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All About Jazz Launches Bill Frisell Week with Interviews, Reviews, Exclusive Downloads and More!
Guitarist Bill Frisell may have just turned 60 earlier this year, but it's done nothing to slow him down. He's touring more than ever, and between a new contract with Savoy Jazz, that has allowed him to speed up releases to accommodate more projects than ever before, and his ongoing Live Download Series, where new live ...
Steve Khan: Parting Shot
by John Kelman
Evolution is one of those things where an artist either gradually shifts direction, or makes sudden quantum leaps. Guitarist Steve Khan has done both in a career dating back four decades, and the first of three hot fusion records for Columbia as a leader, Tightrope (1977), that fit firmly in The Brecker Brothers camp, but, with ...
Mathias Eick: Skala
by John Kelman
Those who've caught Mathias Eick live, since the release of The Door (ECM, 2008), know that, as strong a first salvo as that debut was, it was no preparation for the power of the Norwegian trumpeter in performance. When his quartet performed at Mai Jazz 2008, with pianist Andreas Ulvo replacing The Door's Jon Balke, it ...
Iro Haarla Quintet: Vespers
by John Kelman
It's been six years since Iro Haarla released Northbound (ECM)--while not her actual debut as a leader, certainly her first with international exposure--an album of remarkable beauty that cemented the Finnish pianist/harpist/composer's position as the silent voice behind the music of her late husband, drummer Edward Vesala. There's no denying the import of Vesala's work for ...
Julia Hulsmann Trio: Imprint
by John Kelman
Longevity is tough to maintain, in a time when artists largely need to work with a variety of projects to make a living, but there are increasing (and encouraging) signs of the value placed on chemistry and the kind of collective voice that evolves naturally, over time. German pianist Julia Hülsmann has maintained the same trio ...
Kenny Werner: Balloons
by John Kelman
Times sure have been tough for pianist Kenny Werner, and yet, he seems to be turning tragedy into triumph, mining the depths of emotion caused by the accidental death of his daughter, Katheryn, in 2006. While he's been playing in the years since, he was noticeably quiet on the recording front until No Beginning, No End ...
Storms/Nocturnes: VIA
by John Kelman
Storms/Nocturnes VIA Origin Records2011 Virtuosity can, when it's the raison d'être, be an impediment; when it's a foundation, in service of the music, it can be liberating. Storms/Nocturnes was initially the brainchild of Tim Garland but, after first convening as a subset of the sextet on the closing track ...
The Shape Of All About Jazz To Come
by Michael Ricci
Dear fellow AAJ contributor, It's been several months since our last announcement--a busy stretch resulting in many changes to All About Jazz, from our business strategy to our website's appearance. Please take a moment and read on as we address future plans and recent staff changes.Index 1. Changing ...
Nguyen Le: Songs of Freedom
by John Kelman
For over twenty years, Nguyên Lê has collaborated with a growing cadre of like-minded musicians--mostly Paris-based, where the guitarist of Vietnamese origins resides--building a body of work that is, in the truest sense of the word, “world music." From the Afro-centric band Ultramarine, and exploration of his own roots on the seminal Tales from Vietnam (ACT, ...
Don "Sugar Cane" Harris: Cup Full of Dreams
by John Kelman
While Sugar Cane's Got the Blues (MPS, 1972; Reissued Promising Music, 2008), teamed the violinist with Europeans including Norwegian guitarist Terje Rypdal, German keyboardist Wolfgang Dauner and British (though, with a life-changing accident looming, not for long) drummer Robert Wyatt, Cup Full of Dreams finds Don “Sugar Cane" Harris back on American turf, with a group ...
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