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Trevor Tomkins' Sextant: For Future Reference
by Chris May
A 2-CD collection of four sessions recorded for BBC Radio between 1980 and 1983, For Future Reference is a snapshot, just one of many snapshots that might be taken, of British jazz in the period immediately before the so-called “jazz boom" of the mid to late 1980s. That boom was marked by an acknowledgement of the ...
Live from the Village Vanguard
by David Brown
I was at the Village Vanguard in NYC on Tuesday to hear Chilean tenor saxophonist Melissa Aldana and her captivating quintet. With that experience in mind, tonight's lineup will showcase live recordings from this world-famous venue from Chucho Valdes to John Coltrane to The Thad Jones / Mel Lewis Orchestra. Then, works from Arturo and Chico ...
Kahil El'Zabar's Ethnic Heritage Ensemble: Spirit Gatherer
by Chris May
Anyone who was chair of the Association for the Advancement of Creative Musicians for a decade knows a thing or two about keeping a group of independently minded artists focused on a common goal. Drummer and percussionist Kahil El'Zabar continues to demonstrate that with his Ethnic Heritage Ensemble, an acoustic, improvising trio with an African foundation ...
London Crate-Diggers BBE Reveal Lost J-Jazz Gems
by Chris May
In his introduction to The Blue Note Years: The Jazz Photography Of Francis Wolff (Rizzoli, 1995), the late Charlie Lourie reported a remarkable event he had witnessed at the inaugural Mt. Fuji Jazz Festival in 1985. “Where else but in Japan," wrote Lourie, “can one see a field packed with fifteen thousand teens and twentysomethings roar ...
Bob Perkins: The Art of Listening
by Victor L. Schermer
This article was first published in November 2009. Bob is without a doubt an NEA Jazz Master. Please nominate him for an NEA Jazz Masters Fellowship. “It's BP with the GM!" That's how the famed and venerable jazz disc jockey Bob Perkins signs on the air, with the code for “Bob Perkins with the ...
Wycliffe Gordon: What You Dealin' With?
by C. Andrew Hovan
Privy to the entire history of jazz trombone via the technological age in which we live, Wycliffe Gordon seems to have utilized this information in such a way that his own playing displays elements from various periods and a technical competence that is indeed remarkable. “I was most familiar, at first, with guys who played with ...
Diego Rivera: Love & Peace
by David A. Orthmann
While some of its roots lie in jazz practices of the mid-to-late twentieth century, Diego Rivera's Love & Peace brushes aside the expectations and comparisons which often accompany newly-recorded records that bear a resemblance to sounds from the past. The tenor and soprano saxophonist assembled a cast of players who frequently appear on ...
Take Five with Guitarist Grant Gordy
by AAJ Staff
Meet Grant Gordy For many guitarists, landing a gig with bluegrass mandolinist David Grisman's groundbreaking bluegrass/jazz quintet would be the culmination of a career in music. But for Grant Gordy, it was more of a beginning, an apprenticeship in combining bluegrass and jazz that served as a launchpad for his own music. How far he has ...
Roberto Ottaviano: sul palco e dietro le quinte
by Libero Farnè
È estremamente opportuno tornare periodicamente ad analizzare le esperienze più recenti di musicisti di grande personalità del panorama jazzistico italiano. Uno di questi è dagli anni Ottanta Roberto Ottaviano, che esordì discograficamente nel 1983 con Aspects, un lavoro rivelatore, in solo e in sestetto, di una potenza espressiva e di una creatività sconvolgenti. Dopo ...
Leap Day Trio: Live at The Cafe Bohemia
by Jerome Wilson
Drummer Matt Wilson and tenor saxophonist Jeff Lederer have worked on many projects together, over a thirty-year period, covering everything from Christmas songs to the poetry of Carl Sandburg. This particular album finds them in a stripped-down trio, playing some of their most intense music ever, live at New York's reopened Cafe Bohemia. The ...
