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1,027

Article: Live Review

Transatlantic: Montreal, Canada, April 21, 2010

Read "Transatlantic: Montreal, Canada, April 21, 2010" reviewed by John Kelman

by John Kelman

TransatlanticMetropolisMontreal, CanadaApril 21, 2010 The idea of music being created over great distances, in piecemeal fashion by artists living in four separate locations around the globe, might seem inherently antithetical to the spirit of in-the-moment chemistry that defines most groups. But Transatlantic--a contemporary progressive rock super group featuring members of ...

518

Article: Album Review

Tim Hagans: The Avatar Session: The Music of Tim Hagans

Read "The Avatar Session: The Music of Tim Hagans" reviewed by John Kelman

by John Kelman

He's been its musical director since 1996, but since 2005 trumpeter Tim Hagans' work with the Swedish Norbotten Big Band has run in a parallel stream to his more intimate, small ensemble work on the German Pirouet label, most recently on Alone Together (2008). As good as Worth the Wait (Fuzzy Music, 2008) was, The Avatar ...

351

Article: Album Review

xTet Project: Phase First

Read "Phase First" reviewed by John Kelman

by John Kelman

With the continued upsurge of music coming from Norway, it can be a challenge keeping track of which player is on what axis; equally revealing is the near-relentless cross-pollination taking place amongst artists young and old, and from an unfettered variety of musical spaces. Oslo's Kennel Collective may consist of young groups traversing the seemingly wide ...

742

Article: Live Review

Brad Mehldau Trio: Kingston, Canada April 11, 2010

Read "Brad Mehldau Trio: Kingston, Canada April 11, 2010" reviewed by John Kelman

by John Kelman

Brad Mehldau TrioGrand TheatreKingston, CanadaApril 11, 2010 When a trio has been together as long as pianist Brad Mehldau's--the current incarnation, with original bassist Larry Grenadier and relative newcomer (but no stranger to either of his band mates), drummer Jeff Ballard, has been together for over five years, first heard on ...

413

Article: Album Review

Espen Eriksen Trio: You Had Me At Goodbye

Read "You Had Me At Goodbye" reviewed by John Kelman

by John Kelman

When Rune Grammofon released In the Country's outstanding 2005 debut, This Was the Pace of My Heartbeat, it was promoted as the Norwegian label's “first jazz record." Still, that piano trio's eminently beautiful music retained the skewed edges so definitive of the label, while subsequent releases, including 2009's ambitious Whiteout, have aligned even more closely with ...

371

Article: Album Review

Kallerdahl / Seglem / Ulvo / Hole / Sjovaag: Skoddeheimen

Read "Skoddeheimen" reviewed by John Kelman

by John Kelman

With NORSKjazz.no (Ozella Music, 2009), veteran saxophonist, producer, label head and goat horn virtuoso Karl Seglem brought a distinctive Norwegian flavor to the conventional sax/piano/bass/drums format. By recruiting younger players, Seglem ensured the continuance of his country's jazz tradition--one as imbued by folkloric elements and dark classicism as it is the American vernacular--through the increasingly endangered ...

424

Article: Album Review

Tom Harrell: Roman Nights

Read "Roman Nights" reviewed by John Kelman

by John Kelman

Since coming back from hiatus following the superb Wise Children (Bluebird, 2003), Tom Harrell's been on a roll. On a new label (HighNote) and with a new working quartet, the trumpeter has gone from success to success, from the undeniably fine Light On (2007), to the even better Prana Dance (2009). Whether Roman Dances is even ...

1,365

Article: Album Review

John McLaughlin and The 4th Dimension: John McLaughlin and The 4th Dimension: To The One

Read "John McLaughlin and The 4th Dimension: To The One" reviewed by John Kelman

by John Kelman

After two studio albums that fell into the category of special projects--the large-casted but surprisingly cohesive Industrial Zen (Verve, 2005) and synth-laden Floating Point (Abstract Logix, 2008), where the iconic guitarist flipped his past concerns of playing eastern music with a western sensibility by recruiting a largely Indian group to play some very western fusion--John McLaughlin ...

381

Article: Album Review

David Binney: Aliso

Read "Aliso" reviewed by John Kelman

by John Kelman

In a career now in its third decade, alto saxophonist David Binney's greatest accomplishment, despite being a player of no small worth, has been as a composer whose often knottily idiosyncratic tunes manage to remain not just accessible, but deeply compelling. From the earliest days of Lost Tribe through to last year's outstanding Third Occasion, Binney's ...

549

Article: Album Review

The Dave Liebman Group: Turnaround: The Music of Ornette Coleman

Read "Turnaround: The Music of Ornette Coleman" reviewed by John Kelman

by John Kelman

When listening to Ornette Coleman's music from the fertile period of his 1959-1961 Atlantic albums--beautifully documented on the aptly titled Beauty is a Rare Thing (Rhino, 1993) box set--it's perhaps a little difficult to understand what all the hubbub was about. As is so often the case, time turns naysayers into champions, and many of the ...


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