Results for "John Stubblefield"
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John Stubblefield
Born:
John Stubblefield was one of the most versatile musicians in jazz, an invaluable artist who expanded on the music's potential from within the tradition. Stubblefield's tenor and soprano saxophones told the story of four decades of diverse musical experience, from local R&B acts like Jackie Wilson and Solomon Burke (64) through Chicago's progressive Association for the Advancement of Creative Musicians (67- 70) to freelancing in New York with the renowned Tito Puente (72-74) and Kenny Barron (86) and everyone in between. After moving to New York in 1971, he played with the Collective Black Artists big band and Mary Lou Williams
Wayne Escoffery: Still Forging Ahead
by R.J. DeLuke
Saxophonist Wayne Escoffery has a long, ongoing association with the Mingus Big Band organization, including a Grammy for Mingus Big Band Live at Jazz Standard (Jazz Workshop, Inc., Sue Mingus Music, 2010). His career also includes a special relationship with trumpeter Tom Harrell, with whom he has played for many years. All that is enough to ...
Mary Lou Williams: Into the Zone of Music
by Jakob Baekgaard
Few musicians have embraced the entire history of jazz like Mary Lou Williams, and at the same time shaped its development compositionally and instrumentally. She brought jazz into contact with classical music and played spiritual jazz before it became hip, but she was also a treasured teacher and mentor. Mary Lou Williams was born ...
Johnathan Blake: un batterista ai vertici
by Angelo Leonardi
Accolto tra i lavori migliori dell'anno dalle massime riviste internazionali Homeward Bound, è il quarto disco di Johnathan Blake e il debutto con l'etichetta Blue Note. L'album ha finalmente evidenziato le doti di compositore e leader del 45enne batterista di Philadelphia, figlio del violinista John Blake Jr., noto partner di McCoy Tyner, Archie Shepp, James Newton, ...
Jeremy Monteiro: No Black Tie Required
by Ian Patterson
Jeremy Monteiro has been Singapore's unofficial jazz ambassador since the late 1970s, carving out a pioneering path around the world. The first South East Asian to perform at the Montreux Jazz Festival and the first S.E. Asian to record for the Verve label, Monteiro has made a habit of playing with the very best, from James ...
From Aimless to Activist, Bassist Kevin Ray Lands on Higher Ground
by Karl Ackermann
Bassist Kevin Ray has recorded or played with John Stubblefield, Oliver Lake, Greg Osby, Andrew Hill, Marty Ehrlich, Elliott Sharp, John Hicks, Hamiet Bluiett and Nels Cline. Ray has performed in the premieres of works by Joe McPhee, Leroy Jenkins and others. The bassist co-leads the adventurous trio 10³²K's with trombonist/trumpeter Frank Lacy, percussionist Andrew Drury ...
Muse Records: Ten Smoking Hot Albums
by Chris May
Alone among the other great jazz labels of the 1960s and 1970s—Blue Note, Prestige, Riverside, Impulse!, Strata-East and Atlantic—Joe Fields' Muse is rarely anthologised, written about or otherwise celebrated. Yet like its peers, Muse was prolific, releasing over 200 premium-grade albums during the 1970s, its most active decade, alone. This relative obscurity is ...
10³²K: The Law of Vibration
by Karl Ackermann
This is where the laws of physics meet the laws of the universe. The imaginative dynamism that marked 10³²K's debut That Which is Planted (Passin' Thru Records, 2014) is taken to another level on their new release The Law of Vibration. The trio of trombonist/trumpeter Frank Lacy, bassist Kevin Ray and percussionist Andrew Drury are joined ...
Charles Mingus: Jazz In Detroit / Strata Concert Gallery / 46 Selden
by Karl Ackermann
With previously unreleased material from Dexter Gordon, Thelonious Monk, John Coltrane, and now, Charles Mingus, it may feel in 2018 like we are living fifty years in the past. Jazz In Detroit / Strata Concert Gallery / 46 Selden captures a short-lived quintet that--given time--could have been Mingus' best. Drummer Roy Brooks and trumpeter Joe Gardner ...
John Stubblefield + Nat Adderley
Chances are you are unfamiliar with John Stubblefield. The obscure saxophonist was versatile and could play soul-jazz, funk-jazz and avant-garde jazz in the 1970s and beyond. Which probably is why he recorded with so many different types of artists and groups over the course of his career. Stubblefield brought enormous heat and polish to his solos, ...
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