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Article: Album Review

John Taylor: Phases

Read "Phases" reviewed by AAJ Italy Staff


In oltre quaranta anni di attività - spesso al fianco di alcuni tra i più grossi nomi della scena jazz internazionale (soprattutto europei) - non sono molti gli album incisi a proprio nome dal pianista John Taylor, che ha sempre privilegiato le collaborazioni. Negli ultimi anni, però, la tendenza sembra essersi invertita, grazie anche alla nostra ...

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Article: Live Review

Molde Jazz: Day 6, July 18, 2009

Read "Molde Jazz: Day 6, July 18, 2009" reviewed by John Kelman


Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 Break of Day in Molde / Crimetime Orchestra / Jaga Jazzist / Arve Henriksen Closing ConcertMolde Jazz Molde, Norway July 18, 2009 It's almost impossible to believe, that after the late nights ...

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Article: Live Review

Copenhagen Jazz Festival 2009

Read "Copenhagen Jazz Festival 2009" reviewed by Jakob Baekgaard


Copenhagen Jazz Festival Various Venues Copenhagen, Denmark July 3-12, 2009 In a survey conducted recently by the renowned Monocle Magazine (volume 03, issue 25), Copenhagen was selected as the second best city in the world due to its safety, atmosphere, welfare, infrastructure and--one could be tempted to add--its ...

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Article: Album Review

Rick Germanson Trio: Off the Cuff

Read "Off the Cuff" reviewed by John Kelman


With so many mainstream piano trios flooding the market, it's increasingly difficult to separate the wheat from the chaff. It's easier when, in the instance of a Brad Mehldau, John Taylor or Enrico Pieranunzi, the artist's voice is so distinctive and approach so readily identifiable that there can be little doubt of its relevance. It becomes ...

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News: Festival

Copenhagen Jazz Festival 2009

Copenhagen Jazz Festival 2009

Copenhagen Jazz Festival 2009 - from retro to rebirth in 10 days... Now the program for the Copenhagen Jazz Festival 2009 has been published. The 31st edition of the festival is an illustration of the eternal rebirth of jazz, but is also looking into the past with a range of tribute concerts to the ...

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Article: Album Review

Fred Hersch Pocket Orchestra: Live at the Jazz Standard

Read "Live at the Jazz Standard" reviewed by Raul d'Gama Rose


Fred Hersch has been known to push the envelope on many occasions--writing and performing music that has, time and again, crossed a myriad of boundaries of categories. And the pianist has done it again with Live at the Jazz Standard a record that happened thanks to the fact that the music of this concert was being ...

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Article: Take Five With...

Take Five With Marc Brenken

Read "Take Five With Marc Brenken" reviewed by AAJ Staff


Meet Marc Brenken:Marc Brenken (born June 17th, 1973) started to play piano at the age of eight and has constantly been developing his own musical language since his studies at the Folkwang Academy of music in Essen, Germany. In 2006 his debut cd eight short stories (with his quartet featuring trumpeter Christian Kappe) was ...

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Article: Album Review

Julian Siegel Trio: Live At The Vortex

Read "Live At The Vortex" reviewed by Chris May


He may or may not be “mad, bad and dangerous to know," as a female contemporary famously described the 19th century poet Lord Byron, but there is something distinctly Byronic about British reeds player Julian Siegel. His cascading curls (an early nickname was Wig), penchant for black clothing, and the intense lyricism of his playing combine ...

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Article: Album Review

Cyminology: As Ney

Read "As Ney" reviewed by John Kelman


More than many others, ECM has pursued the kind of stylistic and, in particular, cross-cultural pollination alluded to in the recent documentary series, Icons Among Us. But as much as albums like Savina Yannatou's Songs of Another (ECM, 2008) and Dino Saluzzi/Anja Lechner's Ojos Negros (ECM, 2007) looked to dissolve the boundaries between geographic and disciplinary ...

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Article: Album Review

John Taylor: Phases

Read "Phases" reviewed by John Kelman


As much as he's become a major proponent of the piano trio tradition, John Taylor is gradually building a solo piano discography that may not be as voluminous or popularly acclaimed as those of Keith Jarrett's, but certainly bears comparison as much for its substantial differences as for any perceived similarities. While Taylor himself would cite ...


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