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José James: Why The Female Of The Species Is Groovier Than The Male
by Peter Jones
Jazz singer José James considers Erykah Badu to be the Joni Mitchell of his generation, a woman who has constructed a world of her own in order to tell her own alternative story. To prove the point, earlier this year he released On & On (Rainbow Blonde), a whole album of Badu songs, which he has ...
Wayne Shorter: Footprints of a Soothsayer
by Ludovico Granvassu
Rarely has a jazz musician created a body of work in which depth, sophistication and melodies coexist as beautifully as Wayne Shorter. In this episode we selected interpretations of his compositions by musicians we admire and who chose to follow his soothsaying footprints. In loving tribute to Mr. Gone. Playlist Ben Allison ...
Just In Time - New Rickie Lee Jones Single Plus Releases By Anat Fort, Vince Mendoza, Jane Irving, Nadia Washington & More
by Mary Foster Conklin
This broadcast includes new releases from Anat Fort, Vince Mendoza & Metropole Orchestra, Jane Irving, Nadia Washington with a single from Rickie Lee Jones, plus birthday shoutouts to Idit Shner, Keely Smith, Bobby McFerrin, Marilyn Harris, Flora Purim and Jane Irving, among others. Thanks for listening and please support the artists you hear by seeing them ...
Gard Nilssen's Acoustic Unity: To Whom Who Buys A Record
by Chris May
In July 2019, Gard Nilssen will be Artist-in-Residence at the prestigious, future-facing Molde Jazz Festival. It will be a busy week for the Norwegian drummer, composer and sonic adventurer. As well as guest appearances, he will perform with several of his bands--SpaceMonkey, an electronica/dance music mash-up he co-founded five years ago; Bushman's Revenge, which may be ...
Wayne Shorter remembered as Jazz's Shaman Of Musical Influence
by Doug Hall
The voice, tone, phrasing--in effect, the signature sound of the saxophone has distinguished a number of artists. The late Wayne Shorter, having just passed away at 89, has been a profound force of interpretation on the tenor, and on the soprano--there is no greater master. He remained at the forefront of influence with his instrument and ...
A Fireside Chat With Wayne Shorter
by AAJ Staff
This article was first published at All About Jazz in October 2002. I have done my fair share of Firesides (500 or so last census). I have favorites. Certainly, the first Sonny Rollins was memorable. Cecil Taylor, Charles Lloyd, Joe Chambers, and Lester Bowie were provocative. Willie Nelson was high (allegedly) and Tony Bennett ...
Aubrey Johnson & Randy Ingram: Play Favorites
by Jerome Wilson
At its best, the pairing of piano and voice can create special chemistry, as in the cases of Ran Blake and Dominique Eade or Bill Evans and Tony Bennett. The combination of Randy Ingram's piano and Aubrey Johnson's voice is in the same class on this album. The two musicians exude a sense of familiarity and ...
New Releases: Rosa Passos, Lakecia Benjamin, Sinne Eeg Plus A Celebration of Court and Spark
by Mary Foster Conklin
This broadcast includes new releases from TBone Paxton, Lakecia Benjamin, Rosa Passos and Sinne Eeg, with birthday shoutouts to Adi Myerson, Jeanne Lee||, {{m: Teri Roiger, Nancy Marano, Antonio Carlos Jobim, Kaisa Maensivu, Pureum Jin, Etta James and Lucy Yeghiazaryan, among others, plus a nod to the 49th anniversary of the release of the Joni Mitchell ...
Blue Note Tokyo: Still Holds Praise From Jazz Musicians & Fans Alike
by Doug Hall
Opened in 1988, the Blue Note Tokyo nightclub has a long-established history of providing top-tier jazz performances and holds a special place in the veins of many renown jazz artists. Over several decades, the A-list of jazz performances include Sarah Vaughan, Oscar Peterson, Tony Bennett, Chick Corea, Stan Getz, McCoy Tyner, Dizzy Gillespie, Joe ...
Ugly Beauty: The Music and Mind of Ben Allison
by AAJ Staff
This interview was conducted by Paul F. Roberts and was first published at All About Jazz in September 2001. All of us have a story in our head-a myth of how a new jazz talent gets discovered. Here's how it goes: The young musician—let's call him “the Kid"-practices alone in his bedroom ...
