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Alain Caron: Conversations
by John Kelman
Canadian bassist Alain Caron is best-known as the former member of collaborative 1980s fusion group UZEB and his own projects as a leader since that time, including the house beats-meets-ambient electronica-meets-contemporary fusion of 5 (BHM, 2005) and the concert DVD Alain Caron Live: Cabaret de Montréal (Norac, 2006). Still, digging into his past it becomes clear ...
Erdem Helvacioglu: Altered Realities
by John Kelman
To some, the argument for keeping music and technology distinct and apart is nearly as contentious as that concerning the separation of church and state. But while bringing together the latter arguably creates, at the very least, a moral dilemma about freedom of choice, the concept of integrating conventional musical instruments with modern technological advances only ...
Jean-Luc Ponty: Canteloupe Island
by John Kelman
Originally released in 1976, Blue Note's Canteloupe Island brought The Jean-Luc Ponty Experience with The George Duke Trio (Pacific Jazz, 1969) and King Kong: Jean-Luc Ponty Plays the Music of Frank Zappa (Blue Note, 1970) together as a two-album set. Long out-of-print, BGO's remastered reissue contextualizes the French violinist's later work. He may have dived deep ...
Robin Guthrie and Harold Budd: Mirror Images
by John Kelman
Often mistakenly lumped into the “new age" category, pianist/composer Harold Budd has always been better described through his associations. He first came to attention in 1978 with the release of The Pavilion Of Dreams (E.G.), produced by ambient music pioneer Brian Eno and with a line-up including avant-garde saxophonist Marion Brown and contemporary classical composer Gavin ...
Nguyen Le: Purple: Celebrating Jimi Hendrix
by John Kelman
Originally released in 2002 but only seeing release in the United States five years later, Purple: Celebrating Jimi Hendrix--alongside welcome 2007 reissues of Miracles (Universal, 1990) and Zanzibar (Universal, 1992) and the more recently recorded Homescape (ACT, 2006)--provides an increasingly balanced picture of guitarist Nguyên Lê. He may be considered by most to be a fusion ...
Flora Purim: Butterfly Dreams
by John Kelman
Flora Purim may be one of the most unfortunate stories in jazz of the past 35 years. First coming to light with Duke Pearson and Gil Evans, it was the one-two punch of pianist Chick Corea's Return to Forever (ECM, 1972) and Light as a Feather (Polydor, 1973) that introduced the Brazilian singer to a broader ...
MoHa!: Norwegianism
by John Kelman
While detractors will suggest that noise improv is nothing but, well, noise, the fact remains that there are significant differences between artists working in this niche genre. In Norway, Supersilent has managed to carve out its own space, where harsh textures and open spaces (lyricism, even) meet. MoHa!, on the other hand, takes a ...
Jethro Tull: The Best of Acoustic Jethro Tull
by John Kelman
Most often remembered as the classic rock group responsible for mega-sellers including Aqualung (Chrysalis, 1971) and Thick as a Brick (Chrysalis, 1972), Jethro Tull has always included acoustic instrumentation as part of its musical palette. “Locomotive Breath and “Cross-Eyed Mary may be what comes to mind when asked to describe Aqualung. Still, “Cheap Day Return, “Mother ...
Guildhall Big Band with Special Guest John Taylor: Pure and Simple
by John Kelman
It would be easy to call Pure and Simple a John Taylor project, since all the charts are his and he's a featured soloist on every track. But, as was the case with the Australian Jazzgroove Mothership Orchestra's The Mothership Plays the Music of Mike Nock (Jazzgroove, 2006), that would be a mistake. As part of ...
Ry Cooder: My Name is Buddy
by John Kelman
Veteran multi-instrumentalist/musical archivist Ry Cooder follows up his concept album Chavez Ravine (Nonesuch, 2005) with another narrative, My Name is Buddy. This time, with a similarly large cast of players, he suggests joining “...Buddy the Cat, Lefty Mouse and Reverend Tom Toad as they journey through time and space in the days of labor, big bosses, ...
![Full Moon [Feat. New York Voices, Mark Egan]](https://s3.amazonaws.com/allaboutjazz/coverart/large/a07a6f1d5edcd6c801f0e1c3b527da37.jpg)
