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Richard Bona: The Ten Shades of Blues
by David Miller
Widely known in jazz circles for his virtuosity on the bass, relatively little attention has been paid to Richard Bona's solo career. Pity, as his solo records are generally excellent. Bona's records have a style that can only be referred to as world music. Generally, that term is misused, but Bona truly takes his influences from ...
Take Five With Karen Segal
by AAJ Staff
Meet Karen Segal: Originally from Boston, Massachusetts and based in San Francisco, Karen played with Marilyn Mazur (Miles Davis) and Suzanne Fasteau (Bill Evans) in Copenhagen as a teenager. She co-founded the acid-jazz band “Red Clay" with David Brown (Brazzaville, Beck) in Los Angeles in the early 1990's. Karen has studied with teachers including Dean Brown ...
Mads Tolling: The Playmaker
by John Kelman
He's been around for a few years as a member of the Turtle Island Quartet, but for some he's best known for his work on Stanley Clarke's welcome return to fusion, The Toys of Men (Heads Up, 2007). Either way, The Playmaker isn't the violinist's first release as a leader--that would be Speed of Light (Self ...
Bruce Lundvall, presidente de Blue Note
by Victor L. Schermer
Publicamos la traducción en castellano de esta entrevista, originalmente aparecida en All About Jazz el 15 de mayo del 2003. Bruce Lundvall viajará próximamente a Europa, a los festivales de jazz de Barcelona y Berlín, para conmemorar los 70 años de Blue Note. En Barcelona, Lundvall charlará con el crítico Bob Blumenthal (Institut d'Estudis Nord-americans, 3 ...
Various Artists: Hur! Hommage a la Musique de Christian Vander
by John Kelman
When French drummer/composer Christian Vander put together the first incarnation of his since-enduring group Magma, releasing Kobaïa (Seventh Records) in 1970, it's unlikely that he'd have known the musical subculture he was spawning. A unique blend of fusion, neoclassicism, symphonic, and progressive rock, heavily reliant on relentless repetition and chanting in Vander's created Kobaïan language, Zeuhl ...
Nguyen Le: Saiyuki
by John Kelman
He's not the first guitarist to explore the nexus of east and west--the legendary John McLaughlin is, at the very least, the first well-known six-stringer to do so--but, over the past couple decades, Nguyên Lê has been finding his own junctures. McLaughlin may have dug deep into the place where western harmony and Indian linearity meet, ...
Rodrigo y Gabriela at Denver's Buell Theater
by Geoff Anderson
Rodrigo y GabrielaBuell Theater Denver, CO September 19, 2009 Who knew you could wring so much out of a couple acoustic guitars? At the Buell Theater, Rodrigo Sanchez and Gabriela Quinetro attacked their instruments in a manner that had the audience wondering whether the delicate wood would survive, or at ...
John Surman: Listen and Trust
by Thomas Conrad
John Surman is arguably the best baritone saxophonist to come into jazz since Gerry Mulligan and one of the most important British jazz musicians of his generation. Yet he has rarely performed in the United States and never as a leader. Therefore it is no exaggeration to describe his upcoming gig at Birdland as a genuine ...
John Surman: From Boy Choirs to Big Horns
by John Kelman
It's increasingly risky to be a musician on the road. When British saxophonist John Surman was traveling from his home in Oslo, Norway, to New York City in September, 2007 for a recording session, he almost lost his baritone saxophone to the airlines. “It is a nightmare traveling now," says Surman, “and hardly a tour goes ...
Take Five With Bill Hart
by AAJ Staff
Meet Bill Hart:Born and raised in Canada, Hart started playing guitar at nine years old. He moved to the United States at the age of thirteen and was playing professionally by sixteen years old. His first professional experience was playing with his rock band in a pit for theater shows, featuring shows like Rocky ...
