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Jazz & Soundtracks
by Ludovico Granvassu
Jazz has had a very close relationship with cinema and TV. To be perfectly frank in this relationship cinema and TV have not as generous as jazz has been towards cinema. Jazz has been only sporadically covered by quality movies. When that has happened the quantity of stereotypies and clichés about jazz spoiled them ...
Julian Lage: Love Hurts
by Mario Calvitti
A un anno esatto di distanza dal precedente Modern Lore arriva il nuovo lavoro di Julian Lage, ex enfant prodige della chitarra, che a soli 31 anni può già permettersi di festeggiare quest'anno i 20 anni trascorsi dalla sua prima incisione professionale (un duetto con il mandolinista bluegrass David Grisman nell'album Dawg Duets). Nel frattempo non ...
Gourmet At April Jazz Club
by Anthony Shaw
Gourmet April Jazz Club Espoo, Finland February 8, 2019 You can't judge a book--or a CD--by its cover, but the contents frequently become inexorably associated with the packaging. Visiting the April Jazz Club in early February to see a band called “Gourmet" might suggest tasty fare in leafy spring surroundings. The ...
Wadada Leo Smith: Rosa Parks: Pure Love
by Karl Ackermann
Like several exceptional modern era composers from Ornette Coleman to John Zorn to Tyshawn Sorey, the “jazz" appellation has only anecdotal application to the latter-day calling of Wadada Leo Smith as a composer. On his previous Cuneiform releases Ten Freedom Summers (2012) and America's National Parks (2016), Smith worked with an ear toward confronting injustice and ...
Wadada Leo Smith, Sabu Toyozumi & More
by Maurice Hogue
Shades of Colors, a new recording by Slovenian saxophonist Cene Resnik and his Trio Watch for Dogs puts the lie to the belief that there is no beauty in avant-garde or free jazz. There are some sublime moments in this recording as Resnik, Italian bassist Giovanni Maier and Slovenian percussionist Zlatko Kaučič create like master painters, ...
Jamie Saft, Steve Swallow, Bobby Previte: You Don't Know The Life
by Dan McClenaghan
Since his 1997 recording debut, keyboardist Jamie Saft has carved out a dynamic profile, first (mostly) with John Zorn's Tzadik label and, since 2011, with RareNoise Records. A string of four releases on the label set the stage, beginning with 2014's trio outing The New Standard, through Loneliness Road (2017) (another trio set, with Iggy Pop ...
The Urmuz Epigrams
By John Zorn
Label: Tzadik
Released: 2018
Track listing: Disgusted With Life; This Piano Lid Serves as a Wall; With Wet Clothes and Disheveled Hair He Wandered in the Dead of Night in Search of Shelter; Then Again, Who Amongst Us Can Complain; A Rain of Threats and Screams; The Pelican or the Pelicaness; After That the Funnel Became a Symbol; Desperate from Having Been Left Without a Bladder.
Wayne Horvitz: The Snowghost Sessions & Those Who Remain
by Doug Collette
Since coming to some renown in New York City during the Eighties and Nineties, Wayne Horvitz has developed a career almost as eclectic as it is esoteric. Performer, composer, educator and entrepreneur comprise just a few of the roles he has assumed in near-fifty years of audacious enterprise and these dual releases vividly illustrates the range ...
Wayne Horvitz: A Musical Portrait
by Ludovico Granvassu
This week we focus on the music of Wayne Horvitz with special attention for his latest two releases, The Snowghost Sessions and Those Who Remain. It's hard to condense in two hours the long career and many facets of a composer and pianist of great versatility, but we will do our best to present highlights from ...
Phillip Johnston: Back From Down Under
by Ken Dryden
IntroductionPhillip Johnston is best known to many jazz fans as co-founder of The Microscopic Septet, though the saxophonist and composer has led many groups of his own and co-led others, including Big Trouble, The Transparent Quartet, Fast 'N' Bulbous and The Spokes. In addition, Johnston has composed and performed numerous soundtracks for both silent and modern ...
