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356

Article: Album Review

Stefano Battaglia: Re: Pasolini

Read "Re: Pasolini" reviewed by John Kelman


For the follow-up to his 2005 ECM debut, Raccolto, veteran Italian pianist Stefano Battaglia leaves behind its freely improvised context for more structured territory. That shouldn't suggest that Re: Pasolini doesn't have its share of surprises, but with a greater attention to form and arrangement, it provides a contrasting view to Battaglia's broad musical scope. Re: ...

224

Article: Album Review

Roscoe Mitchell / The Transatlantic Art Ensemble: Composition/Improvisation Nos. 1, 2 & 3

Read "Composition/Improvisation Nos. 1, 2 & 3" reviewed by John Kelman


While perhaps best known for his ground-breaking improvisational work with The Art Ensemble of Chicago and assorted personal projects, woodwind multi-instrumentalist Roscoe Mitchell has also been exploring, over the past four decades, contemporary classical music and the integration of written form with exploratory improvisation. Composition/Improvisation Nos. 1, 2 & 3 is Mitchell's most successful example of ...

527

Article: Album Review

Esbjorn Svensson Trio (e.s.t.): Tuesday Wonderland

Read "Tuesday Wonderland" reviewed by John Kelman


For its first release to be distributed by a major label since Strange Place for Snow (Columbia, 2002), the Esöjorn Svensson Trio (e.s.t.) continues to mine and expand the road traveled on Seven Days of Falling (215 Records, 2004) and Viaticum (215 Records, 2005). Tuesday Wonderland doesn't exactly break new ground for e.s.t., but equally it's ...

205

Article: Album Review

Jon Opstad: Interpretations

Read "Interpretations" reviewed by John Kelman


For his second album as a leader and the third for his own New Canvas Records, British drummer Jon Opstad leaves behind the more overt ECM sensibility of 2004's Still Picture. Well, almost. Interpretations is ostensibly rooted in the music of late-1960s Wayne Shorter and Herbie Hancock. The references are clear; still, the fluidity, sense of ...

411

Article: Album Review

Seamus Blake: Way Out Willy

Read "Way Out Willy" reviewed by John Kelman


It's been six years since Seamus Blake's last recording for Criss Cross, and the tenor saxophonist wasn't thinking about a new one until approached in 2006 by label owner/producer Gerry Teekens. The result, Way Out Willy, has the spontaneous feel of a session more focused on improvisation than composition. That's not to say the six Blake ...

285

Article: Album Review

Bruford: Rock Goes to College

Read "Rock Goes to College" reviewed by John Kelman


The DVD release of Rock Goes to College (Winterfold, 2006), by drummer Bill Bruford's late-1970s band Bruford, was greeted with considerable excitement. Featuring Hatfield and the North/National Health keyboardist Dave Stewart and über-bassist Jeff Berlin, the group only played a couple of live dates with original guitarist Allan Holdsworth, who left shortly afterwards and was replaced ...

271

Article: Album Review

Tellef Ogrim: Wagon 8

Read "Wagon 8" reviewed by John Kelman


While it's easy to find artists who focus on fretless electric bass, those who concentrate on fretless electric guitar are less commonplace. High profile artists including jazz icon Pat Metheny and guitarist/vocalist Adrian Belew have dabbled with fretless guitars over the years, but few make it a priority. Norwegian guitarist Tellef Øgrim has been focusing on ...

269

Article: Album Review

Amanda Monaco 4: Intention

Read "Intention" reviewed by John Kelman


It's been four years since Amanda Monaco 4 released its self-titled debut, although guitarist Monaco has been far from inactive. She's appeared on Get Lucky (Eastway, 2004), the second album by all-female cocktail pop band The Lascivious Biddies, published an instructional guitar book, Jazz Guitar for the Absolute Beginner (Alfred Publishing, 2005) and is in a ...

250

Article: Album Review

Chris Laurence Quartet: New View

Read "New View" reviewed by John Kelman


Bassist Chris Laurence, nearing sixty, has been a fixture on the British scene for many years, working regularly in the jazz sphere with artists including reedman John Surman, trumpeter Kenny Wheeler and pianist John Taylor. He's recorded pop sessions with the likes of Elvis Costello, Sting and David Gilmour, and remains active in the classical community, ...

219

Article: Album Review

Hugh Marsh: Hugmars

Read "Hugmars" reviewed by John Kelman


Hugh Marsh may not be well-known to many outside his native Canada, where he's considered the country's leading improvising violinist, but that doesn't mean he hasn't been heard. Along with high profile recording and touring gigs over the years with singer/songwriters Bruce Cockburn and Loreena McKennitt and recently with influential trumpeter Jon Hassell's Maarifa Street project; ...


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