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John Surman: Flashpoint: NDR Jazz Workshop - April '69
by Troy Collins
Flashpoint: NDR Jazz Workshop--April '69 is a stunning discovery. Featuring unreleased material executed by a unique ten-piece line-up of European jazz luminaries, it provides a fascinating window into the development of British saxophonist John Surman at the very beginning of his career. Capturing an international all-star ensemble working through Surman's formative concepts, this informal studio session ...
John Surman - Flashpoint: NDR Jazz Workshop - April 1969 (Cuneiform, 2011)
Saxophonist and composer John Surman was at the beginning of a lengthy and successful career when this was taped with the star-studded British group which had the likes of Ronnie Scott, Kenny Wheeler and Mike Osbourne on board. The big band frames the music nicely, and Surman is featured as a soloist, playing soprano and baritone ...
John Surman: Flashpoint: NDR Jazz Workshop - April '69
by John Kelman
1969 was a watershed year for John Surman. He released his eponymous debut on Dutton Vocalion that year, but it was the recording session for How Many Clouds Can You See? (Vocalion, 1970), that made the year of Woodstock and man's first steps on the moon so portentous for the 25 year-old saxophonist An album effortlessly ...
Trondheim Jazz Orchestra with Eirik Hegdal and Special Guest Joshua Redman: Triads and More
by John Kelman
In the ever-shrinking musical sphere, it's encouraging to find cross-pollination happening between less-than-likely--or, at least, unlikely on the surface--players. Watching saxophonist Joshua Redman as a guest with Norwegian violinist Ola Kvernberg's “Liarbird" project at Molde Jazz 2010, it became clear that, as excited as the Nordic continent was to share the stage with an American jazz ...
Jazztopad Festival 2010: A Month of Outstanding Jazz Concerts
Jazztopad Festival in Wroclaw, Poland, opens its doors this Friday, November 5th and will present a series of outstanding jazz concerts each weekend throughout the month. Now in its seventh year, Jazztopad has quickly established a name for itself as one of the leading jazz festivals in Poland. Its reputation as a progressive, creative festival, however, ...
Jazz em Agosto 2010
by Kurt Gottschalk
Jazz em AgostoLisbon, PortugalAugust 6-15, 2010 If music-making were as simple as putting things in a box, a review of Lisbon's 2010 Jazz em Agosto festival might go something like this: The duo of John Surman and Jack DeJohnette put as much as they could in the box, while Evan Parker's Electro- Acoustic ...
Dave Holland & Pepe Habichuela: Hands
by John Kelman
Sometimes the best indicator of an artist's versatility is in the side projects they accept. Bassist Dave Holland's career could hardly be described as monolithic, with his discography as a leader--ranging from his quintet (Critical Mass (Dare2, 2006)) to his big band (Overtime (Dare2, 2005)) --nothing short of but exemplary. Still, some of the most unexpected ...
Festival International de Jazz de Montreal: July 2-5, 2010
by Peter Walton
Festival International de Jazz de MontréalMontréal, Quebec, CanadaJuly 2-5, 2010I arrived in Montréal mid-week, the Festival International de Jazz de Montréal already in high gear. Closing off six square blocks of downtown Montréal, an area commanding six major outdoor stages and several indoor theaters and concert halls, the Festival International de ...
Howard Riley: Five Decades in Music
by Maxim Micheliov
Howard Riley gave his performance in Vilnius, Lithuania in September, 2009. It was his first visit to the country in a five-decade career, and one of just a few eastern Europe destinations made at the time, by the British free jazz pianist. The concert was recorded and released in 2010 as the double-disc set, Solo in ...
Kirk Knuffke: Amnesia Brown
by Martin Longley
Amnesia Brown was the name bestowed upon trumpeter Kirk Knuffke's absconding not-so-great grandfather. Apparently, he just sidestepped to a nearby town (and a new family), changing his name on the way. It's not quite clear how his memory (or lack of it) informs the repertoire of this album, but he also happens to provide the fourth ...
