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Stanley Clarke: The Toys of Men
by John Kelman
Stanley Clarke's influence continues to be felt long past his 1970s glory days as a member of pianist Chick Corea's flagship fusion group Return to Forever and as a solo artist whose School Days (Epic, 1976) remains required listening for any aspiring electric bassist. In the intervening years, despite the occasional high profile gig, he's been ...
John Geggie / Brad Turner / Ian Froman: Ottawa, Canada, October 6, 2007
by John Kelman
John Geggie/Brad Turner/Ian Froman Geggie Concert Series National Arts Centre, Fourth Stage Ottawa, Canada October 6, 2007 Ottawa bassist John Geggie opened up his seventh season of music without a safety net by bringing two Canadian artists--one from the west coast, and the other an expat Ottawa native ...
Yes: Live at Montreux 2003
by John Kelman
While the Montreux Jazz Festival has long been more than just a jazz festival, with both veteran groups Yes and Jethro Tull performing at the 2003 edition, that year could have been re-titled the Montreux Progressive Rock Festival. Yes' set is especially notable as being amongst the best and most inspired live recordings the four decade-old ...
Spike Wells / Gwilym Simcock / Malcolm Creese: Reverence
by John Kelman
Given its often spiritual nature, it's not surprising to find men of the cloth with a deep love of music. Still, finding priests who are talented jazz musicians is a greater challenge, but in the case of British drummer Spike Wells the order of events is important. Ordained as a priest in 1996, Wells began his ...
Pat Metheny: Secret Story: Deluxe Edition
by John Kelman
If The Way Up (Nonesuch, 2005) is Pat Metheny Group's magnum opus, then Secret Story is the guitarist's greatest achievement as a solo artist to date. A sprawling, 76-minute epic featuring a wealth of guest artists, members of a symphony orchestra and Metheny playing countless parts on an arsenal of guitars and keyboards, its only flaw ...
Trio Mediaeval: Folk Songs
by John Kelman
One of the most remarkable aspects of the Scandinavian music scene, no matter what the musical space, is how fluid it is, and how few borders exist--if any exist at all. Anything is possible. The three singers of Trio Mediaeval--Anna Maria Friman, Linn Andrea Fuglseth and Tornn Østrem Ossum--first emerged in the early part of the ...
Hadrien Feraud: Hadrien Feraud
by John Kelman
Fusion fans lucky enough to catch John McLaughlin's 2007 North American tour were also fortunate to hear Hadrien Feraud--a 23 year-old French electric bassist who has been justifiably garnering significant attention since first appearing on the guitarist's Industrial Zen (Verve, 2006). On tour, McLaughlin continually referred to Feraud as “a rising star, and “The New Jaco ...
Keith Jarrett / Gary Peacock / Jack DeJohnette: My Foolish Heart
by John Kelman
Despite suggestions by some that, now nearing the quarter century mark, it's time for pianist Keith Jarrett's Standards Trio to hang up its hat for good, My Foolish Heart demonstrates that there's still plenty of life left in this group. Recorded at the 2001 Montreux Jazz Festival less than a week before the Munich performance documented ...
Egg: The Civil Surface
by John Kelman
First achieving prominence with seminal progressive/Canterbury group Egg, it was with Hatfield and the North that British keyboardist Dave Stewart matured into a more jazz-centric writer/player. That said, Egg's first two discs--Egg (Nova/Deram, 1970) and The Polite Force (Deram, 1971)--demonstrated a remarkably mature voice for someone who, alongside equal contributors Mont Campbell (bass, vocals, French horn) ...
Herbie Hancock: River: The Joni Letters
by John Kelman
While it might be easy, on the surface, to view pianist Herbie Hancock's River: The Joni Letters as a continuation of Possibilities (Hear, 2005), nothing could be further from the truth. Possibilities was an unapologetically pop record; River is unequivocally jazz--although such broad classifications shouldn't matter. River is, quite simply, a superb disc that takes Joni ...
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