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6

Article: Album Review

Steve Lehman: Mise en Abîme

Read "Mise en Abîme" reviewed by Hrayr Attarian


Saxophonist Steve Lehman's 12th release as a leader/co-leader and his second one with an octet Mise en Abime is a cohesive work of intriguingly cerebral and dramatic nature. Like the title implies there are concepts that repeat, amplify and fade in the process of constructing and deconstructing the main themes of the album. On ...

9

Article: Album Review

Steve Lehman Octet: Mise en Abîme

Read "Mise en Abîme" reviewed by Martin Longley


It's been five years since Steve Lehman's last Octet album, so we're now voracious for more expanded material. Right at the start, his alto saxophone is briefly alone, and then the entire ensemble weighs in, earthy yet finely controlled. Chris Dingman's customised vibraphone is absolutely central to the sound of these Lehman originals, most of which ...

25

Article: Live Review

North Sea Jazz Festival 2014

Read "North Sea Jazz Festival 2014" reviewed by Henning Bolte


North Sea Jazz Festival 2014 Rotterdam, Netherlands July, 11, 2014 The North Sea Jazz Festival in Rotterdam is the biggest indoor festival in Europe. It is organized by Mojo Concerts and The Security Company, both part of Live Nation Entertainment, a worldwide operating live event mega-organizer (240,000 events annually in 33 countries). ...

9

Article: Album Review

Steve Lehman: Mise en Abîme

Read "Mise en Abîme" reviewed by Dan Bilawsky


There's much ado about the co-mingling of styles, languages, and genres in saxophonist Steve Lehman's music. A good amount of what's been written about his work has focused on his use of spectral music techniques and live electronics, the specially-made microtonal vibraphone that Chris Dingman plays, and the way Lehman mixes it all together to create ...

2

Article: Album Review

Steve Lehman: Mise en Abîme

Read "Mise en Abîme" reviewed by Luca Canini


È successo tutto piuttosto in fretta: da giovane promessa a venerato maestro. Un'ascesa irresistibile quella di Steve Lehman, un'esplosione assordante. Qualche anno e una manciata di dischi sono bastati per farlo entrare nel novero dei grandissimi del jazz che conta (quello che guardando al passato si proietta verso il futuro: il resto è tempo più o ...

12

Article: Record Label Profile

Pi Recordings: Dedicated to the Innovative

Read "Pi Recordings: Dedicated to the Innovative" reviewed by Mike Oppenheim


In the pantheon of American music, jazz is especially noted for its rapid and drastic evolution. Considering that jazz evolved from big bands and swing, to bebop, to free jazz within thirty years, it is a history marked by distinct stylistic eras. For some time, the trajectory and potential development of jazz has been in question. ...

7

Article: Album Review

Henry Threadgill: Tomorrow Sunny / The Revelry, Spp

Read "Tomorrow Sunny / The Revelry, Spp" reviewed by Troy Collins


Now into its twelfth consecutive year, Zooid can finally lay claim as Henry Threadgill's longest running ensemble, having superseded the tenures of the venerable composer's most celebrated lineups, including Air, Sextett and Very Very Circus. Tomorrow Sunny / The Revelry, Spp is the idiosyncratic chamber group's fourth release for Pi Recordings, which was founded in 2001 ...

4

Article: Album Review

Henry Threadgill: Tomorrow Sunny / The Revelry, Spp

Read "Tomorrow Sunny / The Revelry, Spp" reviewed by Mark F. Turner


Henry Threadgill's music is best served neither cold nor hot, but with an open mind. The 68 year-old composer and multi-instrumentalist has endured as one of contemporary music's foremost innovators--a cofounder of the Association for the Advancement of Creative Musicians, a bandleader with over thirty releases, and works with a number of eclectic bands including Zooid, ...

82

News: Performance / Tour

Henry Threadgill's ZOOID at Roulette (Brooklyn) from November 30 to December 2

Henry Threadgill's ZOOID at Roulette (Brooklyn) from November 30 to December 2

Henry Threadgill's ZOOID featuring Liberty Ellman (acoustic guitar), Jose Davila (trombone and tuba), Stomu Takeishi (acoustic bass guitar) and Elliot Humberto Kavee (drums). November 30-December 2, 8pm Roulette 509 Atlantic Ave Brooklyn, NY 917.267.0368 Directions 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR $25/$15 members/students/seniors (attend two nights and ...

265

Article: Live Review

AACM Great Black Music Festival

Read "AACM Great Black Music Festival" reviewed by Kurt Gottschalk


Ars Nova Workshop's AACM: Great Black Music FestivalPhiladelphia, PA June 4-13, 2011 It's been a hot half decade for the Association for the Advancement of Creative Musicians. Nicole Mitchell's tenure as co-chair (with Ernest Dawkins) came at a time when her star as a flutist and bandleader was also rising. Co-founder Muhal Richard ...


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