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Farahser: Flatland
by John Chacona
As Farahser, Torontonians John Kameel Farah, a classically trained pianist, and drummer/producer Nick Fraser roam the frontier where improvised and notated music meet. It is well traveled territory these days, but on their eponymous release these sonic explorers find a borderland between memory and legend, imagination and investigation. Echoes of the Palestine of Farah's ancestors ripple ...
John Escreet: Departure No. 1
by John Chacona
When you first listen to “Departure No. 1," from John Escreet's The epicenter of your dreams (Blue Room Music, 2024), you might well ask, Who wrote that? At once familiar but tantalizingly hard to pin down, the composition sounds like a Bud Powell tune or maybe an undiscovered Herbie Nichols gem, perhaps in an edition by ...
Nicola Caminiti: Adam Arturo
by John Chacona
Every generation or so, a rhythm section comes along and changes the game. Think of Count Basie's “All-American Rhythm Section" with Freddie Green, Walter Page and Jo Jones, or Herbie Hancock, Ron Carter and Tony Williams from Miles Davis' second great quintet. It's up to history to render the verdict about pianist Lex Korten, bassist Ben ...
Roxana Amed: A Prayer
by John Chacona
The U.S. recording career of Argentine-born vocalist Roxana Amed is a study in the frustration that assumptions about genre can create. Both 2021's Ontology and the following year's Unánime, released by Sony Music, were nominated for Latin Grammy Awards. That was well-deserved, yet these were also among the best jazz vocal recordings of those years. Her ...
Lorne Lofsky: Steward of the Canadian Guitar Tradition
by John Chacona
Guitarist Lorne Lofsky rocketed to fame when It Could Happen To You (Pablo Records, 1981), his debut release as a leader, was produced by fellow Canadian Oscar Peterson. Lofsky has since toured and recorded with a wide range of musicians from all around the world, including Peterson, but his hometown of Toronto has been his base ...
Yotam Silberstein: Never Let Me Go
by John Chacona
In his heyday, tenor saxophonist George Coleman bulled through the changes with the single-minded muscularity of heavyweight boxer Joe Frazier bearing down on an opponent. When Big George was on, the changes didn't stand a chance. He's slowed down a bit, but like many distinguished predecessors, what Coleman has lost--or abandoned--at racehorse tempos is more than ...
Hilary Gardner: On the Trail With the Lonesome Pines
by John Chacona
It might be hard for the young'uns to believe, but there was a time when movie houses and television screens were filled with westerns. Tales of cowpokes and their trusty horses, outlaws, dogies and tumblin' tumbleweeds were so popular that various sub-genres of westerns flourished as brand extensions. One of these featured the singing cowboy trope, ...
Ken Vandermark’s Edition Redux at BOP STOP at The Music Settlement
by John Chacona
Ken Vandermark's Edition Redux BOP STOP at The Music Settlement Cleveland, OH February 27, 2024 Every jazz concert brings an experience that you've never had before and likely weren't expecting. In the case of the Cleveland concert by protean saxophonist Ken Vandermark's Edition Redux, the source was a new Apple Watch ...
Giorgi Mikadze Trio: Same Garden
by John Chacona
Your assignment for today is to name the composer of “Same Garden" (no fair looking!). Could it be a Jerome Kern deep cut? A rarity by Cole Porter? Wait! Victor Young, right? All good guesses for this tuneful, 32-bar AABA line, but the prize goes to the sharp-eared listener who named Shota Milorava, a ...
Elan Mehler: Trouble In Mind
by John Chacona
There's a scene in Michael Cimino's 1978 film The Deer Hunter where five friends celebrate a successful hunt at the bar owned by their older companion. The mood is celebratory, but as John (George Dzundza), the bar's owner, sits down at the piano to play Chopin's G-Minor Nocturne, the room grows quiet. Three of the younger ...
