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Album

Live in New York at Jazz Standard

Label: Sunnyside Records
Released: 2013
Track listing: Poesia; Chovendo na Roseira; Pathless Path; Giant Steps; Pere.

29

Article: Interview

Wayne Shorter: Portrait Of A Visionary

Read "Wayne Shorter: Portrait Of A Visionary" reviewed by R.J. DeLuke


To speak with Wayne Shorter can feel like an exercise in the mystical. At times, it's stream of consciousness, ideas flowing that can reach the profound; but the direction can switch suddenly. There are frequent references to films (Shorter is a lifelong movie buff), as well as books whose subject matter run from science to philosophy. ...

News: Birthday

Jazz Musician of the Day: John Patitucci

Jazz Musician of the Day: John Patitucci

All About Jazz is celebrating John Patitucci's birthday today! Born in 1959 in Brooklyn, New York, John Patitucci began playing the electric bass at age ten. John began composing and performing at age 12. At age 15, he began to play the acoustic bass and at age 16 began the piano. He quickly moved from playing ...

12

Article: Year in Review

Paul Naser's Best Releases of 2013

Read "Paul Naser's Best Releases of 2013" reviewed by Paul Naser


2013 was a fantastic year for new records. It was tough to narrow down which ones to include in this list, but I gave it my best shot. Having too many favorites isn't such a bad problem to have, I guess. Here are just a few of my favorites, listed in no particular order.

2

News: Event

Dylan Taylor: Sweeter For the Struggle at the Painted Bride Arts Center on December 13th

Dylan Taylor: Sweeter For the Struggle at the Painted Bride Arts Center on December 13th

From the desk of Suzanne Cloud, Executive Director and Co-Founder Jazz Bridge Project: Something very special is about to come your way this holiday season and, truth be told, I have a special interest in promoting this event. As executive director and co-founder of Jazz Bridge, a public charity that aids professional jazz and blues musicians ...

6

Article: Interview

Jon Cowherd: Mercy, Mercy Me

Read "Jon Cowherd: Mercy, Mercy Me" reviewed by Ian Patterson


There's more to pianist Jon Cowherd than meets the eye. Best known for his fifteen-year tenure in the Brian Blade Fellowship--with whom he has recorded four outstanding albums--Cowherd has also played and recorded with singers such as Rosanne Cash, Cassandra Wilson, Iggy Pop and Joni Mitchell. Though he's led his own small groups in New York ...

10

Article: Live Review

2013 Enjoy Jazz Festival

Read "2013 Enjoy Jazz Festival" reviewed by John Kelman


Enjoy Jazz 2013 Heidelberg/Mannheim/Ludwigshafen, Germany November 6-14, 2013 It's always a treat to return to Heidelberg for Enjoy Jazz. As a very intended contrast to most jazz festivals, that compress a lot of music into a very short time, Enjoy Jazz's founding premise, when it was first conceived 15 years ago by ...

10

Article: Live Review

Wayne Shorter Quartet at Philharmonie Essen

Read "Wayne Shorter Quartet at Philharmonie Essen" reviewed by Phillip Woolever


Wayne Shorter Quartet Philharmonie Essen Essen, Germany November 8, 2013 Whatever waning stage of his career Wayne Shorter may occupy these days, a concert by his quartet remains one of jazz's premier performance attractions. It would be a stretch to say the senior statesman Shorter is playing better than ...

6

Article: Album Review

Jon Cowherd: Mercy

Read "Mercy" reviewed by Ian Patterson


Pianist/keyboard player Jon Cowherd is best known for his association with drummer Brian Blade's Fellowship--a group he co-founded in 1998--but as a producer and arranger too, there are clearly other strings to his bow. Cowherd's keyboard collaborations with jazz, country and rock artists including singers Cassandra Wilson, Rosanne Cash and Iggy Pop, point to his versatility, ...

4

Article: Interview

Josh Ginsburg: Intent

Read "Josh Ginsburg: Intent" reviewed by George Colligan


[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] I've been playing with bassist Josh Ginsburg off and on for about a decade. I always liked his healthy, muscular sound on the upright double bass, and his approach to soloing stuck me as virtuosic without sacrificing the bottom of the ...


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