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Festival International Musique Actuelle Victoriaville 2011

by Kurt Gottschalk
Festival International Musique Actuelle Victoriaville Victoriaville, Canada May 19-22, 2011 The 27th annual Festival International de Musique Actuelle de Victoriaville (FIMAV) was a remarkably consistent four days of concerts. It held high points, to be sure (the Ex, Zeena Parkins, Jaap Blonk), and inevitable low points as well. But there was also ...
The Remote Viewers: To The North

by Glenn Astarita
The ongoing saga of The Remote Viewers entails personnel changes that are neatly fitted into a particular program or stream of consciousness. On To The North, saxophonists Adrian Northover and David Petts extend the band's distinct methodology via a four-sax attack, with marimba and a standard rhythm section. True to form, the musicians pursue off-kilter rhythmic ...
Paul Hubweber & Philip Zoubek: Archiduc Concert: Dansaert Variatiions

by John Eyles
Trombonist Paul Hubweber has previously impressed in the trio PaPaJo, which he shares with bassist John Edwards and percussionist Paul Lovens, rightfully being compared with the late, great Paul Rutherford. Despite such comparisons, he draws from many sources. When practicing, he plays many Albert Mangelsdorff tunes, alongside Charlie Parker standards and J. S. Bach pieces.
Freedom of the City 2010
by Ken Waxman
"To Thine Self Be True" is lettered above the stage at Conway Hall where London's annual Freedom of the City (FOTC) festival took place May 2nd-3rd. Although related to the philosophy of the Humanist Society that built the edifice, the slogan can be applied to the 16 sets that made up the festival. Organized ...
Volume
By John Edwards
Label: Psi
Released: 2009
Track listing:
01. Matter 07.23;
02. Pin Drop 06.56;
03. Sprung 08.41;
04. Saddle 05.29;
05. Tunnel 07.30;
06. Half Full 04.04;
07. Battery 01.50;
08. From the Depths 03.21;
09. Meshes 07.40.
John Edwards: Volume

by AAJ Italy Staff
Volume è un disco della PSI, ma potrebbe essere edito da Leo Records, Clean Feed, Victo, Emanem o da altre etichette ancora, magari autogestite da musicisti; nel senso che propone una sperimentazione senza confini, internazionale e trasversale, attuale (in quanto condensa in sé la ricerca improvvisativa degli ultimi trent'anni sul contrabbasso) ma in realtà senza tempo. ...