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5

Article: Album Review

Flock: Flock

Read "Flock" reviewed by Chris May


One of the strengths of the alternative jazz scene which has grown in London since around 2016 is the interconnectivity of its players. Everyone knows each other and ad hoc bands constantly come together. Flock is the latest such conclave and it is something of a supergroup. On this its first album--others are ...

58

Article: Multiple Reviews

Miles Davis & Don Cherry: Which One Is The Grifter?

Read "Miles Davis & Don Cherry: Which One Is The Grifter?" reviewed by Chris May


The Swiss-based ezz-thetics label's Revisited strand of reissues is a jazz connoisseur's dream. The label identifies outstanding albums of the 1960s, sets one of its gifted audio engineers to mastering them and makes them newly available. Earlier editions of many of these albums are hard to find and the sound on all of them is substantially ...

Article: Live Review

Palm Jazz 2021: Nils Petter Molvær & Wacław Zimpel

Read "Palm Jazz 2021: Nils Petter Molvær & Wacław Zimpel" reviewed by Martin Longley


The Nils Petter Molvær Quartet Jazovia Cultural Centre Gliwice, Poland October 10, 2021 Gliwice is in the south of Poland, not far from Katowice, or even Kraków. It has its own jazz festival, which usually spreads over several weeks, featuring two concerts each evening, in the dedicated Rynek ...

1

Article: Live Review

Citadelic 2021

Read "Citadelic 2021" reviewed by Martin Longley


Citadelic Citadelpark Gent, Belgium August 16-18, 2021 Your scribe took a three-day slice out of the six-day Citadelic festival, which had returned to its accustomed Citadelpark following a switch of location in 2020. He arrived for the second half of this 14th edition, catching three or four acts ...

5

Article: Album Review

On Our Own Clock: On Our Own Clock

Read "On Our Own Clock" reviewed by Chris May


The fourteen-strong international ensemble which recorded On Our Own Clock includes, from London, keyboard player Danalogue from Shabaka Hutchings' The Comet Is Coming and tuba player Theon Cross from Hutchings' Sons Of Kemet; from Dakar, percussionist Yahael Camara Onono and kora player Tarang Cissoko; and, from Johannesburg, keyboardist Zoe Molelekwa, bassist Tebogo Sedumede, trombonist Siya Makuzeni ...

Article: Live Review

Fano Jazz by the Sea 2021

Read "Fano Jazz by the Sea 2021" reviewed by Libero Farnè


Fano Varie sedi 23—31.7.2021 Nell'arco di nove giornate zeppe di iniziative, Fano Jazz by the Sea ha invaso vari punti della città adriatica, proponendo un cartellone ricco di progetti italiani e stranieri significativi dell'attuale ricerca musicale. Fra l'altro il festival rappresenta solo la punta dell'iceberg di un'articolata attività, estesa durante tutto l'anno ...

7

Article: Live Review

North Sea Round Town 2021

Read "North Sea Round Town 2021" reviewed by Henning Bolte


Sun-Mi Hong Diverse venues/sites: Laurenskerk, Goethe Institute, De Doelen, Worm, Boerderij Driebergen (Three Mountains Farm), private homes North Sea Round Town Rotterdam July 2-9, 2021 North Sea Round Town is a strongly community-based city festival in Rotterdam, deep in the Dutch delta. Founded 15 years ago, it takes place ...

12

Article: Album Review

BLOOP: Proof

Read "Proof" reviewed by Mark Corroto


The electro-acoustic duo BLOOP--trumpeter Lina Allemano plus the live-processing and effects of Mike Smith--focuses on free improvisation and extended techniques. Ms. Allemano can also be heard in multiple contexts from contemporary jazz to psychedelic music and free jazz, chamber jazz, and in solo performance. This disc is a simultaneous release with Vegetables (Luma Records, 2021) by ...

5

Article: Album Review

Gustav Lundgren: Live At Fasching

Read "Live At Fasching" reviewed by Chris May


If the Norway's Eivind Aarset is one side of Scandinavian fretboard virtuosity, Sweden's Gustav Lundgren is the other. Aarset works with experimentalists such as Jon Hassell and Jan Bang. Lundgren is more straight-ahead, evoking Jack Wilkins and Pat Metheny. Both guitarists, however, are lyrical players. If you enjoy the linear melodism of Lundgren's Live At Fasching, ...

81

Article: Building a Jazz Library

Guitar Gods & Goddesses: An Alternative Top Ten Albums

Read "Guitar Gods & Goddesses: An Alternative Top Ten Albums" reviewed by Chris May


Although it has been present in jazz since the 1920s, when it was routinely used in rhythm sections, as a solo instrument the guitar struggled to make itself heard--literally--until the second half of the 1930s, when reliable pick-ups and portable amplifiers became available. Foremost among the pioneers of the electrified instrument was Charlie Christian, a member ...


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