback. Remarkably, Dwight Trible's version of “Tomorrow Never ...
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