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Article: Radio & Podcasts

Hanksgiving - A Tribute to Hank Mobley - Companion Mixtape

Read "Hanksgiving - A Tribute to Hank Mobley - Companion Mixtape" reviewed by Ludovico Granvassu


This mixtape is a fun-filled companion to the two parts of our show “Hanksgiving -A Tribute to Hank Mobley," giving even more insight in the legacy of Hank Mobley as a saxophonist and composer through some of his gems and some of the best renditions of his tunes. [Listen to Part 1 and Part 2]

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Article: Radio & Podcasts

Hanksgiving - A Tribute to Hank Mobley, Part 1

Read "Hanksgiving - A Tribute to Hank Mobley, Part 1" reviewed by Ludovico Granvassu


For our seasonal Hanksgiving show, this year we pay tribute to Hank Mobley, both as a saxophonist and a composer, by playing music from his albums, which are a cornerstone of the Blue Note sound and catalogue, and renditions of his music by musicians that came after him. There's so much to love in Mobley's repertoire. ...

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Article: Radio & Podcasts

Rosa Brunello, MLO & Elvis Costello, Mary Halvorson & Robert Wyatt, & More New Releases

Read "Rosa Brunello, MLO & Elvis Costello, Mary Halvorson & Robert Wyatt, & More New Releases" reviewed by Ludovico Granvassu


Elvis Costello with the Michael Leonhart Orchestra, Robert Wyatt with Mary Halvorson's Code Girl, Jesse Harris lending his pen to Camille Bertault or John Zorn and Petra Haden... that why we like blurred lines between genres! And so do Rosa Brunello, Nels Cline, Erik Friedlander with new releases that draw inspiration from a multitude of sources. ...

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Article: We Travel the Spaceways

The Volcanic World Of Pyroclastic Records

Read "The Volcanic World Of Pyroclastic Records" reviewed by Mark Corroto


As listeners we so often typecast musicians and music labels. Artists are pigeonholed into silos: classical, jazz, rock, blues, pop, etc.. Go into any record store (if you can find a brick & mortar one) and this segregation, a forced separation, is also evident. Even streaming services are divided in this manner. Maybe it is just ...

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Article: Album Review

I Don't Hear Nothin' But The Blues: I Don't Hear Nothin' But The Blues Volume 3: Anatomical Snuffbox

Read "I Don't Hear Nothin' But The Blues Volume 3: Anatomical Snuffbox" reviewed by Karl Ackermann


The prolific and eclectic saxophonist/composer Jon Irabagon finds his most uninhibited side with his I Donʼt Hear Nothinʼ but the Blues (IDHNBTB) group, one he aptly describes as his “brutal ensemble." I Don't Hear Nothin' but the Blues Volume 3: Anatomical Snuffbox expands the group that debuted as a duo, then became a trio on Volume ...

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Article: Album Review

Mary Halvorson's Code Girl: Artlessly Falling

Read "Artlessly Falling" reviewed by Vic Albani


Esistono due donne nel mondo del jazz moderno che hanno mostrato di conoscere e capire in toto il genio musicale di Robert Wyatt. La prima, molto tempo fa e quindi in tempi non sospetti, è stata Carla Bley e non c'è altro da aggiungere. La seconda, che è invece colei di cui vogliamo scrivere, è Mary ...

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Article: Album Review

Tim Berne: The Deceptive 4—Live

Read "The Deceptive 4—Live" reviewed by Mark Corroto


The difference between disc one and disc two of Tim Berne's Snakeoil release The Deceptive 4, two live recordings made eight years apart, might be the same difference between Miles Davis' first and second great quintets. Where Davis' The Legendary Prestige Quintet Sessions (Prestige, 2006) with John Coltrane from 1955-56 are stellar, they lack the complex ...

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Article: Album Review

Chris Pitsiokos / Javier Areal Velez / Kevin Murray: First Blush

Read "First Blush" reviewed by Mark Corroto


Was this gig at New York's Downtown Music Gallery in January, 2020, a one-off performance? Saxophonist Chris Pitsiokos was scheduled to perform solo, probably to promote his extraordinary solo release Speak In Tongues (Relative Pitch, 2019), but chose instead to expand to a trio. And a new trio at that. This wasn't one of his recent ...

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Article: Album Review

Tashi Dorji: Stateless

Read "Stateless" reviewed by Gareth Thompson


It was an ambitious move from Bhutan to Asheville, North Carolina, that helped shape Tashi Dorji's musical direction. The guitarist had previously been steeped in classic rock and hair metal, but as a foreign exchange student he soon absorbed punk and free jazz. Two saxophonists in particular, John Zorn and Albert Ayler, inspired Dorji to his ...

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Article: Catching Up With

Marc Urselli: Between Bolan and Willner, tradition and innovation

Read "Marc Urselli: Between Bolan and Willner, tradition and innovation" reviewed by Emmanuel Di Tommaso


The wait is over. The much anticipated Angelheaded Hipster: The Songs of Marc Bolan & T-Rex has been released by BMG after a number of vicissitudes, not least the COVID-19 pandemic, which took the album's producer Hal Willner, on April 7, 2020, one day after his 64th birthday. Angelheaded Hipster was his swan song. ...


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