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Sonny's Crib

by C. Michael Bailey
From the outset, pianist Sonny Clark's sophomore effort as a leader is crisp, white-hot hard bop. Leading a standard bop trumpet-tenor saxophone quintet (Donald Byrd, John Coltrane), supplemented with trombone (Curtis Fuller), Clark and his most reliable rhythm section of bassist Paul Chambers and drummer Art Taylor carve five dictionary examples (with alternate takes on the ...
Black Lives Matter, Black Culture Matters

by Franz A. Matzner
Black lives matter. I am a jazz writer, so my lens on this truth is in some respects through music. The protests sweeping the countryand globeare potent and necessarily focused on ending racial violence and police brutality. The images we see with increasingly open eyes of the barbaric treatment of African Americans are changing perceptions and ...
A Jazz Immuno-Booster: Part 7

by Ludovico Granvassu
The immuno-booster series continues, and confirms its wide-ranging nature. In this seventh installment the selections range from Stevie Wonder to Mahalia Jackson, passing through Myra Melford, Lyle Mays, Bill Frisell, Charlie Haden, John Coltrane, The Weather Report and Lea Bertucci, who surprisingly seems to take off where Jacobus Gallus left a few hundred years earlier. Mina ...
Marialy Pacheco: Danzón Cubano

by Ian Patterson
You can take the girl out of Cuba, but you can't take Cuba out of the girl. Pianist Marialy Pacheco left her homeland for Germany in 2004, and after a few years in Australia, settled once again in Germany. Wherever Pacheco has dropped anchor, however, she has turned to her island's music for inspiration. Nestled amongst ...
Idris Ackamoor: An Afro-Futurist Odyssey

by Chris May
In summer 2020, Idris Ackamoor will release Shaman! on Britain's Strut label. It is his third album with the post-2015 incarnation of his 1970s band, The Pyramids. It reunites Ackamoor with flautist Margaux Simmons, with whom he had co-founded The Pyramids in 1972. Ackamoor's route to Afro-Futurist jazz began in the US in ...
New Jazz From London: Top 20 Paradigm Shifting Albums

by Chris May
After a lifetime trying to get on an equal footing with its American parent, British jazz has finally come of age. Since around 2015, a community of young, London-based musicians has forged a style which, while anchored in the American tradition, reflects the Caribbean and African cultural heritages of many of its vanguard players. The scene ...
Geoff Mason: GMQ

by Jack Bowers
Geoff Mason, one of the UK's leading jazz trombonists, mans the front line by himself on the slyly named GMQ, an eloquent quartet session from which Mason's longtime colleague, the outstanding saxophonist Simon Spillett, is regrettably missing. As nothing can be done to set that right, best to focus on the music at hand, which binds ...
Stefanie Kunckler e il Questionario di Proust

by Paolo Peviani
Il tratto principale della mia musica Vedo la musica come un linguaggio con cui posso porre della domande, raccontare delle storie, o anche dimostrare il vuoto. La situazione mi mancano le parole" non esiste. La qualità che desidero nei musicisti che suonano con me Il sentimento che ciascuno possa ispirare l'altro.
Riverside Records: An Alternative Top Ten

by Chris May
From 1953, when it was set up, to 1964, when it was acquired by ABC, Riverside Records rivalled Blue Note and Prestige as one of the leading independent jazz labels based in New York City. The founders of all three labels were jazz fans who operated on slim margins and became producers partly because they enjoyed ...
Jimmy Cobb: We're Remembering U

by Scott H. Thompson
Drummer Jimmy Cobb was a 91-year old NEA Jazz Master who was (until recently) still playing hard and keeping the groove with his trio consisting of Tadataka Unno on piano and Paolo Benedettini on drums. Remembering U (his 12th album as a leader and first release on his own Jimmy Cobb World label) was released in ...