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Javon Jackson, Jonathan Finlayson & More

by Joe Dimino
This week's episode begins with the exceptional saxophonist Javon Jackson and music off his latest CD For You. The show revolves around Javon's long jazz journey as we play cuts from legends like Sonny Stitt and Art Blakey. The show goes on to highlight new music from Stefon Harris, Javier Santiago and Freckle Legend.
Igor Lumpert & Innertextures: Eleven

by Vincenzo Roggero
Il sassofonista Igor Lumpert è forse il più conosciuto tra la folta schiera di musicisti sloveni che si stanno imponendo all'attenzione di pubblico e di addetti ai lavori (Cene Resnik, Kaja Draksler, Dre Hocevar per citarne alcuni). Da anni trasferitosi a New York, di quella città ha gradualmente assorbito umori, pulsazioni, tensioni che insieme al naturale ...
Jonathan Finlayson: 3 Times Round

by Mark Corroto
Listening to the music of Jonathan Finlayson is kind of like being in the audience of a TED Talk where the entire house is packed with PhDs. You understand the presenter is operating on a higher level, and so the acquisition of knowledge requires attention and some discipline. But you come to expect a challenge from ...
Tom Abbs & Frequency Response: Hawthorne

by Karl Ackermann
Bassist and multi-instrumentalist Tom Abbs began his Frequency Response series in 2003 with Conscription (CIMP Records). The group--then a quartet--included tenor saxophonist Brian Settles and drummer Chad Taylor. Alto saxophonist Jason Candler, violinists Jean Cook and Jenna Barvitski are later additions to Frequency Response. On their long-awaited fourth album Hawthorne, Abbs again stands in as a ...
Miles Okazaki: Work: The Complete Compositions of Thelonious Monk

by Mark Corroto
The best way to embark upon Miles Okazaki's six-volume Work: The Complete Compositions of Thelonious Monk is the same manner you might approach Herman Melville's American masterpiece Moby-Dick; or, The Whale. Like Moby-Dick with its 135 chapters (and epilogue), Work is a Brobdingnagian accomplishment. Okazaki performs the complete Thelonious Monk songbook. 70 tunes in total.
Steve Coleman and Five Elements: Live at the Village Vanguard, Vol. 1 (The Embedded Sets)

by Mark Corroto
Do you long for the days when jazz was punk? Not meaning music that is loud and out-of-control. but punk as in innovative, nonconformist, and seditious. One hundred years ago, the music of Louis Armstrong was punk, and a few decades later so was Charlie Parker's revolutionary bebop. You probably did not witness those rebellions, nor ...
Time in Jazz 2018

by Libero Farnè
Time in Jazz Varie sedi Berchidda e altri comuni 08-16.08.2018 Ogni festival vive di costanti e variabili. Le prime rappresentano le scelte di fondo maturate nel tempo, le certezze organizzative ed estetiche che determinano, anche agli occhi degli spettatori, la riconoscibile identità della manifestazione. Le seconde esprimono l'esigenza di rinnovamento, sperimentando ...
Steve Coleman: Live at Village Vanguard Vol. 1 (The Embedded Sets)

by Karl Ackermann
Decades after he had migrated from Chicago to New York to briefly play in the Thad Jones/Mel Lewis Orchestra, saxophonist/composer Steve Coleman took to the Village Vanguard stage that Jones and Lewis had occupied for more than twenty years. Since 2015, Coleman and his Five Elements group have made the club an annual event in their ...
Steve Coleman and Five Elements: Live at the Village Vanguard, Vol. 1 (The Embedded Sets)

by Troy Dostert
Artists don't release Live at the Village Vanguard recordings unless they've truly got something to say. The list of recordings from that fabled venue, run for decades by the incomparable Max and Lorraine Gordon, is indeed long and legendary, with well over 100 titles to date, including some of the most iconic recordings in jazz history. ...
Steve Coleman & Five Elements: Live at Village Vanguard Vol. 1 (The Embedded Sets)

by Stefano Merighi
È solamente da tre anni che gli organici di Steve Coleman si esibiscono con regolarità al Village Vanguard di New York. Ma il club, si sa, profuma di leggenda, e anche il sassofonista chicagoano non ha resistito alla sirena che reclamava il classico live" nel tempio della Settima Avenue. Ne è valsa la pena. ...