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Results for "John Coltrane"
Bela Fleck (BEY-Lah Fleck): See Curious, Creative Mind
by R.J. DeLuke
Béla Fleck has taken his instrument--the banjo--to heights that seemed unimaginable prior to couple decades ago. There have been virtuoso players in its long history, but the sounds Fleck elicits through electronics, and the musical landscapes he treads upon, are groundbreaking.He's got all that in his pocket. But as a twenty-something musician whose prowess ...
McCoy Tyner Trio: Inception
by Lawrence Peryer
Though two tracks from October 1960 were previously issued under McCoy Tyner's name, they were outtakes from John Coltrane dates where the saxophonist sat out. Inception marks the pianist's first proper release as bandleader, with the sessions for Impulse! taking place at Rudy Van Gelder's studio on January 10 and 11, 1962. Of the set's six ...
Take Five With Emiel van Egdom
by AAJ Staff
Meet Emiel van Egdom: Emiel van Egdom is a musician equally at home in high energy electric jazz or fusion as in romantic classical and contemporary acoustic solo guitar arrangements. With major worldwide releases, he's a highly talented guitarist who has demonstrated the highest levels of musical achievement--Alma Berklee, Jim Hall Jazz Award, USA. ...
BAM or JAZZ: Why It Matters
by Greg Thomas
Since the last Race and Jazz column, the first of a multi-part discussion with John Gennari--the top scholar on the history of jazz criticism--a firestorm of controversy has arisen surrounding Nicholas Payton's declaration that, to him, the word jazz is dead. He also feels that the word jazz is tantamount to or worse than the “n" ...
What is Jazz? Good Question...
by Jason West
What is jazz? According to Wynton Marsalis jazz is music that swings. According to Pat Metheny jazz is not the music of Kenny G. According to Webster's jazz is characterized by propulsive syncopated rhythms, polyphonic ensemble playing, varying degrees of improvisation, and often deliberate distortions of pitch and timbre. Personally, I prefer the definition found in ...
Jack DeJohnette: Time and Space
by John Kelman
It begins with the sound of a resonating bell, followed by a gently cascading piano solo that gradually assumes shape and form, hovering around two chords and creating an inviting ambiance that resolves with another ringing of the bell, segueing gently into the groove-heavy “Salsa for Luisito." The track is “Enter Here," and the album is ...
Andrew Hill: Point Of Departure
by Greg Simmons
The folks at Music Matters have been reissuing classic Blue Note albums of the 1950s and 1960s at an aggressive clip, and have been careful to include virtually every style of music the label recorded, including some of its more challenging material. Pianist Andrew Hill's Point of Departure (1964) will never be mistaken for light cocktail ...
The State of Jazz Education
by John Beaty
For my entire childhood, up through the moment I graduated high school, I was told of the importance of the SAT Reasoning Tests and attending college. I believe this was a message my entire generation heard from our parents, teachers, and society at large. While I was in eighth grade, I was introduced to jazz and ...
Thad Jones: The Magnificent Thad Jones
by Greg Simmons
Trumpeter Thad Jones' greatest notoriety was as a member and leader of large ensembles, including the Count Basie Orchestra and later the Thad Jones/Mel Lewis Orchestra. But as great as his big band work was, it's a shame he didn't dedicate more time to small combos. He recorded a handful of really first-rate dates for Blue ...
2011: The Year In Jazz
by Ken Franckling
The ebb and flow of jazz in 2011 was marked by a Grammy Awards coup, a Grammy dustup, economic changes that consolidated the recording industry a bit, impacted clubs in various locales, and provided some new opportunities. The U.S. Postal Service literally put its stamp on jazz, even as the government wrestled with the future of ...
