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Gerry Gibbs: Thrasher Dream Trio
by Jack Bowers
A trio that clings together and swings together. Drummer Gerry Gibbs calls this a “dream trio," a description that seems as appropriate as any. Surely, having pianist Kenny Barron and bassist Ron Carter as teammates must seem like a dream come true for any timekeeper. To summarize the point clearly, Barron and Carter are quite simply ...
Steve Wilson: Lifetime of Study
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] I'm very happy to have the opportunity to interview a musician that I've worked with a lot over the years. When people say that a musician has worked with everybody in the business, Steve Wilson has literally worked with everyone in ...
The Splendor: Delphian Palace
by Florence Wetzel
Probably it's best for jazz writers to paraphrase press releases, but sometimes the wording is too good to tamper with. For instance: “The Splendor is a jazz quartet with antennae out, claws in, and a tireless interest in all the small details of the music that transform each concert into its own universe." It's a marvelous ...
Take Five With Craig Tweddell
by AAJ Staff
Meet Craig Tweddell: Craig Tweddell attended Morehead State University, where he was privileged to study with his hero and mentor Greg Wing, who he credits with instilling within him a work ethic and passion for music that continues to inspire him to this day. Craig discovered and fell in love with jazz music and improvising ...
Randy Brecker: A Fusion Legacy
by R.J. DeLuke
On stage at the North Sea Jazz Festival in Holland last July, the ubiquitous trumpeter Randy Brecker lowered his horn after playing two joyous and funky numbers on the stage that is one of the festivals largest venues, serving as a hockey arena during the appropriate season. There were throngs of people, sitting and standing, gleefully ...
Miles Davis: In a Silent Way
by Nenad Georgievski
"Miles' audience isn't where it used to be but neither is his music" was used to market the new releases of Miles Davis' indefatigably changing music in the late 60's that caused seismic shifts in the world of jazz and completely had redirected it into new and fresh territories. In a career that stretched five decades ...
Libor Smoldas Quartet & Bobby Watson: Intuition
by Edward Blanco
One of Europe's rising young jazz star is Prague-based guitarist/composer and educator Libor Smoldas who unveils his fifth album as leader with the highly accessible Intuition featuring an all-Czech Republic quartet with alto saxophonist great Bobby Watson appearing as guest. Recorded at the end of the group's Czech tour, the album is in a sense, a ...
Ron Aprea: Passion Supreme
by Nicholas F. Mondello
Ron Aprea is a saxophonist's saxophonist. After all, none less than the late, great Frank Foster called him friend, confidant, section mate and leader. And Foster wasn't alone in this regard. Aprea has been a mainstay and graced the sax section in the bands of Lionel Hampton, Woody Herman and many others. A multi-faceted musician with ...
Jonas Kullhammar Quartet: Låt Det Vara
by Mark Corroto
If someone told you that jazz wasn't invented in America, you would say they were crazy. Insane. Next thing they might submit is that Christopher Columbus didn't discover the New World. Oops, okay discounting the Native Americans already here, there's that Scandinavian guy Leif Ericson that came through the East Village about 500 years before Chris. ...
Christine Jensen: Impressionism
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] I was first exposed to alto saxophonist Christine Jensen through working with her trumpet playing sister Ingrid Jensen. We played some of her music, which really struck me as direct, mature, grounded and highly creative. Later on I got to meet ...
