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Emanuele Passerini, Jon Irabagon, Sylvain Rifflet and The Warriors Of The Wonderful Sound
by Maurice Hogue
Italian soprano saxophonist Emanuele Passerini says he does not consider himself a professional musician. He has a great job in the private sector, so he records only sporadically. Well, good thing he found the time to record Trio Geometrics with drummer Tiziano Tononi and bassist Tito Mangialajo Rantzer. It's a spectacular album, and a feature of ...
What's Next
Label: Irabbagast Records
Released: 2020
Track listing: Uptown Bass Hit; What's Next; SKJ; Change; Bramblin'; Pursue; Mance's Dance; Infant Eyes; In a Sentimental Mood; Voyage.
Resist
Label: Irabbagast Records
Released: 2020
Track listing: Resist; Seeds; Varscona; Resist the Middle; Ever Onward.
Resist
Label: Irabbagast Records
Released: 2020
Track listing: Resist; Seeds 11; Varscona; Resist the Middle; Ever Onward.
Mark Corroto's Best Releases Of 2020
by Mark Corroto
Goodbye to 2020 and for the most part good riddance. Unless of course, we are talking about great music. Hopefully, your self isolation bubble had good sounds. Keeping in mind the global pandemic will not end soon, here's a list of my top 18 releases for 2020. I hope they can ease the pain of social ...
Uptown Jazz Tentet: What's Next
by Jack Bowers
A tentet is a rather strange bird; too large to be labeled a small group, yet too small to be counted as a big band, it resides somewhere near the edges, mapping out its own musical profile. Some may rate that an asset, while others may deem it a mere hybrid, unworthy of their consideration. Wiser ...
Uptown Jazz Tentet: What's Next
by Edward Blanco
New York-based trombonist Willie Applewhite birthed the idea of forming a new big band comprised of friends, and in 2016 The Uptown Jazz Tentet was established, co-led by trumpeter Brandon Lee and trombonist James Burton III. After playing to live audiences for several years, What's Next is the group's debut recording, and what an outing it ...
The Volcanic World Of Pyroclastic Records
by Mark Corroto
As listeners we so often typecast musicians and music labels. Artists are pigeonholed into silos: classical, jazz, rock, blues, pop, etc.. Go into any record store (if you can find a brick & mortar one) and this segregation, a forced separation, is also evident. Even streaming services are divided in this manner. Maybe it is just ...
