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50

Article: Profile

Sonny Buxton: Strayhorn’s Last Drummer, A Radio Master Class Mid-Day Saturdays

Read "Sonny Buxton: Strayhorn’s Last Drummer, A Radio Master Class Mid-Day Saturdays" reviewed by Arthur R George


Sociologist, anthropologist, historian: storyteller, raconteur, entrepreneur and griot, in the guise of a deejay. Registrar, dean, professor: The jazz class of Sonny Buxton is barely concealed as entertainment within his weekly radio program every Saturday 10 a.m. to 2 p.m. Pacific time on San Francisco Bay Area FM station KCSM 91.1, streaming live on kcsm.org.

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Article: Album Review

Eric Bernhardt: The Four Sidemen Of The Apocalypse

Read "The Four Sidemen Of The Apocalypse" reviewed by Rob Rosenblum


On the surface, Eric Bernhardt is one of the many faceless, aspiring jazz musicians who hit the clubs on Frenchman Street in New Orleans, playing for tips and hoping to get noticed. What separates him from the rest is that he is a monster jazz musician. Recently encountered in a desperate-looking club called the ...

3

Article: Multiple Reviews

Classic vinyl remasterings from Storyville

Read "Classic vinyl remasterings from Storyville" reviewed by Chris Mosey


In time for the festive season, the Copenhagen label Storyville is reissuing three classic albums from its archives remastered on 180-gram vinyl: Charlie Parker In Sweden, 1950; Ben Webster Plays Ballads; and Sahib Shihab's “lost" minor masterpiece Sentiments. The Charlie Parker album was recorded on November 24, 1950 at a concert in the ...

6

Article: Big Band Report

Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 1-4

Read "Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 1-4" reviewed by Simon Pilbrow


Los Angeles Jazz Institute Festival “Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 The Los Angeles Jazz Institute (LAJI), under Ken Poston, has continued for some thirty years to ...

5

Article: Album Review

Al Muirhead's Canadian Quintet: Undertones

Read "Undertones" reviewed by Dan McClenaghan


Swing was the thing, until alto saxophonist Charlie Parker, trumpeter Dizzy Gillespie, and pianist Bud Powell helped give birth to bebop, and alto saxophonist Ornette Coleman set jazz free. Not that swing ever went away, it just got bumped into the back seat. So when “Confirmation" and “Dance of the Infidels" wailed on the dashboard radio, ...

6

Article: Interview

George Wein: A Life and Legend in Jazz

Read "George Wein: A Life and Legend in Jazz" reviewed by Doug Hall


Last summer, in June of 2017, I had the privilege and opportunity to interview George Wein, founder and producer of the seminal Newport Jazz Festival. At 91, he was just in the process of supporting and transitioning the new artistic director Christian McBride into this demanding and critical role for the future of the Newport Jazz ...

2

Article: Album Review

Duke Ellington: Duke Ellington In Coventry

Read "Duke Ellington In Coventry" reviewed by Chris Mosey


During World War Two, the Germans rained tons of high explosives, including parachute air-mines and incendiary petroleum mines on the English city of Coventry. In addition to factories supporting the British war effort, they destroyed the city's emblematic cathedral. Joseph Goebbels, Hitler's Minister of Propaganda, took to using “Coventry" as a synonym for mass destruction. Enemy ...

2

Article: Live Review

Pat Martino Quintet at Chris’ Jazz Café

Read "Pat Martino Quintet at Chris’ Jazz Café" reviewed by Victor L. Schermer


Pat Martino Quintet Chris' Jazz Café Philadelphia, PA March 31, 2018 Legendary guitarist Pat Martino has recently made it a point of periodically performing at Chris' Jazz Café in his home town of Philadelphia. The management welcomes it because he has a large fan base and plays ...

8

Article: Interview

Julian Pressley: From The Duke To Ornette In His Own Way

Read "Julian Pressley: From The Duke To Ornette In His Own Way" reviewed by Victor L. Schermer


Julian Pressley isn't exactly a household name, but it's a name every jazz aficionado should know. When he plays his alto saxophone, ears perk up because he's playing what they came to hear: music that embodies the legacy. Passionate, quick-witted, and full of new ideas, Pressley stands out in the crowd, a genuine original. Yet you ...

50

Article: Under the Radar

Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond" reviewed by Karl Ackermann


Beyond the Hubs While New Orleans, Chicago, Kansas City and New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far to practice their trade. ...


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