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Article: Album Review

Ignaz Schick / Oliver Steidle: ILOG2

Read "ILOG2" reviewed by Mark Corroto


The combination of Berlin based musicians Ignaz Schick and Oliver Steidle, known as ILOG, expands on the concepts of free improvisation with ILOG2 to include, for the lack of a better term, mania. Their frantic, often feverish, improvisations bring to mind both John Zorn's Naked City and William Burroughs' cut-ups. The opening piece, “There Is No ...

30

Article: Building a Jazz Library

Instrumental Duos

Read "Instrumental Duos" reviewed by Karl Ackermann


The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...

1

Article: Radio & Podcasts

Sana Nagano, John Zorn, Sam Gendel, Zane Carney & More New Releases

Read "Sana Nagano, John Zorn, Sam Gendel, Zane Carney & More New Releases" reviewed by Ludovico Granvassu


We kick off this episode of Mondo Jazz with another gem from Georgia Anne Muldrow and land with John Zorn and the first (of what will certainly be many) box set dedicated to his delightful Bagatelles. In the middle, a mini-section on the Palladino bass-dynasty which acts as a bridge between two of the hot scenes ...

3

Article: Radio & Podcasts

The Bill Frisell Songbook: Part 2

Read "The Bill Frisell Songbook: Part 2" reviewed by Ludovico Granvassu


Bill Frisell's instrumental voice is instantly recognizable, whether displaying its skronky side in John Zorn's Naked City or his sublime and delicate voicings infused of high-end Americana. Equally distinctive are his compositions which more and more of his peers have been incorporating into their repertoires, in a process of metabolization that goes back to the 1990s ...

1

Article: Album Review

EUPHORIUM_freakestra: soundz offfe drzk wähuh

Read "soundz offfe drzk wähuh" reviewed by Mark Corroto


The funny thing about DNA is that just when scientists believe it to be the identifiable signature of all living things, along comes CRISPR gene editing. This technology allows an operator to edit the basic genetic material of an organism, much like the music of Oliver Schwerdt's EUPHORIUM_freakestra. We're not talking science fiction here, more like ...

3

Article: Album Review

Fred Frith & Ikue Mori: A Mountain Doesn’t Know It’s Tall

Read "A Mountain Doesn’t Know It’s Tall" reviewed by Mark Corroto


Have you experienced a performance of John Cage's composition “4:33"? If you are not familiar, while studying Zen Buddhism, Cage wrote “four minutes, thirty-three seconds" to be performed solo or in any combination of instruments or players. The instructions were for the performers to NOT play their instruments for the allotted 273 seconds. Their 'silence' was ...

82

Article: In Pictures

Seeing More Jazz

Read "Seeing More Jazz" reviewed by Luciano Rossetti


My interview (Seeing Jazz: The Photography of Luciano Rossetti) with Karl Ackermann was published earlier this week. Here are some additional photos of mine that I wanted to share. Over the course of my career I have had the pleasure of photographing some of the greatest jazz musicians in the world including Anthony Braxton, ...

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Article: Meet the Staff

Meet Jerome Wilson

Read "Meet Jerome Wilson" reviewed by AAJ Staff


I currently live in: Fairfax, Virginia, a suburb of Washington, DC with my five cats, Chloe, Panther, Donovan, Felicia, and Gabriel. I joined All About Jazz in: 2016 Why did you decide to contribute to All About Jazz? I was a reader and fan of All About Jazz and I admired the ...

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Article: Radio & Podcasts

Me So Zorny

Read "Me So Zorny" reviewed by Patrick Burnette


Pat got a four-LP set from John Zorn's Tzadik label and thought an episode catching up with recent events in the Zorniverse might be a good idea. Mike thought the title of this episode was a good idea. Brace yourselves. All four albums feature Zorn the composer, while only one features Zorn the alto saxophonist and ...

Article: Album Review

Steve Cardenas: Blue Has A Range

Read "Blue Has A Range" reviewed by Angelo Leonardi


Espressi con uno stile del tutto personale, ritroviamo in Steve Cardenas la ricchezza di accenti, le sfumature cromatiche e il patrimonio di sottigliezze melodiche e ritmiche che hanno caratterizzato -da prospettive diverse-chitarristi ben più noti di lui: ad esempio Jimmy Raney, Jim Hall e Pat Metheny. Il chitarrista è tanto significativo quanto riservato e ...


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