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Thirsty Ear at Stone Curated by Peter Gordon: October 1-15
In 1990, Thirsty Ear made its emergence as a record label of its own, quickly accelerating its position and becoming one of the top alternative independent labels within the U.S. music industry. Since its beginning in 2000, the story of the Blue Series has been one of focused, organic evolution. From free jazz masters, legends in ...
Thirsty Ear at The Stone (NYC) October 1st to the 15th
Tapping into the vast resources of Thirsty Ear's much-heralded Blue Series, President Peter Gordon will be curating two weeks at The Stone, from October 1st to October 15th. From free jazz masters, legends in their own time, to some of the most innovative hip-hop and electronic music producers, to individuals whose music defies any such labeling, ...
Arrington De Dionyso, Mary Halvorson, Liturgy, Sightings, Peter Brotzmann & Pulverize The Sound
by Martin Longley
Arrington De Dionyso's Malaikat Dan Singa Cake Shop May 25, 2011 When I first witnessed the singer, reedsman, guitarist and performance artist Arrington De Dionyso at The Stone, he was working as a solo act, exploring extended timbres, textured multiphonics, confrontational starkness and isolated honking eruptions. In more recent ...
Jon Lundbom and Big Five Chord: Quavers! Quavers! Quavers! Quavers!
by John Sharpe
For their sophomore outing on Hot Cup Records and fourth overall, Brooklyn guitarist Jon Lundbom and Big Five Chord take a skewed look at jazz with rock sensibilities--or should that be the other way round? Lundbom can be hard to pin down: he has been compared to the likes of Derek Bailey and a young John ...
Noah Haidu: Slipstream
by Bruce Lindsay
Slipstream is the debut from New York-based pianist/writer Noah Haidu. Featuring an exceptionally talented quintet of musicians, it's a striking first album, full of superb, straight-ahead jazz. Haidu's compositions--he wrote all but one of the tunes--are strong on melody and characterized by a gentle and soulful swing. As a pianist, Haidu sounds equally ...
Peter Evans Quintet: Ghosts
by Mark Corroto
The Peter Evans Quintet's Ghosts acts as a sort of back-to-the-future recording--that is, if the present were 2021. This inaugural release on the trumpeter's own label has a standard trumpet/piano/bass/drums setup, plus the incorporation of real-time, live electronic processing to make up the full quintet. Listening to any recording by Evans often prompts the ...
Noah Haidu: Slipstream
by Dan Bilawsky
What do slipstreams and music have in common? The simple answer is: flow. While some genres have turned their back on the idea of letting each piece of music flow in its own unique way, subscribing instead to digital quantizing and beat perfection, jazz isn't one of them. On his appropriately titled debut, Slipstreams, pianist Noah ...
Duos: When The Sum Is Greater Than Its Parts
by Mark Corroto
The defining characteristic of all great partnerships in cinema, from the male-bonding buddy movie to the classic Katherine Hepburn and Spencer Tracy films, is the tension created between two self-assertive characters, before their eventual collaboration. The same can be said of jazz and improvisational duos. By matching two authoritative players, sparks fly and, if the two ...
Mostly Other People Do the Killing: The Coimbra Concert
by Mark Corroto
The stand-up comic begins, “I went to a day of rage riot the other day, and a Moppa Elliott concert broke out." He might continue with, “Take my jazz canon, please." That is just what the bassist's quartet, Mostly Other People Do The Killing, does--seize the jazz standard and demolish it. The Coimbra Concert is the ...
Jon Irabagon: Foxy
by AAJ Italy Staff
Prendere o lasciare. Amore incondizionato o pollice verso. Foxy, il quarto disco del cappellaio matto Jon Irabagon, richiede, anzi, esige una presa di posizione. E il perché si fa presto a dirlo: un assolo di 78 minuti non può lasciare indifferenti. Si, si, avete letto bene: 78 minuti di tambureggiante, travolgente, infuocata improvvisazione. Un flusso ininterrotto ...
