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296

Article: Album Review

Soft Machine: Bundles

Read "Bundles" reviewed by John Kelman


If the recent discovery of NDR Jazz Workshop (Cuneiform, 2010) demonstrated that the once considered “transitional" 1973 line-up of British psychedelia-cum-electric-avant- jazzers Soft Machine was, indeed, a fine enough standalone unit, then Esoteric's near- concurrent reissue of 1975's Bundles proves that the addition of guitarist Allan Holdsworth lit one serious fire beneath that same group. Back ...

655

Article: Extended Analysis

Soft Machine: NDR Jazz Workshop - Hamburg, Germany May 17, 1973

Read "Soft Machine: NDR Jazz Workshop - Hamburg, Germany May 17, 1973" reviewed by John Kelman


Every year it seems that more archive material is unearthed from Soft Machine, the legendary British group that began life in Dadaist psychedelia, but wound down as a powerhouse, chops-centric, fusion outfit at the end of the 1970s, with stops in more complex writing and free jazz territory along the way. As influenced by minimalist composers ...

387

Article: Album Review

Don Rendell Ian Carr Quintet: Live at the Union 1966

Read "Live at the Union 1966" reviewed by John Kelman


During its five-year run, the Don Rendell Ian Carr Quintet was one of the UK's premiere small ensemble jazz groups. Five albums on Columbia didn't hurt either, from 1965's Shades of Blue through to 1969's Change Is, where dissention ultimately resulted in the band's dissolution. Sometimes it's for the best, though; saxophonist/flautist Rendell continued on in ...

1,323

Article: Extended Analysis

Eberhard Weber: Colours

Read "Eberhard Weber: Colours" reviewed by John Kelman


As the jazz-rock fusion movement gained ground from its early years in the late 1960s through its glory days in the early-to-mid-1970s—blending the more sophisticated harmonies of jazz with rock music's rhythmic power and high volume—all too often it was about muscular chops and complex writing for the sake of it. Little attention was paid to ...

Album

Eberhard Weber: Colours

Label: ECM Records
Released: 2009
Track listing: CD1 (Yellow Fields): Touch; Sand-Glass; Yellow Fields; Left Lane.

CD2 (Silent Feet): Seriously Deep; Silent Feet; Eyes That See in the Dark.

CD3 (Little Movements): The Last Stage of a Long Journey; Bali; A Dark Spell; Little Movements; "No Trees? He Said.

1,216

Article: Interview

Theo Travis: From Prog to Jazz and Back Again

Read "Theo Travis: From Prog to Jazz and Back Again" reviewed by Bruce Lindsay


British musician Theo Travis has one of the most varied performing and recording histories to be found among contemporary jazz musicians. A talented saxophonist, flautist and composer, Travis has performed solo, in duos and quartets, in straight ahead jazz combos and in electronic, improvisational groups. He has performed live soundtracks in cinemas, ...

1,320

Article: Interview

John Surman: From Boy Choirs to Big Horns

Read "John Surman: From Boy Choirs to Big Horns" reviewed by John Kelman


It's increasingly risky to be a musician on the road. When British saxophonist John Surman was traveling from his home in Oslo, Norway, to New York City in September, 2007 for a recording session, he almost lost his baritone saxophone to the airlines. “It is a nightmare traveling now," says Surman, “and hardly a tour goes ...

566

Article: Album Review

John Surman: Brewster's Rooster

Read "Brewster's Rooster" reviewed by John Kelman


After a string of more jazz-centric ECM releases--1992's relatively free Adventure Playground, the large ensemble of 1993's The Brass Project, and the only document of his ongoing quartet with pianist John Taylor, bassist Chris Laurence and drummer John Marshall, 1994's Stranger Than Fiction--saxophonist John Surman's subsequent output for the label has consisted of unorthodox but no ...

220

Article: Album Review

Soft Machine: Drop

Read "Drop" reviewed by Gary Gomes


Despite significant ambivalence about Soft Machine around the time of this recording, it was the furthest out that the group ever ventured, and its closest approach to free jazz. It also possessed the freest drummer to ever grace a rock group. Australian Phil Howard was, in fact, free by most jazz standards, but by jettisoning the ...

423

Article: Multiple Reviews

John Marshal: Live at "Le Pirate" & Marshall Arts

Read "John Marshal: Live at "Le Pirate" & Marshall Arts" reviewed by Laurel Gross


John Marshall Live At “Le Pirate" Organic Music 2008 John Marshall/Ferdinand Povel Quintet Marshall Arts Blue Jack Jazz 2008 Trumpeter John Marshall should be more famously known in the ...


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