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Mark Turner: Grounded in a Spiritual World
by Kurt Rosenwinkel
This article first appeared in issue no 8 of Music & Literature Magazine. I remember being at Berklee and listening to Mark in the practice room. A lot of people used to gather outside his practice room at various times and just listen to him. He would be in there ten hours a day, ...
Ravi Coltrane Live in Montreal and New York City
by Dave Kaufman
Ravi Coltrane continues to evolve as an artist of remarkable depth and breadth as reflected in the diversity of contexts in which he engages. Coltrane was featured in three different musical settings at the recent (2017) Montreal International Jazz Festival Invitation Series. All concerts were held at the Centre de Creativite Gesu, an intimate concert hall ...
Listening to Jazz Knowingly and Authentically: The Epistemology and Ontology of Jazz
by Victor L. Schermer
"What a peculiar privilege has this little agitation of the brain which we call 'thought.'" --David Hume I deliberately used the words “epistemological" and “ontological" in the title in order to attract your attention. If you don't know what they mean, you're going feel put off or curious. If you do know, you're going ...
Sabu Martinez: Palo Congo – 1957
by Marc Davis
1957 was a banner year for hard bop and Blue Note. In one year, the label released 40 albums, including classics from John Coltrane, Sonny Rollins, Horace Silver, Bud Powell, Lou Donaldson, Hank Mobley, Johnny Griffin and eight by Jimmy Smith alone. In the midst of all that hard bop, Blue Note released two percussion-based albums ...
Legendary NEA Jazz Master Charles Lloyd Plays Vicars Street in Dublin on November 16
Charles Lloyd, one of jazz’s historic greats, returns to Dublin with his classic quartet on Wednesday 16 November for a one-off show on Irish soil as part of an extensive European tour. Described by Nate Chinen as “a storyteller with a seeker’s heart… one of jazz’s great mystery men”, the show comes two years after Lloyd’s ...
Michele Polga: Little Magic
by Luigi Sforza
In quest'ultima fatica discografica Michele Polga insieme alle sue pronunciate qualità di tenor sassofonista conferma ampiamente il suo appassionato orientamento estetico -già dichiarato nei precedenti lavori a suo nome. Dotato di notevole tecnica strumentale, di senso instancabile per la melodia e di un'ampia capacità di sintetizzare in forma organica e unica un ampio patrimonio storico legato ...
Joe Rosenberg Ensemble: Resolution
by Vincenzo Roggero
Inizia come una sorta di orazione funebre, toni gravi dominanti, una litania segnata dal sax del leader, con il violoncello a marcare alcune piccole deviazioni e minime dissonanze. Sono i primi tre brani, in pratica una mini suite, che aprono le meditazioni musicali del Joe Rosenberg Ensemble. Quasi un rito sciamanico per preparare la mente alle ...
Chuck Israels: Tribute to Bill Evans
by Robin Arends
Isn't it nice to meet someone who takes time for a good chat in these hectic times? Especially if this person has a lot to tell, carries the living memory of an important part of jazz history, and is called Chuck Israels?Bassist/arranger/composer Chuck Israels is in expansive form for this interview conducted in a ...
Take Five With Matt Ridley
by AAJ Staff
Meet Matt Ridley: I graduated from Trinity College of Music in Greenwich, London in 2005 and have been a full time bassist since then. Music has taken me all around the world and I've been very privileged to perform regularly with some of the finest jazz musicians in UK like Jason Yarde, John Turville, and ...
Music Matters slows it down
by Greg Simmons
Music Matters is pulling a fast one. For the past several years they've been hawking a series of reissues of the classic Blue Note Records catalogue of the 1950s and 60s. The defining features of this series have been that they've all been re-mastered from the original session tapes by mastering guru Kevin Gray and, in ...
