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Medeski, Martin & Wood: Radiolarians - The Evolutionary Set
by John Kelman
Released over the last year, Medeski, Martin & Wood's three-part Radiolarians series bucked the longstanding and conventional trend of writing > recording > touring. Touring material before documenting it on record isn't exactly new, but few if any artists have done so with such an extensive repertoire--three hours of new material, all taken on the road ...
(Another) Nuttree Quartet (Abercrombie / Anderson / Liebman / Nussbaum): Something Sentimental
by John Kelman
It's always a pleasure to hear a group of musicians who, over the years, have developed not just a strong musical bond, but a personal one as well. If it's a truth that most musicians' style is a direct extension of their personality--of who they are--then it's equally logical to extrapolate that the musical interaction between ...
Mike Keneally: Scambot 1
by John Kelman
If there's anyone carrying on Frank Zappa's legacy today, it's Mike Keneally. A monster guitarist, capable of shredding with the best of them, for many that would be enough. Keneally may have played in Zappa's last touring group before the legendary satirist/composer/guitarist died, too young, in 1993--sharing an equally eclectic, unfettered and label-less view of what ...
John Geggie / Josh Rager / Paul Meyers: Ottawa, Canada November 28, 2009
by John Kelman
John GeggieGeggie Concert Series: 2009-10, #3 National Arts Centre, Fourth Stage Ottawa, Canada November 28, 2009 For the third in his 2009-10 Geggie Concert Series, Ottawa bassist John Geggie once again demonstrated his astute ability to bring together musicians who have not previously played together, but who share ...
Adam Rogers: Sight
by John Kelman
Guitarist Adam Rogers returns with Sight, an album that continues his exploration of heady originals and standards, in the trio format that, with Time and the Infinite (Criss Cross, 2007), took a left-turn from his earlier quartet and quintet records. Surrounded by friends old and new on Time, with Sight Rogers returns to longtime ...
Jaco Pastorius: Portrait of Jaco - The Early Years 1968-1978
by John Kelman
Jaco Pastorius Portrait of Jaco: The Early Years 1968-1978 Holiday Park Records 2009 If only every jazz artist had an advocate like label owner/project producer Bob Bobbing. Bass wunderkind Jaco Pastorius seemingly leapt into the jazz scene in 1976 with the quadruple punch of his remarkably mature debut, ...
Ben Goldberg: Go Home
by John Kelman
Between the rather eclectic and enigmatic The Door, The Chair, The Hat, The Fact (Cryptogramophone, 2006) and Plays Monk (Long Song, 2007), his characteristically idiosyncratic and unorthodox trio take on the music of Thelonious Monk, clarinetist Ben Goldberg continues to expand his broad musical interests, heard in earlier groups including Tin Hat and New Klezmer Trio. ...
Paul Wertico's Mid East/Mid West Alliance: Impressions of a City
by John Kelman
For those only familiar with his work in Pat Metheny Group, drummer Paul Wertico's extracurricular career will be something of a shock. He may have been all light cymbal work and gentle pulses with PMG, but on albums like The Sign of Four (Knitting Factory, 1997)--a freewheeling session with Metheny in a beyond"-Song X (Nonesuch, 1985) ...
Tony Banks: A Curious Feeling
by John Kelman
It's curious, indeed, that Genesis keyboardist/co-founder Tony Banks never achieved the fame that Phil Collins, Steve Hackett, Peter Gabriel and Mike Rutherford did as solo artists. As one of the group's primary writers, his distinctive melodies and voicings have defined the Genesis sound since its inception. Still, based on the majority of Banks' extracurricular solo activities, ...
John Moulder: Bifrost
by John Kelman
A longtime member of ex-Pat Metheny Group drummer Paul Wertico's trio, enough has already been written about John Moulder's double life as jazz guitarist and ordained priest. Bifröst is Moulder's follow-up to the ambitious and eclectic Trinity (Origin, 2006), where the guitarist's spirituality became a touchstone for music ranging from the ethereal to the grounded, and ...


