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Bill Frisell: The ECM Years
by John Kelman
Nothing trumps right place, right time. Sure, most artists pay plenty of dues-- sometimes in the public eye, oftentimes not--but for some, there's that serendipitous event that leads to greater visibility. Bill Frisell, surely one of the most important and influential guitarists of his generation, undoubtedly deserves all the accolades and artistic freedom he's achieved in ...
John Surman: Flashpoint: NDR Jazz Workshop - April '69
by Nic Jones
In the necessarily modestly expansive booklet note which accompanies this CD and DVD set, Brian Morton sets out the development of jazz in Britain, from its point of origin in the early decades of the twentieth century. He also rightly identifies the musical generation that came of age in the 1960s as having no sense of ...
Trio Mediaeval: A Worcester Ladymass
by John Kelman
Aside from the detour of Folk Songs (ECM, 2007)--which looked to the traditional music of its own country, Norway--Trio Mediaeval has focused primarily on sacred music, dating as far back as the 12th century but, equally, as contemporary as the current millennium, using mass material from England, France, Italy...even modern-day Korea. Trio Mediaeval performs medieval music ...
John Surman: Flashpoint: NDR Jazz Workshop - April '69
by Troy Collins
Flashpoint: NDR Jazz Workshop--April '69 is a stunning discovery. Featuring unreleased material executed by a unique ten-piece line-up of European jazz luminaries, it provides a fascinating window into the development of British saxophonist John Surman at the very beginning of his career. Capturing an international all-star ensemble working through Surman's formative concepts, this informal studio session ...
John Surman - Flashpoint: NDR Jazz Workshop - April 1969 (Cuneiform, 2011)
Saxophonist and composer John Surman was at the beginning of a lengthy and successful career when this was taped with the star-studded British group which had the likes of Ronnie Scott, Kenny Wheeler and Mike Osbourne on board. The big band frames the music nicely, and Surman is featured as a soloist, playing soprano and baritone ...
John Surman: Flashpoint: NDR Jazz Workshop - April '69
by John Kelman
1969 was a watershed year for John Surman. He released his eponymous debut on Dutton Vocalion that year, but it was the recording session for How Many Clouds Can You See? (Vocalion, 1970), that made the year of Woodstock and man's first steps on the moon so portentous for the 25 year-old saxophonist An album effortlessly ...
Trondheim Jazz Orchestra with Eirik Hegdal and Special Guest Joshua Redman: Triads and More
by John Kelman
In the ever-shrinking musical sphere, it's encouraging to find cross-pollination happening between less-than-likely--or, at least, unlikely on the surface--players. Watching saxophonist Joshua Redman as a guest with Norwegian violinist Ola Kvernberg's Liarbird" project at Molde Jazz 2010, it became clear that, as excited as the Nordic continent was to share the stage with an American jazz ...
Jazztopad Festival 2010: A Month of Outstanding Jazz Concerts
Jazztopad Festival in Wroclaw, Poland, opens its doors this Friday, November 5th and will present a series of outstanding jazz concerts each weekend throughout the month. Now in its seventh year, Jazztopad has quickly established a name for itself as one of the leading jazz festivals in Poland. Its reputation as a progressive, creative festival, however, ...
Jazz em Agosto 2010
by Kurt Gottschalk
Jazz em AgostoLisbon, PortugalAugust 6-15, 2010 If music-making were as simple as putting things in a box, a review of Lisbon's 2010 Jazz em Agosto festival might go something like this: The duo of John Surman and Jack DeJohnette put as much as they could in the box, while Evan Parker's Electro- Acoustic ...
Dave Holland & Pepe Habichuela: Hands
by John Kelman
Sometimes the best indicator of an artist's versatility is in the side projects they accept. Bassist Dave Holland's career could hardly be described as monolithic, with his discography as a leader--ranging from his quintet (Critical Mass (Dare2, 2006)) to his big band (Overtime (Dare2, 2005)) --nothing short of but exemplary. Still, some of the most unexpected ...


