Home » Search Center » Results: John Escreet
Results for "John Escreet"
John Escreet: Music for This Age
by R.J. DeLuke
Looking forward--moving forward--is an essential quality to pianist John Escreet, a United Kingdom native who moved to the United States, specifically New York City, in 2008 to pursue an education at the Manhattan School of Music. So is achieving a unique sound and approach, both for artistic and practical reasons. Escreet, age 22 when ...
Pianist John Escreet Interviewed at All About Jazz
Looking forwardmoving forwardis an essential quality to pianist John Escreet, a United Kingdom native who moved to the United States, specifically New York City, in 2008 to pursue an education at the Manhattan School of Music. So is achieving a unique sound and approach, both for artistic and practical reasons. Escreet, age 22 when he moved ...
Jazz Musician of the Day: John Escreet
All About Jazz is celebrating John Escreet's birthday today! Since moving to New York in 2006, John Escreet has had a powerful impact, and is emerging as one of the most creative and original pianists on the music scene there. He is highly revered amongst his peers for his creativity, openness and for his own original ...
North Sea Jazz Festival, July 8-10, 2011
by R.J. DeLuke
North Sea Jazz FestivalJuly 8-10, 2011AhoyRotterdam, The Netherlands The North Sea Jazz Festival in the Netherlands is staggering in size, touted as the world's largest indoor jazz festival and that's certainly a good bet. With 13 stages running from late afternoon until the early morning hours, it's far more than a ...
John Escreet: The Age We Live In
by Dan Bilawsky
Pianist John Escreet's meteoric rise into the pantheon of forward-thinking jazz composers has everything to do with his understanding of the fast-paced way of life that seems to have overtaken much of society. Everything is absorbed in little bites, quick flashes, and small doses by the younger generations that have been brought up in this short-attention-span ...
John Escreet - The Age We Live in (Mythology Records, 2011)
With each new release, keyboardist and composer John Escreet has become more adventurous in his outlook toward music. This is his most diverse album yet, hinting at modern fusion while remaining true to his post-bop roots. Performing with him is a stellar lineup including David Binney on alto saxophone and electronics, Wayne Krantz on guitar, Marcus ...
David Binney: Underground Tremors
by Ian Patterson
There are recordings that constitute a personal high watermark for a composer; then there are, less frequently, recordings that mark an era. Graylen Epicenter (2011), alto saxophonist David Binney's latest recording on his own label, Mythology Records, is both. For more than two decades, this exhilarating alto saxophonist has made a string of absorbing recordings as ...
Simin Tander: Wagma
by C. Michael Bailey
Simin Tander is a polyglot German-Afghan singer who combines the fierce creativity of Meredith Monk with the jazz savvy of Gretchen Parlato. She has surrounded herself with a like-minded trio that is willing to forge in whatever direction she desires, with music and singing full of wordless howls, purrs, and calls. This is multicultural music with ...
John Escreet: The Age We Live In
by Mark F. Turner
John Escreet just keeps pressing forward with recordings that are not stuck in the quagmire of normalcy. From his auspicious debut, Consequences (Posi-tone, 2008), to his equally ambitious sophomore release, Don't Fight The Inevitable (Mythology Records, 2010), the young pianist has demonstrated imagination and abilities in the same vein as Jason Moran and Craig Taborn. His ...
Pianist/Composer John Escreet Releases New CD "The Age We Live in" on Mythology Records.
A year ago, the New York Times, in a review of keyboardist/composer John Escreet's second album, boldly declared that the young New York-based British-expat seems to be thinking about where jazz can go next." Now, with the June 14th release of The Age We Live In (Mythology), Escreet's third full-length release as a leader, we know ...


