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25

Article: Live Review

Live From Brussels: Orchestre Philharmonique Royal de Liège, Sal La Rocca, Igor Gehenot, Diederniko Kummsels & Makas

Read "Live From Brussels: Orchestre Philharmonique Royal de Liège, Sal La Rocca, Igor Gehenot, Diederniko Kummsels & Makas" reviewed by Martin Longley


Orchestre Philharmonique Royal de Liège Bozar January 9, 2019 Much of this evening's programme featured compositions that are probably of interest to jazzers, particularly with the presence of George Gershwin and Leonard Bernstein, although Aaron Copland and Samuel Barber will doubtless have more crossover appeal than most composers. There was ...

3

Article: Album Review

Stephanie Richards: Take The Neon Lights

Read "Take The Neon Lights" reviewed by Mike Jurkovic


Trumpeter/composer Steph Richards kicks ass and she wants you to know it from the very first cutting, fluttering evocations of Take The Neon Lights' title tune/opener to the near “Taps"-like silence that closes things out, “All the Years of Our Lives." With a colorful CV of playing alongside such boundary-busting, risk-taking players as David ...

14

Article: Album Review

Chris Pitsiokos: Silver Bullet in the Autumn of Your Years

Read "Silver Bullet in the Autumn of Your Years" reviewed by Don Phipps


Adventurous, hair-raising, mind-bending, dense, fibrous, layered, hallucinogenic, twisted. These are the words that come to mind when listening to the excellent but challenging music on Chris Pitsiokos's album Silver Bullet in the Autumn of Your Years. Pitsiokos' compositions often sound like a musical transcription of the trippiest parts of William Burrough's “Naked Lunch." The result? An ...

2

Article: Radio & Podcasts

Jazz & Soundtracks

Read "Jazz & Soundtracks" reviewed by Ludovico Granvassu


Jazz has had a very close relationship with cinema and TV. To be perfectly frank in this relationship cinema and TV have not as generous as jazz has been towards cinema. Jazz has been only sporadically covered by quality movies. When that has happened the quantity of stereotypies and clichés about jazz spoiled them ...

1

Article: Album Review

Julian Lage: Love Hurts

Read "Love Hurts" reviewed by Mario Calvitti


A un anno esatto di distanza dal precedente Modern Lore arriva il nuovo lavoro di Julian Lage, ex enfant prodige della chitarra, che a soli 31 anni può già permettersi di festeggiare quest'anno i 20 anni trascorsi dalla sua prima incisione professionale (un duetto con il mandolinista bluegrass David Grisman nell'album Dawg Duets). Nel frattempo non ...

4

Article: Live Review

Gourmet At April Jazz Club

Read "Gourmet At April Jazz Club" reviewed by Anthony Shaw


Gourmet April Jazz Club Espoo, Finland February 8, 2019 You can't judge a book--or a CD--by its cover, but the contents frequently become inexorably associated with the packaging. Visiting the April Jazz Club in early February to see a band called “Gourmet" might suggest tasty fare in leafy spring surroundings. The ...

21

Article: Album Review

Wadada Leo Smith: Rosa Parks: Pure Love

Read "Rosa Parks: Pure Love" reviewed by Karl Ackermann


Like several exceptional modern era composers from Ornette Coleman to John Zorn to Tyshawn Sorey, the “jazz" appellation has only anecdotal application to the latter-day calling of Wadada Leo Smith as a composer. On his previous Cuneiform releases Ten Freedom Summers (2012) and America's National Parks (2016), Smith worked with an ear toward confronting injustice and ...

2

Article: Radio & Podcasts

Wadada Leo Smith, Sabu Toyozumi & More

Read "Wadada Leo Smith, Sabu Toyozumi & More" reviewed by Maurice Hogue


Shades of Colors, a new recording by Slovenian saxophonist Cene Resnik and his Trio Watch for Dogs puts the lie to the belief that there is no beauty in avant-garde or free jazz. There are some sublime moments in this recording as Resnik, Italian bassist Giovanni Maier and Slovenian percussionist Zlatko Kaučič create like master painters, ...

8

Article: Album Review

Jamie Saft, Steve Swallow, Bobby Previte: You Don't Know The Life

Read "You Don't Know The Life" reviewed by Dan McClenaghan


Since his 1997 recording debut, keyboardist Jamie Saft has carved out a dynamic profile, first (mostly) with John Zorn's Tzadik label and, since 2011, with RareNoise Records. A string of four releases on the label set the stage, beginning with 2014's trio outing The New Standard, through Loneliness Road (2017) (another trio set, with Iggy Pop ...

Album

The Urmuz Epigrams

Label: Tzadik
Released: 2018
Track listing: Disgusted With Life; This Piano Lid Serves as a Wall; With Wet Clothes and Disheveled Hair He Wandered in the Dead of Night in Search of Shelter; Then Again, Who Amongst Us Can Complain; A Rain of Threats and Screams; The Pelican or the Pelicaness; After That the Funnel Became a Symbol; Desperate from Having Been Left Without a Bladder.


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